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Susanne Herrmann-Sinai
Oxford University
  1.  17
    Hegel on the Difference Between Social Normativity and Normativity of Right.Susanne Herrmann-Sinai - 2020 - Hegel-Studien 53 (53/54):117-134.
    Hegel’s “Philosophy of Spirit” applies two different notions of ‘social practice’ – one as a condition of possibility for intentional action and another one as the living actuality within which an action is initiated and takes place. Both notions go hand in hand with their own logically distinct form of normativity – social normativity and the normativity of right. Whereas the first one can already be understood from the standpoint of subjective spirit, the second notion is at home in objective (...)
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    G. W. F. Hegel, The Phenomenology of Spirit. Translated with Introduction and Commentary by Michael Inwood. Oxford: Oxford University Press, 2018. ISBN 978-0-19-879062-4. 544 Pages. £90.00 (Hbk). [REVIEW]Susanne Herrmann-Sinai - 2021 - Hegel Bulletin 42 (1):138-141.
  3.  42
    Musik und Zeit bei Kant.Susanne Herrmann-Sinai - 2009 - Kant-Studien 100 (4):427-453.
    There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that (...)
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  4. Metaphysik der Hoffnung: Ernst Bloch Als Denker des Humanen.Susanne Herrmann-Sinai & Henning Tegtmeyer (eds.) - 2012 - Leipziger Universitätsverlag.
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  5.  13
    Hegels Methodische Antwort Auf Kants Antinomien.Susanne Herrmann-Sinai - 2016 - Hegel-Jahrbuch 2016 (1):320–326.
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  6.  13
    Sounds Without the Mind? Versuch einer Bestimmung des Klangbegriffs.Susanne Herrmann-Sinai - 2009 - Deutsche Zeitschrift für Philosophie 57 (6):885-906.
    A fundamental concept of a philosophy of music is that of sound. Any investigation of this concept has to be ontologically as well as epistemically adequate. The main proposition of the article is that sounds can only be understood ontologically if we take into consideration their main characteristic of being strictly shapeless and lacking content, an insight that we can learn from Kant. In contradiction to Kant, sounds can be epistemologically characterized as objects that can only be re-presented if the (...)
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  7.  6
    Hegel’s Metaphysics of Action.Susanne Herrmann-Sinai - 2016 - In Allegra de Laurentiis (ed.), Hegel and Metaphysics: On Logic and Ontology in the System. De Gruyter. pp. 163-180.
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  8.  4
    Subjective Action.Susanne Herrmann-Sinai - 2016 - In Susanne Herrmann-Sinai & Lucia Ziglioli (eds.), Hegel's Philosophical Psychology. Abingdon / New York: Routledge. pp. 127–152.
    This paper argues that the passages on practical spirit within Hegel's 'Psychology' are able to enrich the picture of Hegel's account of intentional action by providing us with a genuine discussion of 'subjective action.' This kind of intentional activity is not yet part of moral or legal philosophy, and it is neutral as regards the question how an action becomes actually manifest in the world as a 'deed', potentially causing unintended consequences. Instead, subjective action consists in the teleological, end-pursuing action (...)
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