This paper advances the research on personalization of political communication by investigating whether this process of focusing on politicians instead of political issues plays a role on Twitter. Results of a content analysis of 5,530 tweets posted in the run-up to the German federal election provide evidence that Twitter communication refers more often to politicians than to issues. However, tweets containing personal characteristics about political leaders play only a marginal role. When distinguishing among different groups of actors on Twitter (journalists, (...) politicians, citizens), we find that citizens focus more on candidates than do journalists or politicians. Investigating the impact of a televised debate on Twitter communication, we observe that this person-centered event puts the focus on individual politicians instead of issues. (shrink)

Following its publication in Germany in 1963, Otto Friedrich Bollnow's Human Space quickly became essential reading within a cross-disciplinary field of subject areas including architecture, anthropology, and philosophy. In this first English translation, Bollnow conceives the human experience of space not merely as a philosophical problem but also as an extension of his research into psychology, human behavior, and the conventional domains of architecture: living in a building, in an apartment, in a house. Human Space is a remarkable investigation (...) of space as we experience it, by a man many consider to be the father of spatial and architectural anthropology. This lush hardcover edition includes an afterword by Joseph Kohlmaier that situates the work in the context of philosophical and architectural discussion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Recovering the Snorra Edda:On Playing Gods, Loki, and the Importance of HistoryMathias Moosbrugger (bio)Distinguamus ergo quam fidem debeamus historiae,quam fidem debeamus intellegentiae.—Augustinus, De vera religioneI.It might seem rather uncreative to those familiar with René Girard's thinking to deal with the story of the murder of Baldr as told in the Edda by Snorri Sturluson, one of the foremost representatives of the extraordinary poetic culture of medieval Iceland, from (...) a Girardian point of view. This is obviously because Girard himself has analyzed this story in detail in a chapter of his book The Scapegoat.1 Everything else could either be seen as an unnecessary addition to what has already been said—at most a contribution of interesting but in the end not substantial details—or a (perhaps hypercritical) objection to the mimetic theory as a whole from the viewpoint of another theoretical approach, in order to detect the heuristic or hermeneutical weaknesses of the mimetic theory. I do not intend to do either. Nevertheless, I will try to outline [End Page 105] a rereading of the Baldr-story that is quite different from and in some respects contrary to the interpretation suggested by Girard. I am, in fact, suggesting that, in order to understand the proper narrative structure and the inner hermeneutical dynamic of the story, it is fundamentally important to read it not solely paying attention to the phenomenological structure of the text, but in the first place attending to the historical context of its genesis. Luckily, this has been the object of historical research for many decades, and we are therefore provided with a solid fundament for the following considerations. I hope to show convincingly that only the application of historical research can enable us to reconstruct the actual essence of this story—something, by the way, that historical research itself has not yet been able to accomplish. Certainly, all this does not mean that we have to historicize the story itself, as, for example, Saxo Grammaticus did in his Gesta Danorum, but merely that we need to situate it—or rather, its author—in the proper historical context.2 And as the mimetic theory is not, as critics constantly claim, a quasi-totalitarian and mono-dimensional system that allows only one "dogmatic" interpretation of a story, it is possible to reinterpret texts already analyzed "formally correctly" by means of the mimetic theory without—I hope—becoming unfaithful to its main theoretical insights. By connecting a historical approach with the insights provided by mimetic theory, I intend to defend an author, Snorri Sturluson, who, I think, is greatly underestimated in Girard's interpretation of the Baldr-story (Girard does not even mention the author's name) and to recover the most profound hermeneutical value of his Edda, which has not yet been detected by historians. Snorri was a poetic genius, but it is not he who needs this defense; it is we who need it, because he is, as I want to show, an author with an incredible understanding of the socioanthropological powers that govern human society.II.It is useful to recapitulate Girard's interpretation in The Scapegoat; this requires in the first place a general overview of Snorri's Baldr-story itself.3 We all know the main elements of this story: Baldr, the best and most loved of all the gods, is, as dreams tell him, in danger of being killed. Odin, Baldr's father and the highest of all the gods, knows this and is also aware that this would be the beginning of the end of the world. So the Aesir prepare a strategy in order to prevent any such thing from happening: the goddess Frigg has all creatures take an oath that they will not do Baldr any harm—be it by fire, water, iron, metal, stones, earth, trees, diseases, animals, birds, poisons, or snakes. This [End Page 106] "all-in insurance" makes Baldr and his fellow gods slaphappy—in the truest sense of the word: assuming that nothing can ever hurt Baldr now, they stand around him and throw at him whatever comes to their minds or respectively their hands—and everything seems to... (shrink)

This paper rereads René Girard’s intellectual biography as a process first of apparent dissociation, and then of not so very much apparent, though quite solid, recovery of historical thinking. A trained historian-archivist, the young Girard began to massively rearrange his intellectual outlook by adopting methods and perspectives drawn from both very modern thinkers such as Jacques Derrida, and classical thinkers such as Émile Durkheim. In developing his signature theory of the scapegoat mechanism, however, Girard’s intellectual biography eventually came full circle. (...) Reluctantly, and sometimes probably even unconsciously, he began to work intellectually like a good historian. Historical methodology and mimetic theory have, therefore, very much in common. This usually overlooked close relationship would seem to offer a promising new perspective when it comes to further developing mimetic theory methodologically. (shrink)

