The present essay, reposing on phenomena of derivation and semantics, will attempt to establish a more objective basis for the syntax of the impersonals. As a matter of syntax, the subject is of vital interest for the living Germanic tongues, and with these the essay begins. It will continue with a discussion of the phenomena of the Latin impersonals, and seek, by the help of living English usage, to establish upon a correct psychological basis the definition and (...) derivation of the least elusive impersonals of emotion in Sanskrit and Latin. (shrink)

Logic and philosophy of logic have increasingly become areas of research and great interest in Latin America and Spain, where significant work has been done and continues to be done in both of these fields. The goal of this volume is to draw attention to this work through a collection of original and unpublished papers by specialists from Latin America and Spain. Some of the papers are of importance for set-theory and model theory. They cover topics such as (...) the foundations of paraconsistency, the use of paraconsistent logic as a basis for set-theory, and the methodological aspects in both the justification of new axioms in set theory and the formalization of pre-theoretic notions. Other papers are related to epistemic logic. They deal with the issues of abduction and the choice of the simplest hypothesis, the definition of group probability, and the nature of explanation and understanding in such logic. There are also papers on logical paradoxes, the semantics of names, and the nature of relations. Max A. Freund is Professor of Logic and Philosophy at the University of Costa Rica and the National University of Costa Rica. He is co-author of the book Modal Logic its syntax and semantics, as well as the author of Judicial Logic, and of a forthcoming book The Logic of Sortals. Max Fernandez de Castro is Professor of Logic and Philosophy at the Autonomous Metropolitan University of Mexico. He is the author of the book Quine y la Ontologíaa and co-author of the books Lógica Matemática I: lógica proposicional, intuicionista y modal, Lógica Matemática II: clásica, intuicionista y modal, Teoría de Conjuntos, Lógica y Temas Afines I. Marco Ruffino is Professor of Philosophy at the University of Campinas and the editor of Manuscrito, the Brazilian international journal for Analytic Philosophy. He has many publications, in important philosophical journals, in the philosophy of language, of logic, and of mathematics; in the history of analytic philosophy, and on Frege and Wittgenstein. (shrink)

Rhet. Her. 1.2 quoad eius fieri poterit contains the surprising reading quoad eius. Earlier scholarship has debated the authenticity of this reading and its relationship to quod eius. A survey of the sources shows that quod eius appears in a number of inscriptions as well as in the transmitted text of nine passages within surviving Latin literature. So that phrase must be authentic; it appears to have arisen as a limiting formula in the language of the law. In two (...) other passages, quoad eius appears in inferior manuscripts that lack authority, while the reading transmitted by authoritative textual sources is quod eius. Rhet. Her. 1.2 is the only passage in which quoad eius is the transmitted reading. This phrase is also linguistically problematic. Hence it is very likely to be corrupt. It probably arose as a conflation of quod eius with quoad, both of which are attested in similar contexts. On balance, it seems more likely that the original reading in this passage was quoad. (shrink)

Journal Name: Philologus Issue: Ahead of print.

In lieu of an abstract, here is a brief excerpt of the content:Toward a Political Economy of the Libro De AlexandreSimone Pinet (bio)The carefully composed and craftily pronounced stanzas of the thirteenth-century Libro de Alexandre, if mostly a (free) translation of Gautier de Châtillon’s Alexandreis, provide readers with glimpses of northern Iberia in descriptions and comparisons, but especially through curious formulations and eloquent rewritings.1 These incite the reader to reflect upon the emergence of the vernacular regime of literary composition by (...) clerics that developed in the thirteenth century, a corpus known to us as the mester de clerecía. In this corpus, the use of the vernacular, in particular, brings with it an unproblematized sense of transparency of the context in which the works of mester de clerecía were produced, a genre of which the Libro de Alexandre is a key poetic point of origin. Next to an emphasis on a Latinate syntax and recitation techniques that underline the corpus’s clerical production, the irruption of quotidian phrases, vocabulary, figures of medievalization, and especially of Iberization, make these texts a privileged site to study the articulation of the varied phenomena that from economics to the grammatical, from Aristotle to technology, come to revolutionize medieval culture from the twelfth century onward. Of the many peculiar uses of the vernacular in the Libro de Alexandre, references that connote a sense of worthlessness through the repeated structure “not worth an X, ” especially those that express the comparison with minted coinage of little value: dinero, meaja, pepión, or sueldo, as in “not worth a penny,”2 will serve here as a point of entry. These hyperbolic [End Page 44] expressions, common to Romance languages, underline not only the moral and economic ambivalence of terms such as preçio, valor, honor, pagar(se), dar crédito, and so forth, but also the incorporation of a monetary economy within this ambivalence. These types of expressions, moreover, produce a linguistic marker for such ambiguity, as Louis F. Sas noted when he underlined the “affect” which marks, at the level of speech, the reference to abstract terms such as infinity, nothing, and zero in these types of constructions [469, 471].3Sas notes that the vast majority of the occurrences of these phrases in the Libro de Alexandre happen “in combination with the word valer, with its synonyms, or with dar por, that is, in contexts of exchange” [475]. Many years before Sas exhaustively documented these expressions, Alois Richard Nykl had interpreted their presence as related to barter and a supposed clerical contact with local markets, which to some extent could explain their frequent use in the poem, and he especially mentioned the use of fruits and vegetables in these expressions. Nykl also suggested these were “rustic” similes, favored by men of the clergy such as Berceo, Juan Ruiz, and the authors of the Alexandre and the Fernán González, showing, in his opinion, these men’s contact with a certain world in which fruits and vegetables could serve as payment for the church or diezmo, bringing in through this curious interpretation not only a historical economic context but also its [End Page 45] qualification as something “rustic” or at least foreign to the cleric [311].4In 1929, a couple of years after Nykl’s article appeared, George Irving Dale would correct his affirmations, noting that the expressions called “rustic” by Nykl belonged to a well-studied figure called figurative negation. Dale remarked that figurative negation appeared already in the Poema de mio Cid, and he directed the reader to the bibliography offered by Menéndez Pidal in his edition of the Poema under the title of “Refuerzo de la Negación” [Cantar de Mio Cid 1: 376 and glossary]. In his article, Dale wrote in passing that the type of adjectives used with these expressions “increases the insignificance or lack of value” [324]. Later, agreeing with Dale, Sas wrote that the emphasis added to these phrases through the use of adjectives such as vile or rotten did not point to any medieval particular practice beyond that of a peculiar affect, which has been interpreted in terms of “simplicity.” In the next pages I want to suggest some lines of... (shrink)