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Walter Pater [10]Walter Horatio Pater [2]
  1.  10
    Plato and Platonism.Wm Hammond & Walter Pater - 1894 - Philosophical Review 3 (1):77.
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  2.  17
    Plato and Platonism.Walter Pater - 1894 - New York: Johnson Reprint.
  3.  24
    Psychoanalysis and Literary ProcessGreat Expectations, Moby-DickThe Hieroglyphics of a New Speech, Cubism, Stieglitz, and the Early Poetry of William Carlos Williams.Van Meter Ames, Frederick Crews, James Joyce, Walter Pater & Bram Dijkstra - 1970 - Journal of Aesthetics and Art Criticism 29 (2):282.
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  4. Marcus Aurelius and his times.Marcus Aurelius, Lucian, Justin, Walter Pater & Irwin Edman (eds.) - 1945 - New York,: Pub. for the Classics Club by W. J. Black.
     
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  5.  4
    Platonstudien.B. L. Gildersleeve, Ferdinand Horn & Walter Pater - 1894 - American Journal of Philology 15 (1):89.
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  6.  28
    Walter Pater-Die Autonomie des Asthetischen.Wolfgang Iser & Walter Pater - 1961 - Journal of Aesthetics and Art Criticism 20 (2):216-217.
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  7. Marius the Epicurean: His Sensations and Ideas.Walter Pater - 1885 - Mind 10 (39):442-447.
     
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  8. Plato and Platonism a Series of Lectures.Walter Pater - 1893 - Macmillan & Co..
  9.  2
    Platon et le platonisme: [Greek title]: conferences de 1893.Walter Pater - 1998 - Paris: J. Vrin. Edited by Jean-Baptiste Picy.
    Les conferences dont se compose le present ouvrage furent ecrites au profit de jeunes etudiants en philosophie. Par le terme de Platonisme ne s'entend certes pas ici un quelconque Neoplatonisme mais les seuls principes fondateurs de la doctrine de Platon, doctrine que nous avons tente d'observer en un rapport direct avec son auteur tel qu'il se presente au travers de ses propres ecrits. Plongeant aux racines antiques avec une decision toute nitzscheenne, Pater en revient pourtant conforte dans sa distance: pour (...)
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  10.  6
    Studies in the History of the Renaissance.Walter Pater - 2010 - Oxford University Press.
    Studies in the History of the Renaissance is a highly influential defence of aestheticism. Pater redefined the practice of criticism through his readings of some of the paintings, sculptures, and poems of the Renaissance, and shocked contemporaries for sponsoring a hedonistic ethic with his infamous 'Conclusion'.
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