El cine se ha descubierto como una herramienta efectiva y útil para el estudio de la Historia y la Sociología. Esa es la intención del análisis de dos películas clásicas del cine español como son ‘Historias de la Radio’ e ‘Historias de la Tele’, ambas dirigidas por el polémico José Luis Sáenz de Heredia, conocido por sus lazos familiares con el creador de Falange Española y su relación con el General Franco. Lejos de polémicas controversias y lecturas políticas, este artículo (...) intenta describir las diferencias entre la sociedad española de los años 50 y 60 usando el cine como base para el análisis. (shrink)

Esta investigación está contextualizada en torno a la influencia que ejercen las tecnologías de la información y de la comunicación, en la educación informal. En concreto, nuestro objetivo es reflexionar sobre la televisión. Para ello, partimos de un análisis teórico, que nos permite entender cómo ha cambiado el significado de algunos conceptos claves, como educación y comunicación, en la postmodernidad globalizada. Con los datos derivados de diversas investigaciones, determinamos cuál es el impacto de la televisión en los niños (...) y adolescentes, valoramos sus efectos educacionales y su influencia en diversos aspectos de la persona, fundamentalmente en su conducta. No obstante los resultados negativos que reflejan estos trabajos, debemos tener en cuenta los efectos positivos de la televisión, que resultan menos subrayados y que pueden ser más abundantes si son cabalmente planeados, desde el ámbito educativo. Finalmente, esta investigación nos permite constatar que hay una asignatura pendiente: dar un nuevo impulso a nuestro desarrollo humano y ético, con ayuda de las tecnologías. Partiendo de la importancia de la “escuela paralela”, creemos que es posible elaborar un nuevo modelo educativo integral, que responda a los retos que nos plantea la sociedad moderna. (shrink)

En France, les personnes issues des minorités, principalement d'origine extra-européenne , sont susceptibles de connaître la discrimination, la stigmatisation mais aussi l'exclusion. La télévision, en tant que « lieu de reconnaissance », constitue un enjeu important pour ces populations. Cependant, le petit écran semble marginaliser depuis toujours ces minorités visibles non seulement en leur laissant une place limitée à l'antenne mais aussi en leur renvoyant des images majoritairement caricaturales et dévalorisantes d'elles-mêmes. Une enquête qualitative auprès de 43 individus d'origine africaine (...) et antillaise montre que les minorités sont capables de mettre en place des réactions défensives ou stratégies identitaires afin de réduire le décalage certain entre leur identité sociale - souvent dépréciatrice - et leur identité personnelle , prenant les médias comme ressources pour l'action.In France, persons belonging to minorities, mainly non-European origin , are likely to experience discrimination, stigmatization but also exclusion. Television as a "place of recognition," is an important issue for these people. However, the small screen seems to marginalize always visible minorities by giving them not only a limited role in the antenna but also by returning images mostly caricatures and demeaning to themselves. A qualitative survey of 43 individuals of African and Caribbean origin shows that minorities are able to implement defensive reactions or identity strategies to reduce the gap between some social identity - often dépréciatrice - and their personal identity , taking the media as resources for action. (shrink)

Even though it’s frequently asserted that we are living in a golden age of scripted television, television as a medium is still not taken seriously as an artistic art form, nor has the stigma of television as “chewing gum for the mind” really disappeared. -/- Philosopher Martin Shuster argues that television is the modern art form, full of promise and urgency, and in New Television, he offers a strong philosophical justification for its importance. Through careful analysis of shows including The (...) Wire, Justified, and Weeds, among others; and European and Anglophone philosophers, such as Stanley Cavell, Hannah Arendt, Martin Heidegger, and John Rawls; Shuster reveals how various contemporary television series engage deeply with aesthetic and philosophical issues in modernism and modernity. What unifies the aesthetic and philosophical ambitions of new television is a commitment to portraying and exploring the family as the last site of political possibility in a world otherwise bereft of any other sources of traditional authority; consequently, at the heart of new television are profound political stakes. (shrink)

