Results for 'solecism'

14 found
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  1.  9
    Athenians, Amazons, and Solecisms: Language Contact in Herodotus.Edward Nolan - 2021 - American Journal of Philology 142 (4):571-596.
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  2.  38
    Dualism and solecism.Gareth B. Matthews - 1971 - Philosophical Review 80 (January):85-95.
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  3. The mouse, the moneybox, and the six-footed scurrying Solecism : satire and riddles in Seneca's letters.Margaret Graver - 2019 - In Pierre Destrée & Franco V. Trivigno (eds.), Laughter, Humor, and Comedy in Ancient Philosophy. New York, NY: Oxford University Press.
     
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  4.  7
    Menis and Pelex. Protagoras on solecism.Julia Lougovaya - 2004 - Classical Quarterly 54 (1):274-277.
  5.  9
    The notion of language deviations in St. Augustine’s Ars pro fratrum mediocritate breuiata.Fábio Fortes & Fernando Adão de Sá Freitas - 2019 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 27:e02710.
    The notion of linguistic correction with which Augustine of Hippo introduced his Ars pro fratrum mediocritate breuiata seems central to the philosopher's grammatical discussion, not only because of the various examples that Augustine offers about the definitions of barbarism and soloecism at the end of this treatise, but also because the subject of correction and, consequently, of the deviations of language, are also presented in other non-grammatical works: The confessions, De ordine and De doctrina Christiana. In this article, we propose (...)
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  6. Why we are responsible for our emotions.Eugene Schlossberger - 1986 - Mind 95 (377):37-56.
    It is often said that one cannot be held responsible for something one cannot help. Indeed, Ted Honderich, Paul Edwards, and C. A. Campbell have suggested that it is obtuse, barbaric, or a solecism to think otherwise 1. Thus, if (contra Sartre and others) one cannot help feeling one's emotions, one is not responsible for one's emotions. In this paper I will argue otherwise; one is responsible for one's emotions, even if one cannot help feeling them. 2 In particular, (...)
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  7.  10
    Sardismos: A rhetorical term for bilingual or plurilingual interaction?Adam Gitner - 2018 - Classical Quarterly 68 (2):689-704.
    In his poem ‘The Last Hours of Cassiodorus’, Peter Porter has the Christian sage ask: ‘After me, what further barbarisms?’. Yet, Cassiodorus himself accepted, even valorized, at least one form of barbarism that had been rejected by earlier rhetoricians: sardismos, the mixture of multiple languages in close proximity. In its earliest attestation, Quintilian classified it as a type of solecism. By contrast, five centuries later Cassiodorus in his Commentary on the Psalms used the term three times to praise the (...)
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  8.  19
    Surreptitious substitution.Barbara Saunders - 2003 - Behavioral and Brain Sciences 26 (1):47-48.
    In this commentary I argue that Byrne & Hilbert commit a number of philosophical solecisms: They beg the question of “realism,” they take the phenomenon and the theoretical model to be the same thing, and they surreptitiously substitute data sets for the life-world.
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  9. Cornerstones: You’d better believe them.Giorgio Volpe - 2012 - Synthese 189 (2):1-23.
    Crispin Wright’s “Unified Strategy” for addressing some familiar sceptical paradoxes exploits a subtle distinction between two different ways in which we can be related to a proposition: (full-blown) belief and (mere) acceptance. The importance of the distinction for his strategy stems from his conviction that we cannot acquire any kind of evidence, either empirical or a priori, for the “cornerstones” of our cognitive projects, i.e., for those basic presuppositions of our inquiries that we must be warranted to endorse if we (...)
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  10.  79
    How Rights Became “Subjective”.Thomas Mautner - 2013 - Ratio Juris 26 (1):111-132.
    What is commonly called a right has since about 1980 increasingly come to be called a subjective right. In this paper the origin and rise of this solecism is investigated. Its use can result in a lack of clarity and even confusion. Some aspects of rights-concepts and their history are also discussed. A brief postscript introduces Leibniz's Razor.
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  11.  21
    Theocritea.M. Platnauer - 1927 - Classical Quarterly 21 (3-4):202-.
    There are two ways in which the text as it stands has been construed: Cypris came sweet and smiling ; sweet Cypris also came smiling . Of these is at least grammatical. The order of words, too, can be paralleled . But what I think cannot be paralleled is this curious conjunction of adj. and partic. is frankly ungrammatical. Yet Legrand adopts it, adding: ‘Il faut reconnaitre une construction incorrecte au moins dans ces quatre passages: 1. 95…; 1. 109 ραîος (...)
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  12.  20
    Parody in Plavtvs.W. B. Sedgwick - 1927 - Classical Quarterly 21 (2):88-89.
    Miss Steuart, in her recent edition of the Annals of Ennius, prints the notorious line, ‘O Tite, tute, Tati, tibi tanta tyranne tulisti,’ among the fragmenta spuria, and shows that the attribution of it to Ennius is late and uncertain. That it is old is shown by the fact that it is quoted in the Ad Herennium. Miss Steuart classes it among the ‘freak’ lines by which Hardie thought Lucilius illustrated his hundred kinds of Solecism.
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  13.  19
    The Mirror of the Saronic Gulf.J. A. K. Thomson - 1946 - Classical Quarterly 40 (1-2):56-.
    κάτοπτρον, which is in all the manuscripts, was emended by Canter to κάτοπτον, and this emendation, or Headlam's κατόπτην, has been received by subsequent editors. Those who read κάτοπτον have been in the habit of taking the word to mean here ‘looking down upon’, and in support of this interpretation they sometimes adduce a scholium in M, κατόψιον. This does seem to prove that the scholar, whose note is copied in our scholium, found κάτοπτον in his text. Presumably he took (...)
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  14.  20
    John Locke. [REVIEW]M. B. Crowe - 1968 - Philosophical Studies (Dublin) 17:295-296.
    The need for the critical edition of texts was not ended by the advent of printing. If anyone were naif enough to think so he could hardly be better instructed than by having his attention drawn to the cautionary tale of Locke’s Treatises Admittedly there were special circumstances affecting the printed text, notably Locke’s ‘determined anonymity’, understandable in the conditions of the time and given the drift of the work, but taken by Locke to the extremes of dealing with his (...)
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