In a letter to Raymund Schwager from October 1991, René Girard arrived at a very critical verdict concerning his 1978 book Things Hidden since the Foundation of the World—the very book about which he had written almost one and a half decades before, that it contained the “essence of what I have to say” and “clarified and dissipated former misunderstandings.”1 The reason for this change of mind was Raymund Schwager himself, who had sent him the manuscript of a paper on (...) “Mimesis and Freedom” he had presented seven years earlier, in 1984, at a symposium on Girard’s thinking in Provo, Utah.2 For Girard, who had actually attended the Provo symposium, this text as such was, naturally, not new. And it was not new for him .. (shrink)

In one of his brilliant essays, Gilbert Keith Chesterton—famous English author of the early twentieth century and master of paradoxical reasoning in his intellectual battle for the truth of Christianity1—outlines the fascinating story of a very strange adventurer. Having completely lost orientation after a long, stormy journey, this adventurer reaches the safe shores of his homeland, proudly believing to have discovered a yet-unknown country. Even stranger and more fantastic is his constant astonishment in rediscovering exactly those places, people, and things (...) that had actually always been part of his everyday life. Chesterton stresses that this is not the story of the embarrassing mistake of an unskilled seafarer.. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Keine ausführliche Beschreibung für "Zur Analysis der Wirklichkeit" verfügbar.

Keine ausführliche Beschreibung für "Zur Analysis der Wirklichkeit" verfügbar.

La juridicisation croissante de notre vie publique et le fonctionnement de l'Etat de droit ont rendu nécessaire de reposer la question des modes de raisonnement fondant désormais les décisions judiciaires, de plus en plus importantes, de plus en plus nombreuses, qui régissent notre activité quotidienne. L'enjeu n'en est pas négligeable. Au-delà d'une vision "technologique" du droit - le droit, une technique, un outil... -, c'est aussi, et de manière peut-être plus inquiétante, une vision plus politique qui en est souvent suggérée (...) : la mort annoncée du droit comme technique autonome, capable de résister au politique - simple habillage, habile camouflage, d'une décision dont la motivation ne serait jamais - ne pourrait jamais être - mise en échec, orientée, ou commandée par les contraintes du droit. Entre positivisme et réalisme, l'oscillation risque d'être catastrophique. Entre ces deux abîmes, cet ouvrage tente d'ouvrir les voies d'une réflexion rigoureuse et scientifique sur les moyens intellectuels les plus nécessaires à l'affirmation - et à l'affermissement - de l'Etat de droit. (shrink)

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In der vorliegenden Arbeit wird der Versuch unternommen, folgende Frage zu beantworten: Welche Bedingungen sind notwendig dafür, dass es objektiv gerechtfertigt ist, jemandem moralische Verantwor-tung im Sinne einer Pflicht zuzurechnen? Durch die Beantwortung dieser Frage soll ein kleiner, aber wesentlicher Bereich der Verantwortungsproblematik geklärt werden. Dies zu tun, erscheint allein schon deshalb notwendig, weil die Häufigkeit, mit welcher die Ausdrücke 'verantwortlich' und 'Verantwortung' verwendet werden, mit einer gewissen Unbestimmtheit in Bezug darauf einher geht, was damit jeweils gemeint sein könnte. Diese (...) Unbestimmtheit betrifft nicht zuletzt die Fragen, ob sich die Rede von jemandes Verantwortung auf eine Pflicht der betreffenden Person bezieht oder nicht und ob eine solche Pflicht als moralische Angelegenheit zu sehen ist oder als eine des Rechts oder anderer Normsysteme. Um moralische Verantwortung im Sinne einer Pflicht zu bestimmen, ist insbesondere notwendig, die Bedingungen anzugeben, die erfüllt sein müssen, damit es objektiv gerechtfertigt ist, jemandem Verantwortung im Allgemeinen zuzurechnen, andererseits aber ist zu klären, in welchem Sinne sich Menschen dabei auf Moral berufen. Eine solche Analyse ist notwendig, um zu erkennen, auf welche Weise die Rede von moralischer Verantwortung in unser Leben eingreifen kann und soll. (shrink)

In this article I try to investigate the possible insights one may reach by considering the development on the level of socio-philosophical theories as a symptom of the development taking place on the level of social practice.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This essay comprises two chapters from the first part of Bollnow’s book on moods, namely the second chapter on the concept of Stimmung and the third chapter on Stimmungen as the sustaining foundation of the soul. It argues that moods constitute the simplest and most original form in which human life comes to know itself. Moods are understood as a specific harmony between, first, the inner and outer world; second, the states of the body and the soul; and, third, the (...) individual faculties of the soul. Moods differ from emotions in the narrow sense, which are always intentionally directed towards a specific object, whereas moods do not have any specific object; they are states of being, structuring and coloring human existence as a whole. Hence, no system of moods is provided, but their extensive diversity is indicated. Furthermore, transient, unsteady, or “moody” moods are distinguished from persistent or basic moods. (shrink)