L’émission Loft Story représente l’apogée de la néo-télévision. Elle a instauré un contrat de communication avec le public qui a mêlé la plupart des éléments caractéristiques de la télévision contemporaine. Participation du public au programme, symbolisée par la présence à l’écran de personnes anonymes issues de la société civile et par une interactivité poussée exprimée par les votes. Imbrication difficile à décrypter pour le téléspectateur entre réalité et fiction. Dimension ludique du programme et vécu en direct qui entretiennent le double (...) phénomène d’identification et de distanciation. Mise en scène de la dimension relationnelle de la vie privée. Écho de la culturelle adolescente, surtout dans son aspect interrelationnel. Utilisation du média comme acteur de la vie sociale, et notamment comme agent de promotion professionnelle.The show Loft Story represents the most extreme form of « neotelevision ». The communication contract it proposes to its audience brings together most of the elements that characterize modern television. 1) Public participation in the programme . 2) Unability for viewers to clearly sort out what pertains to reality and what belongs to fiction. 3) Playful dimension of a live broadcast that simultaneously triggers identificatory and distancing processes. 4) Focus on the private realm and on its relational dimension. 5) Particular attention paid to adolescent cultures, especially in their interrelational aspects. 6) Transformation of the medium into a social actor in its own right, specially as an agent of professional promotion. (shrink)

This article examines the significant relationship that existed between commercial British television and the study of animal behaviour. Ethological research provided important content for the new television channel, at the same time as that coverage played a substantial role in creating a new research specialism, the study of primate facial expressions, for this emergent scientific discipline. The key site in this was a television and film unit at London Zoo administered by the Zoological Society and Granada TV. The Granada unit (...) produced ‘Animal expressions’, a twenty-five-minute television film based on research on monkeys and apes by the Dutch postgraduate student and soon-to-be-leading-authority Jan van Hooff. Recovering the production and multiple uses of ‘Animal expressions’, this paper offers the first sustained historical analysis of science on commercial television. I show how Granada patronage helped Van Hooff to support his argument that human expressions such as smiling and laughter shared common evolutionary origins with similar facial movements in nonhuman primates. Emphasizing the mutual shaping of science and ITV, I argue that ‘Animal expressions’ repurposed televisual conventions of framing talking heads, and blended serious science with the comedy of ‘funny faces’, thereby epitomizing Granada's public-service strategy at a time when commercial television was defending itself from criticism in the Pilkington report. (shrink)

Machine generated contents note: -- Introduction - the Small Screen and Morality - Morality on Television - Sociology and the Moral OrderTelevisuality: Style and the Small ScreenThe Phenomenology of Television - Society and the Small Screen - Mediating Morality- Television and the Imaginary - Conclusion.

Cet article vise à éclairer le rôle de la télévision et d’Internet dans la campagne de 2010 qui a abouti à l’élection de Dilma Rousseff à la présidence du Brésil. Ce faisant, il s’agit de considérer, d’une part, l’analyse d’un expert en communication politique sur l’influence des réseaux sociaux et des médias traditionnels dans les élections remportées par la candidate du Parti des Travailleurs ; d’autre part, de discuter les positions de Dominique Wolton sur le journalisme, Internet, l’information, l’opinion et (...) la communication, en correspondance avec différents points de vue intellectuels à propos d’un événement politique majeur.This article aims at shedding light on the role of television and Internet during de 2010 campaign, up to the election of Dilma Rousseff as President of Brazil. While taking into consideration a political communication expert’s analysis about the influence of social networks and traditional medias in the election of the Partido dos Trabalhadores candidate, it discusses the ideas of Dominique Wolton on journalism, Internet, information, opinion and communication, at the intersection with various intellectuals thoughts in regards to a major political event. (shrink)

Written by one of the foremost and widely-respected writers in the field, this volume sheds new light on the forms and premises of the communicative experience. In doing so, it challenges the theoretical positions of marxist and "political economy of media" analysts who focus largely on the structure of economic and social power within the media. Instead, Scannell explores the structuring of engagement of the viewer/listener with the broadcaster by analysing the communicative intentions of the broadcaster and the understanding by (...) the audience of those intentions. This powerful and accessible book makes an important contribution to media studies in showing students how the history of the media can be enriched by communications theory. (shrink)

