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Penelope Gouk [36]Penelope M. Gouk [2]
  1.  40
    The role of acoustics and music theory in the scientific work of Robert Hooke.Penelope Gouk - 1980 - Annals of Science 37 (5):573-605.
    The work of Robert Hooke on acoustics and music theory is a larger subject than might seem the case from studies of his career so far available. First, there are his experiments for the Royal Society which can be defined as purely acoustical, which anticipate later experiments performed by men such as J. Sauveur and E. Chladni. Second, there are passages in many of his writings which by extensive use of musical analogy attempt to account for all physical phenomena of (...)
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  2.  75
    Newton and music: From the microcosm to the macrocosm.Penelope Gouk - 1986 - International Studies in the Philosophy of Science 1 (1):36 – 59.
  3.  31
    An early critique of Bacon's Sylva Sylvarum: Edmund Chilmead's treatise on sound.Mordechai Feingold & Penelope M. Gouk - 1983 - Annals of Science 40 (2):139-157.
  4. Edited volumes-musical healing in cultural contexts.Penelope Gouk - 2002 - History and Philosophy of the Life Sciences 24 (2):347.
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  5.  26
    Music as a means of social control: some examples of practice and theory in early modern Europe.Penelope Gouk - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 307.
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  6. Some English theories of hearing in the seventeenth century: before and after Descartes.Penelope Gouk - 1991 - In Charles Burnett, Michael Fend & Penelope Gouk (eds.), The Second Sense: Studies in Hearing and Musical Judgement from Antiquity to the Seventeenth Century. Warburg Institute. pp. 95--113.
     
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  7.  8
    The powers and effects of music : English theories from the Renaissance to the Enlightenment.Penelope Gouk - 2021 - In Cornelia Wilde & Wolfram R. Keller (eds.), Perfect harmony and melting strains: transformations of music in early modern culture between sensibility and abstraction. Boston: Walter de Gruyter. pp. 101-124.
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  8.  26
    A. C. Crombie. Science, Optics and Music in Medieval and Early Modern Thought. London and Ronceverte: The Hambledon Press, 1990. Pp. xii + 474, illus. ISBN 0-907628-79-6. £37.50. [REVIEW]Penelope Gouk - 1992 - British Journal for the History of Science 25 (3):359-360.
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  9.  43
    C. F. C. Beeson, Clockmaking in Oxfordshire 1400–1850, 3rd edn, with a new introduction and index by A. V. Simcock. Oxford: Museum of the History of Science, 1989. Pp. vii + 212. ISBN 0-903364-06-9. £22.00. [REVIEW]Penelope Gouk - 1991 - British Journal for the History of Science 24 (4):489-490.
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  10.  35
    C.U.M. Smith, Eugenio Frixione, Stanley Finger and William Clower, The Animal Spirit Doctrine and the Origins of Neurophysiology. Oxford: Oxford University Press, 2012. Pp. xiv+277. ISBN 978-0-19-976649-9. £75.00. [REVIEW]Penelope Gouk - 2013 - British Journal for the History of Science 46 (1):161-162.
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  11.  33
    (1 other version)Deborah E. Harkness. The Jewel House: Elizabethan London and the Scientific Revolution. xviii + 348 pp., illus., figs., bibl., index. New Haven, Conn.: Yale University Press, 2007. $32.50. [REVIEW]Penelope Gouk - 2008 - Isis 99 (2):395-397.
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  12.  27
    H. F. Cohen, Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580–1650 Dordrecht, Boston & Lancaster: D. Reidel Publishing Co., 1984. Pp. xvii + 308. ISBN 90-277-1637-4. Dfl 145, $54.50. [REVIEW]Penelope Gouk - 1985 - British Journal for the History of Science 18 (3):369-371.
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  13.  22
    (1 other version)JAMIE C. KASSLER, Music, Science, Philosophy: Models in the Universe of Thought. Variorum Collected Studies Series, CS713. Aldershot: Ashgate, 2001. Pp. xvi+301. ISBN 0-86078-862-8. £55.00. [REVIEW]Penelope Gouk - 2003 - British Journal for the History of Science 36 (1):87-127.
