Study of self-recognition (Pratyabhijñā) theory of Kashmir Saivism with references to Hindu and Buddhist philososphy.

On the doctrine of recognition (Patyabhijñā philosophy) in Kashmir Saivism.

On the philosophy of recognition in Kashmir Saivism.

The present treatise is a critical study of different systems of Indian Philosophy based on original sources and its principal value lies in their interpretation. On almost all fundamental points the author has quoted from the original texts to enable the reader to compare the interpretations with the text. The book opens with the survey of Indian philosophical thought as found in the Vedas, the Upanisads and Bhagavadgita. It proceeds to the study of Materialism, Jainism and Early Buddhism, Sunyavada, Vijnanavada (...) and Svatantra Vijnanavada. It expounds the tenets of the six systems of Indian Philosophy with special reference to Sankara, the pre-Sankara and the post-Sankara Vedanta, and the essentials of Buddhism and Vedanta in comparison and contrast. It discusses the doctrines of Vedanta as interpreted by Ramanuja, Madhva, Nimbarka, Vallabha, Caitanya and Aurobindo. It also contains a clear exposition of Saiva Siddhanta, Kashmir Saivism and Sakta Schools. (shrink)

On understand the Tantrism in light of the Tantrāloka of Abhinavagupta.

Trika philosophy or Kashmir Śaivism is one of the major nondual philosophical systems of India where both esoteric and exoteric practices are included systematically and scientifically. The two aspects of manifestation viśvamaya, the immanent and viśvottīrṇa the transcendental covers this entire philosophical system as a unique all-inclusive and very practical. In this process of manifestation in Trika philosophy ‘māyā’ plays an important role both from an ontological and epistemological point of view. Furthermore ‘māyā’ clearly stands as a foremost part (...) with the point of view of a knower (pramātā). So, māyā is a quite notable concept, unlike other Indian philosophical traditions. Apart from this, it gives utmost support to artistic creations, i.e. both artist and aesthete, and because of that reason Pratyabhijñā darśan has a strong influence on Indian literary theory. This paper is an attempt to expound the major dimensions of ‘māyā’ in different levels. (shrink)

Saivism is one of the pervasive expressions of Indian Religious Culture stretching to the dim past of pre-history and surviving as a living force in the thought and life of millions of Hindus especially in Southern India and Northern Ceylon. The present work is scholarly reconstruction of Saivism in its characteristic and classical from as Saiva Siddhanta, focusing mainly on the philosophical doctrine and presenting a conceptual analysis of its formative notions, problems and methods. Anteceding the rise of (...) the great systems of Vedanta including that of Sankara, Saiva Siddhanta in its fully systematised form as Mystical Theology in the thirteenth and fourteenth centuries represents a constructive reaction to the theological, ethical and aesthetic aspects of Vedanta as a whole. A patient study of this much neglected phase of religo-philosophical development of India should prove useful for a more balanced understanding of Indian religiosity, providing a corrective to the view entertained not without justification that Indian religious thought does not affirms the values of freedom, love and personality. This methodical study, appended with very exhaustive glossary, bibliography and index and two-hundred pages of references and foot-notes is designed to meet the requirements of seriious students of Eastern religious thought. (shrink)

While there are overt philosophies of the person in both dualistic and non-dualistic Śaivism that developed their doctrines explicitly in relation to each other and to non-Śaiva traditions, especially Buddhism, many Śaiva texts exemplify what might be called a pre-philosophical discourse. Such works contain philosophical ideas but do not present systematic arguments and are often regarded as divine revelation. It is this layer of the articulation of concepts linked to practices that the paper exposes, which the arguments of the later (...) philosophers reflect upon and from which they develop. The claim here is that through an analysis of pre-philosophical literature, texts such as the Netra-tantra, we can build a picture of the conceptual universe of the early medieval period that forms the basis for the development of thinking by the later philosophers. One way of doing this is through the micro-study of particular textual passages and from that to build a larger picture of pre-philosophical discourse. (shrink)