Longtemps ignorée en France, la télévision a été un objet de légitimation académique des Sic. Les recherches d'abord inscrites dans l'interdiscipline mais oeuvrant dans une perspective mono ou transdisciplinaire ont donné naissance à une optique inter-disciplinaire qui a mis à jour toute sa portée heuristique. Favorisée par des mesures institutionnelles, la recherche sur ce média a permis de préciser un positionnement par rapport aux autres disciplines.Even if television remained marginal in France for a long time, it has constituted a subject (...) for the legitimisation of IC studies. It was first analysed by researchers belonging to this interdiscipline but working from a single or transdisciplinary perspective, and then apprehended from an interdisciplinary standpoint which brought to light its full heuristic scope. Research into this medium, which was recently made easier by institutional measures, has enabled those working in this field to define their position regarding other disciplines. (shrink)

This article aims to reflect the efforts of the Ethnic Greek Minority that resides mainly in southern Albania, in the villages of Dropoli in Gjirokastra town, to have its own television programs in the Greek language. Further to the editions of the printed media and the radio broadcasts in the Greek language that were dedicated to the Greek Minority, there arouse the need for television programs in the Greek language which would be another dimension in reflecting the worries, the problems, (...) the traditions and the culture of the Greek Minority in Albania. Although the airtime of the programs in the Greek language, their frequency and the period in which they were broadcasted were short term, there remains undisputed their value in terms of the contribution to the social, political, economic and cultural life of the Greek Minority residing in Albania. The study of the Ethnic Greek Minority media in Albania is an unstudied field, so, in this article we aim to fill this gap somehow by providing a modest contribution, which may serve to many future researchers who will conduct studies of such topics. (shrink)

In this important new book, Jacques Derrida talks with Bernard Stiegler about the effect of teletechnologies on our philosophical and political moment. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. What does it mean to speak of the present in a situation of "live" recording? How can we respond, responsibly, to a question when we know that the (...) so-called "natural" conditions of expression, discussion, reflection, and deliberation have been breached? As Derrida and Stiegler discuss the role of teletechnologies in modern society, the political implications of Derrida's thought become apparent. Drawing on recent events in Europe, Derrida and Stiegler explore the impact of television and the internet on our understanding of the state, its borders and citizenship. Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body. The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography. In Echographies of Television, Derrida and Stiegler open up questions that are of key social and political importance. Their book will be of great interest to all those already familiar with Derrida's work, as well as to students and scholars of philosophy, literature, sociology and media studies. (shrink)

_Television and Common Knowledge_ Edited by Jostein Gripsrud London: Routledge, 1999 ISBN 0-415-18929-2 209 pp.

Mass media have been accused of cultivating anti-immigrant sentiments in Western societies. Most studies on this topic, however, have not made a distinction between the types of television program (information vs. entertainment) or television station (public vs. commercial). Adopting a comparative approach, we use data from the six waves of the European Social Survey (ESS, 2002–2012, n = 162,987) to assess the relationship between individual and aggregate level patterns of television consumption and anti-immigrant sentiments in European societies. Individual television viewing (...) time is positively associated with anti-immigrant sentiments, while frequent exposure to news and information programs is associated with lower levels of anti-immigrant sentiments. At the aggregate level we observe a positive effect of the total viewing time in society on anti-immigrant sentiments. In the conclusion we offer some suggestions on how this effect could be explained. (shrink)

This study reports the findings of a survey of television news directors drawn from a Radio?Television News Directors Association (RTNDA) sample. Rationale for the study centers around an apparent trend in television news to extend its ethical boundaries to include high proportions of sensationalism, privacy invasion, deception, unfair reporting, and the like. Five principles of journalism ethics? truth, justice, freedom, humaneness, and stewardship?are used as the framework for discussing results of 34 ethical questions. Results show most news directors clearly favor (...) traditional ethical solutions to ethical questions related to truth, justice, freedom, and stewardship principles. There is more disagreement among news directors in responses related to humaneness. (shrink)