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  14.  58
    JAMIE C. KASSLER, The Beginnings of the Modern Philosophy of Music in England: Francis North's A Philosophical Essay of Music with Comments of Isaac Newton, Roger North and in the Philosophical Transactions. Aldershot: Ashgate, 2004. Pp. xiv+243. ISBN 0-7546-0139-0. £40.00. [REVIEW]Penelope Gouk - 2006 - British Journal for the History of Science 39 (3):446-448.
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  15.  27
    James Kennaway, Bad Vibrations: The History of the Idea of Music as a Cause of Disease. Farnham: Ashgate, 2012. Pp. xii+213. ISBN 978-1-4094-2642-4. £65.00. [REVIEW]Penelope Gouk - 2013 - British Journal for the History of Science 46 (3):525-526.
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  16.  27
    Pamela H. Smith and Benjamin Schmidt , Making Knowledge in Early Modern Europe: Practices, Objects, and Texts, 1400–1800. Chicago and London: University of Chicago Press, 2008. Pp. xi+360. ISBN 978-226-76329-3. $28.00. [REVIEW]Penelope Gouk - 2009 - British Journal for the History of Science 42 (1):132.
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  17.  28
    Peter Pesic. Music and the Making of Modern Science. viii + 347 pp., illus., bibl., index. Cambridge, Mass.: MIT Press, 2014. $40. [REVIEW]Penelope Gouk - 2015 - Isis 106 (2):412-413.
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  18.  43
    Rebecca Cypess. Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy. xxi + 307 pp., tables, illus., bibl., index. Chicago/London: University of Chicago Press, 2016. $55. [REVIEW]Penelope Gouk - 2017 - Isis 108 (1):186-187.
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  19.  51
    Seventeenth Century Michael Hunter, The Royal Society and its Fellows 1660–1700: the morphology of an early scientific institution. Chalfont St Giles, Bucks.: The British Society for the History of Science, 1982. Pp. v + 270. ISBN 0-906450-03-9. £5.90, $11.00. [REVIEW]Penelope Gouk - 1984 - British Journal for the History of Science 17 (1):110-110.
  20.  26
    Stuart Clark, Vanities of the Eye: Vision in Early Modern European Culture. Oxford: Oxford University Press, 2007. Pp. xii+415. ISBN 978-0-19-925013-4. £35.00. [REVIEW]Penelope Gouk - 2009 - British Journal for the History of Science 42 (4):603.
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  21.  29
    Science in Different Countries Michael Hunter, Science and society in restoration England. Cambridge: Cambridge University Press, 1981. Pp. xii + 233. £18.50; £5.95. [REVIEW]Penelope Gouk - 1982 - British Journal for the History of Science 15 (2):193-194.
  22.  29
    The union of arts and sciences in the eighteenth century: Lorenz Spengler (1720–1807), artistic turner and natural scientist. [REVIEW]Penelope M. Gouk - 1983 - Annals of Science 40 (5):411-436.
    (1983). The union of arts and sciences in the eighteenth century: Lorenz Spengler (1720–1807), artistic turner and natural scientist. Annals of Science: Vol. 40, No. 5, pp. 411-436.
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  23. William Eamon, Science and the Secrets of Nature: Books of Secrets in Medieval and Early Modern Culture. Princeton: Princeton University Press, 1994. Pp. xvii + 490. ISBN 0-691-03402-8. £38.50, $49.50. [REVIEW]Penelope Gouk - 1995 - British Journal for the History of Science 28 (4):465-466.
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  24.  23
    Andrew Hicks, Composing the World Harmony in the Medieval Platonic Cosmos. New York: Oxford University Press, 2017. Pp. xviii + 321. ISBN 978-0-19-065820-5. £29.99. [REVIEW]Penelope Gouk - 2017 - British Journal for the History of Science 50 (3):545-547.
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  25.  46
    Jacomien Prins, Echoes of an Invisible World: Marsilio Ficino and Francesco Patrizi on Cosmic Order and Music Theory. Leiden: Brill, 2015. Pp. xiv + 461. ISBN 978-9-0042-7437-2. €49.00. [REVIEW]Penelope Gouk - 2016 - British Journal for the History of Science 49 (1):119-120.
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