One of postmodernism's toughest challenges to Christian thought is its wholesale rejection of metaphysics. This profound book meets the challenge squarely, offering a surer foundation for the idea of being and a new theological perspective of supreme relevance to today's world. In a brilliant turn of postmodern thought itself, Oliver Davies argues for a renewal of metaphysics based on a dynamic new understanding of ontology as narrative and performance. His repairing of the Western metaphysical tradition is grounded both in the (...) divine self-naming in Exodus -- which, for the rabbis, identified God's presence in the world with God's compassionate acts -- and in the compassionate resistance of Etty Hillesum and Edith Stein to the violence of the Holocaust. Building on a new metaphysics of compassion that is attentive to the deepest histories of the contemporary world, Davies offers a renewed systematic theology focused on divine speech and God's compassionate relation to human culture. (shrink)

Negative theology or apophasis - the idea that God is best identified in terms of 'absence', 'otherness', 'difference' - has been influential in modern Christian thought, resonating as it does with secular notions of negation developed in continental philosophy. Apophasis also has a strong intellectual history dating back to the early Church Fathers. Silence and the Word both studies the history of apophasis and examines its relationship with contemporary secular philosophy. Leading Christian thinkers explore in their own way the extent (...) to which the concept of the apophatic illumines some of the deepest doctrinal structures of Christian faith, and of Christian self-understanding both in terms of its historical and contemporary situatedness, showing how a dimension of negativity has characterised not only traditional mysticism but most forms of Christian thought over the years. (shrink)

We have, as a theological community, generally lost a language in which to speak of the created-ness of the world. As a consequence, our discourses of reason cannot bridge the way we know God and the way we know the world. Therefore, argues Oliver Davies, a primary task of contemporary theology is the regeneration of a Christian account of the world as sacramental, leading to the formation of a Christian conception of reason and a new Christocentric understanding of the real. (...) Both the Johannine tradition of creation through the Word and a Eucharistic semiotics of Christ as the embodied, sacrificial and creative speech of God serve the project of a repairal of Christian cosmology. The world itself is viewed as a creative text authored by God, of which we as interpreters are an integral part. This is a wide-ranging and convincing book that makes an important contribution to modern theology. (shrink)

Meister Eckhart is known for having developed a sophisticated form of inclusivist Christian universalism in the late Middle Ages. This universalism arose from the particular “globalizing” contexts of his times, for which there are real parallels in our own day. The author argues that in key respects, Eckhart's ethical universalism shows strong affinities with Confucian principles, and can be informed by these as set out historically by Xinzhong Yao and in a contemporary setting by Tu Weiming. In the conclusion, the (...) author sketches the possible influence of Confucianism on a future Christianity, in the light of the Eckhartian universalist inheritance. (shrink)

Meister Eckhart is known for having developed a sophisticated form of inclusivist Christian universalism in the late Middle Ages. This universalism arose from the particular “globalizing” contexts of his times, for which there are real parallels in our own day. The author argues that in key respects, Eckhart’s ethical universalism shows strong affinities with Confucian principles, and can be informed by these as set out historically by Xinzhong Yao and in a contemporary setting by Tu Weiming. In the conclusion, the (...) author sketches the possible influence of Confucianism on a future Christianity, in the light of the Eckhartian universalist inheritance. (shrink)

“Creditions” are an important new idea within our contemporary understanding of the human. They potentially represent the unity of both humanistic and scientific ways of modeling the human. As such, “creditions” offer a bridge between current thinking in science and the humanities and the development of a more powerfully integrated interdisciplinary hermeneutic. It is argued in this article that the questions posed by “creditions” cannot be resolved through reduction but rather only through cohesive systematization. In contrast with coherence in conventional (...) science, “credition-centered” thinking finds expression in systemic ways. The complex humanity of the reflective subject resists reduction; and calls to be analyzed in terms of sociality, the identification of “otherness” and interactive engagement. In this context then a thinking which is attuned to complexity and to otherness has an important place in the expression of the social subject as a complex and relational self, in today’s world. These are not however social realities as we find them either in large-scale social schemata, or indeed in the intimacy of the face to face. Rather credition-centered learning falls between these two categories and is best described as “the productive knowledge of community,” where community is generated by productive enhancement and the embrace of otherness over time. (shrink)

