English summary: The objective of this volume is to change the image of Hegel as a philosopher of the Prussian state, as one who, concerned only about his career, spoke in praise of the king of Wurttemberg, and as an author who, under the influence of the Carlsbad Decrees, completely changed his philosophy of right. In addition to historical studies, the volume presents a number of predominantly systematic works in order to shed light on the history of the development of (...) Hegels philosophy of right as a whole. German description: Der Band stellt sich die Aufgabe, das Bild Hegels als des 'Preussischen Staatsphilosophen', des karrierebedachten Lobredners des wurttembergischen Konigs und als eines Autors, der unter dem Einfluss der Karlsbader Beschlusse seine Rechtsphilosophie grundsatzlich umkonzipierte, entscheidend zu korrigieren. - Der Band prasentiert neben historischen Untersuchungen eine Reihe uberwiegend systematischer Arbeiten, um so die Entwicklungsgeschichte der Rechtsphilosophie Hegels im Ganzen erhellen zu konnen. - Mit Beitragen von G. Planty-Bonjour, J. D'Hondt, E. Fleischmann, Z. A. Pelczynski, N. Waszek, H. Kimmerle, Ch. Jamme, H.-Ch. Lucas, W. Jaeschke, R. Grawert, O. Poggeler, W. Bonsiepen, L. Siep, G. Lubbe-Wolff, A. Peperzak und K. R. Meist. (shrink)

In this paper I argue, contrary to Chad Hansen’s view , that pre-Han 漢 Chinese philosophy has the semantic concept of truth. Hansen argues that, first, pre-Han Chinese thinkers do not have motivations to introduce the concept of truth in their philosophy due to their peculiar theory of language; second, the concept does not fit well with philosophical texts at that time, and in particular, the Mozi 墨子 text about the three standards of doctrine. However, I argue that Chinese thinkers (...) indeed have reasons to introduce the concept of truth. Hansen’s reading of the three standards of doctrine takes the standards as standards of correct word use, thus attributing to the authors of the Mozi an understanding of yan 言 as something without complete propositional content. However, I argue, a reading that sees the three standards as standards for something with complete propositional content explains better the passages in which the authors apply the standards to various issues. Finally I argue that the term ran 然 is sometimes used as a truth predicate in classical Chinese texts, because it has several important features identical to that of the truth predicate “is true” in English. (shrink)

I wish to discuss the constitutive conditions ‐ and aporias ‐ of the representations of the other in philosophy, sociology and cultural studies. In so doing, I show that crucial to the problem of ‘tolerance’ is the answer to such questions as: How do we represent the stranger and the other? How does this representation come into being? How can it ‐ in given instances ‐ be changed? I shall suggest that the arts may play a decisive role in this (...) process.In this paper I shall attempt to outline a double thesis: (a) the philosophical theory of the experience of something other requires the challenge of ethnology as the science of the stranger; and (b) conversely, however, ethnology itself requires a theory of cultural strangeness, which although always presupposed is never developed. I shall pursue this thesis in three stages. In the first section, I shall say something about the philosophical study of the other and its latent affinity with ethnology. In the second section, I shall take some key terms from the current dispute within ethnology over methodology, and attempt to show that the experience of something other (alien) requires a medium to express, or rather to describe, this experience. This problem of ethnographic depiction and description, lying between science and art; and the suggested solutions to this problem, developed particularly by postmodern American cultural‐anthropology, namely an aesthetisization without art, leads to the third section of this paper. This provokes the following question: what does art ‐ that moment which remains hidden within the contemporary ethnological discussion ‐ have to offer to our understanding of the (cultural) other? Further, we may ask, as paradoxical as it may at first sound, whether it is precisely from art, perhaps indeed only from art, that the way is to be found leading towards that which hasn't yet been problematized in all these contemporary intercultural debates: an ethic of intercultural understanding as the most important precondition for intercultural tolerance or toleration. (shrink)

Having read the works of Wang Ch'ung [A.D. 27-c. 100], I realized that they need to be recapitulated. Here I shall evaluate Wang Ch'ung and his thought and present what I feel to be the real significance that Wang Ch'ung's thought still has today.

The book entitled the Huang Ti nei ching [Canonical Works of Huang Ti] has two sections - the "Su Wen" section and the "Ling Shu" section - and each section contains eighty-one articles. It was written by several authors in different historical periods. According to historical records and scholars' studies of the content and context of the book, we can roughly say that it was written in the period between the late years of the Warring States era and the early (...) years of the Eastern Han dynasty. Seven articles in the "Su Wen" section were materials from an "older version" and were merged into the book by Wang Fing in the Tang dynasty. They were probably written by scholars in the Eastern Han period or a little later. The two articles on acupuncture and pathology have been proved forgeries made in the Tang-Sung period. They should not have been included in the book because they contain more idealist dregs than do the other articles. (shrink)

In den Begriffen Mythos, Geist und Kultur spiegeln sich die thematische Breite und der innere Zusammenhang des Denkens von Christoph Jamme, dem diese Festschrift gewidmet ist. Die versammelten Beiträge, unter anderem zur mythischen Rationalität und ihrer Transformation in der Moderne, zum deutschen Idealismus, zur Kulturtheorie und zu verschiedenen kulturellen Objektivationen in Literatur und Malerei, zeigen prismatisch die vielfältigen Formen der menschlichen Vernunft sowie die unterschiedlichen Richtungen und Wege ihrer Kritik.