This essay attempts to interrogate the distinct character of Peter Sloterdijk’s declaration of the absolute imperative that concludes his work, You Must Change Your Life, by contextualizing it within the development of his notion of anthropotechnics. In particular, the essays examine the claim that his is a new and unprecedented form of the absolute imperative that is alone able to address, in an effective way, the contemporary global crises that are confronting us now. The first sections trace out the ways (...) in which this new imperative differs from previous forms of the imperative, including the categorical, the aesthetic, and the existential-ontological. The latter sections then discuss how the new form of the imperative is connected to Sloterdijk’s radical attempt at a rethinking of the essence of the human as always already technological, which is the very project of anthropotechnics. This leads finally to a discussion of Sloterdijk’s polemical engagement with Heidegger’s question concerning technology, in which I trace out his attempt at a sweeping translation of Heidegger’s notion of enframing [Gestell] into enhousing [Gehäuse] and the consequences thereof. (shrink)

In this essay, I examine Jean-Luc Nancy’s notion of the sense of the world in relation to the phenomenological investigation of the life-world in Husserl and the worldhood of the world in Heidegger. My aim is to address the reasons why Nancy stresses the need for a different thinking that goes beyond the phenomenological gesture in order to approach the sense of the world. What is at stake in this other gesture is the overcoming of the way in which phenomenology (...) privileges seeing as the mode of access to the phenomenon, which is but one sense among many and which, as one sense among many, fails to bring thought into relation with the pluralisation of sense. The second part of the essay interprets the pluralisation of both sense and world in terms of Nancy’s turn to art, which by touching upon the limit of philosophy, turns the latter into the praxis of the exposition of sense. Pluralisation betokens Nancy’s attempt to think the finitude of the world as that which spaces itself out into multiple, singular and shared. (shrink)

This essay examines Jean-Luc Nancy's re-posing of the question of freedom in The Experience of Freedom in relation to three issues—what he calls the “thought of freedom,” the reality of evil, and the closure of metaphysics. All three elements that he discusses point directly to Heidegger's engagement with Friedrich Schelling's attempt to establish a system of freedom. My intervention into the discussion between these three thinkers will address several issues. The first part draws out the implications of Nancy's argument that (...) the thought of freedom, not the question of being as Heidegger would have it, is the ultimate matter for thinking that arises at the end of metaphysics. This in turn has important implications for Nancy's understanding of evil. The next part confronts and criticizes Nancy's contention that there is an “ontodicy” in Heidegger's thought that lends a certain justification to evil. The final part aims to show how Heidegger's engagement with Schelling and the reality of evil has to be understood within the context of the question concerning technology. This leads to a second confrontation with Nancy, who proposes a quite different interpretation of technology according to his own ontology, which he calls “being singular plural,” which amounts in effect to a liberation of technology from the being-question. (shrink)

This essay attempts to interrogate the distinct character of Peter Sloterdijk’s declaration of the absolute imperative that concludes his work, You Must Change Your Life, by contextualizing it within the development of his notion of anthropotechnics. In particular, the essays examine the claim that his is a new and unprecedented form of the absolute imperative that is alone able to address, in an effective way, the contemporary global crises that are confronting us now. The first sections trace out the ways (...) in which this new imperative differs from previous forms of the imperative, including the categorical, the aesthetic, and the existential-ontological. The latter sections then discuss how the new form of the imperative is connected to Sloterdijk’s radical attempt at a rethinking of the essence of the human as always already technological, which is the very project of anthropotechnics. This leads finally to a discussion of Sloterdijk’s polemical engagement with Heidegger’s question concerning technology, in which I trace out his attempt at a sweeping translation of Heidegger’s notion of enframing [Gestell] into enhousing [Gehäuse] and the consequences thereof. (shrink)