La théologie d'un genre nouveau proposée ici est fondée sur la conviction que c'est sous les mots «étant transformé» que la réalité que nous recherchons nous devient disponible. Cette théologie envisage les personnes et le monde, étants modelés par la puissance ou la causalité divine à l'oeuvre dans l'espace et le temps, et est donc bien exprimée par le nom de «Transformation Theology». Puisque le genre de transformation dont il s'agit ici est du domaine de l'Église, il s'agit aussi d'une (...) théologie qui engage un nouveau style de relation entre l'Église et la théologie ou, pour mieux dire, une nouvelle intensité de la vocation ecclésiale du théologien. La «Transformation Theology» tente de séparer l'affirmation doctrinale de la référence à la présence du Christ et la cosmologie dans laquelle cette référence est enfermée, et de déposer le spectre entier de la culture moderne, avec ses investigations réductionnistes, aux pieds du Christ vivant. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Unspoken Word: Negative Theology in Meister Eckhart's German SermonsOliver DaviesBruce Milem. The Unspoken Word: Negative Theology in Meister Eckhart's German Sermons. Washington, D. C.: Catholic University of America Press, 2002. Pp. ix + 192. Cloth, $44.95.Questions of meaning in Meister Eckhart's German sermons have prompted a series of recent studies by scholars interested in the dynamics of language and piety as they emerged in vernacular texts written (...) in Northern Europe in the late Middle Ages. Bruce Milem's book sits within this school of reflection and is to be distinguished by his decision to frame the discussion within the context of a theory of the image, as developed by Eckhart across a number of works. It is this hermeneutic which gives coherence to The Unspoken Word and which allows the author to build an understanding of the role of language in Eckhart's sermons that draws upon Brecht's theory of the Verfremdungseffekt. According to this, alienation of language, or the disruption of its ordinary meanings, acts as its objectification in such a way that the audience is prompted to reflect upon their own situatedness with respect to the meanings which are disclosed within it. Language, or narrative, of this kind acts as a hermeneutic of self-critique and enhanced self-understanding.Milem bases his argument concerning the image on a close reading of just four sermons: 52 (Beati pauperes spiritu), Sermon 2 (Intravit Iesus in quoddam castellum), Sermon 16B (Quasi vas auri solidum) and Sermon 6 (Iusti vivent in aeternum). In these texts, expressed in different ways, he discerns firstly a theoretical outworking of the image as something that is defined by virtue of its relation to its source. The classic discussion of this comes in Sermon 16B with its discourse on a reflection in a mirror, whereby the image is "at one" with its source. But Milem rightly extends this theory to mean that in so far as all created things are images, they can be defined with respect to their relation to their source in God, rather than that of which they are images. But created images can also be defined in terms of their dissimilarity to their source: their incompleteness and temporality. The particular place of the sermon is given with its capacity to enact this condition of the image in ways that make it explicit.Milem argues for the German sermon as "an event" which is at the same time a mode of self-knowing, whereby the self comes to a deeper realisation of its dependence upon the divine at every moment of its being and action. Being ourselves constituted as "image," we are conditioned by the dialectic of likeness and distinction which characterises the relation of all images to the Creator. In our case however this is a state which can be realised in an existential act of reflection as a possibility which is opened up for us by our entry into the very particular, disruptive linguistic world of the sermon. This is an advancement on Walter Haug's notion of the language of the sermon as "transformational" but it adds to it a nice distinction of the status of the human creature as "image" and therefore conditioned by dissimilarity as much as likeness.In The Unspoken Word, Bruce Milem offers us a careful and intelligent analysis of the four sermons as exemplifying a kind of linguistic alienation which serves the end of self-illumination, as we come into a new possession of ourselves as being both intensively "like" God and utterly distinct from Him. This is not merely a cognitive change in us but also an existential one, as Milem's analysis of the theme of justice and human action in Sermon 6 shows. To this extent, his use of the hermeneutic of the image as signaling both likeness and distinction at an existential level usefully opens up new avenues of understanding. To some extent however this trajectory would have been strengthened by taking into account the two areas of inquiry with which Milem chooses not to engage (15-18), namely the relation between the German and Latin works and the question of whether... (shrink)