This introduction provides brief outlines of the articles collected in this special issue of the International Journal of Philosophical Studies on the topic of Ethics and Emotions. It also announces the winners of the 2021 Robert Papazian and PERITIA prizes.

ABSTRACT The introduction to the special issue on the Ethics and Politics of Disagreement provides a history of the Robert Papazian and PERITIA IJPS Essay prizes, announces the winners of the 2023 prizes, provides a brief overview of the articles in this special issue and highlights some of their connections, and concludes with an announcement of a new IJPS essay prize.

The COVID-19 crisis has highlighted the considerable challenge of sourcing expertise and determining which experts to trust. Dissonant information fostered controversy in public discourse and encouraged an appeal to a wide range of social indicators of trustworthiness in order to decide whom to trust. We analyze public discourse on expertise by examining how social indicators inform the reputation of Dr. Didier Raoult, the French microbiologist who rose to international prominence as an early advocate for using hydroxychloroquine to treat COVID-19. To (...) comprehend how these indicators came to inform his reputation, we outline Dr. Raoult's rise to fame based on discourse about hydroxychloroquine. We then discuss why we trust in experts like scientist-practitioners. This is followed by an examination of how social indicators of trust like status, epistemic authority, influence and values have informed Dr. Raoult's reputation. We conclude with recommendations for how to improve the selection and evaluation social indicators of trust and reputations. Our aim here, instead of making a claim about the efficacy of hydroxychloroquine or Dr. Raoult's reputation per se, is to outline through this case study how social indicators of trust inform reputation and the challenge they present to evaluating expertise. (shrink)

La famosa definición de la música de san Agustín tuvo una notable influencia posterior, siendo recogida por grandes autores como san Isidoro, quien define la música de manera parecida en varios lugares de su obra. El objetivo de este artículo es localizar y analizar estas definiciones isidorianas para delimitar su significado y su alcance dentro del pensamiento musical del obispo hispalense, así como las posibles fuentes utilizadas por san Isidoro para su elaboración.