In his poem ‘The Last Hours of Cassiodorus’, Peter Porter has the Christian sage ask: ‘After me, what further barbarisms?’. Yet, Cassiodorus himself accepted, even valorized, at least one form of barbarism that had been rejected by earlier rhetoricians: sardismos, the mixture of multiple languages in close proximity. In its earliest attestation, Quintilian classified it as a type of solecism. By contrast, five centuries later Cassiodorus in his Commentary on the Psalms used the term three times to praise the mixture (...) of Greek, Hebrew and Latin in the Latin Psalter. This reversal, from vice to virtue of speech, illustrates some significant changes in attitudes toward language and multilingualism that developed as Christianity reshaped Roman literary culture. For one, Christian preachers, modelling themselves on the plain style of the Gospels, embraced forms of speech that had been regarded as low and stigmatized. In the words of Augustine : ‘better you understand us in our barbarism than to have been deserted in our eloquence’.1 Secondly, Hebrew now entered the linguistic consciousness of the Roman literary elite as one of the three languages of Scripture. Even if in-depth knowledge remained rare, it was worthy of being mentioned alongside Greek and Latin, just as it had appeared with them in the inscription on Jesus’ cross. Lastly, linguistic variety itself came to be positively valued since it reflected the diversity of a church coming together out of many peoples. Commenting on the bride's appearance in Psalm 45, both Augustine and Cassiodorus saw the variegated adornment of her robe as a reference to the diversity of Christian languages. (shrink)

P.Bon. 5 preserves the only known collection of ancient Latin model letters, accompanied by a Greek translation. This article argues that the Latin is the primary version and dates the composition to before the early third century. Comparisons with other model letter collections, principally ps.-Demetrius’ Epistolary Types and ps.-Libanius’ Epistolary Styles, locate the text within a wider literary genre. A new reconstructed text is provided in the Appendix at the end of this article.