"This book analyses the contemporary global revival of Nondual âSaivism, a thousand-year-old medieval Hindu religious philosophy. Providing a historical overview of the seminal people and groups responsible for the revival, the book compares the tradition's medieval Indian origins to modern forms, which are situated within distinctively contemporary religious, economic, and technological contexts. The author bridges the current gap in the literature between "insider" and "outsider" perspectives by examining modern Nondual âSaivism from multiple standpoints as both a critical scholar of religion (...) and an empathetic participant-observer. The book explores modern Nondual âSaivism in relation to recent scholarly debates concerning the legitimacy of New Age consumptive spirituality, the global spiritual marketplace, and the contemporary culture of narcissism. It also analyses the dark side of the revived tradition, and investigates contemporary teachers accused of sexual abuse and illegal financial activities in relation to unique features of Nondual âSaivism's theosophy and modern scholarship on new religious movements and cults. This book shows that, although Kashmir âSaivism has been adopted by certain teachers and groups to market their own brand of "High Tantra," some contemporary practitioners have remained true to the system's fundamental tenets and teach authentic forms of Nondual âSaivism. This book will be of interest to academics in the fields of religion and Asian philosophies, especially South Asian, tantric, neo-tantric and yoga philosophies, alternative and New Age spiritualities, religion and consumerism, and new religious movements and cults"--. (shrink)

bk. 1. Historical -- bk. 2. Metaphysical.

Love stories in photos and life stories in words from celebrities like Joy Behar, Judy Collins, Jerry Stiller, Susie Essman, and Cat Cora. A celebration of love and commitment, these stories from renowned figures span the bridge from love at first sight to a reluctant proposal acceptance – sometimes in the same relationship. These are love stories of legend told in photos by Mort Hamburg and life stories of people destined to be with one another for the long haul, written (...) by Kashmir Hill. (shrink)

Study on Pratyabhijñakārikā, a basic text of the Kashmir Saivites by Utpala, fl. 900-950, Saivite saint.

Hindu cosmology in Sankhya philosophy and Kashmir Saivism; a study.

A wide-ranging analysis of the Mokṣopāya, the Indian literary classic that teaches through storytelling how to enjoy an active, successful, worldly life in a spiritually enlightened way. In the Mokṣopāya (also known as the Yogavāsiṣṭha), an eleventh-century Sanskrit poetic text, the great Vedic philosopher Vāsiṣṭha counsels his young protégé Lord Rāma about the ways of the world through sixty-four stories designed to bring Rāma from ignorance to wisdom. Much beloved, this work reflects the philosophy of Kashmir Śaivism. Precisely because (...) all worldly pursuits are dreamlike and fiction-like, the human soul must first come to an experience of non-dualistic, mind-only metaphysics, and after attaining this wisdom, promote moral activism. _Engaged Emancipation_ is a wide-ranging consideration of this work and the philosophical and spiritual questions it addresses by philosophers, Sanskritists, and scholars of religion, literature, and science. Contributors allow readers to walk with Rāma as his melancholy and angst transform into connectivity, peace, and spiritual equipoise. (shrink)

Illustrations: Numerous Colour and 15 B/w Illustrations Description: The volumes of the PROJECT OF HISTORY OF SCIENCE, PHILOSOPHY AND CULTURE IN INDIAN CIVILIZATION aim to discover the central aspects of India's heritage and present them in an interrelated manner. In spite of their unitary look, these volumes recognize the difference between the areas of material civilization and those of ideational culture. The Project is not being executed by a single group of thinkers, methodologically uniform or ideologically identical in their commitments. (...) Rather, contributions are made by different scholars of diverse ideological persuasions and methodological approaches. The Project is marked by what may be called 'methodological pluralism'. In spite of its primarily historical character, this project, both in its conceptualization and execution, has been shaped by scholars drawn from different disciplines. It is the first time that an endeavour of such unique and comprehensive character has been undertaken to study critically a major world civilization. History of art, unlike that of science, is not an accumulation of facts. It comprises concurrences and overlappings cutting across the linearity of time. Based on this premise the essays in this volume delve into the discourse as also forms of creativity in the Indian tradition in terms of both the perennial and the ephemeral aspects of aesthetic experience. The essays form four groups dealing with (a) core concepts which permeate the discourse on aesthetic theories, and having ramifications in many other disciplines and domains; (b) The Rasa theory in the framework of classical philosophical traditions of Vedanta, Mimamsa, Samkhya, and Kashmir Saivism, and (c) the comprehension of the foundational concepts of aesthetic theory, namely, Rasa and Dhvani from the perspectives of Indian thought traditions addressing also music, dance and the visual arts. There is no clear-cut demarcation between the four groups of essays though in their own framework they illustrate a transition from the discourse (sastra) to practice (prayoga) i.e., from theorizing on the nature of aesthetic experience to the process of concretizing it into forms of music, dance, architecture, and painting. The contributions highlight the fact that the history of Indian aesthetic tradition comprises various textual and performing traditions that have flourished in the Indian subcontinent. What we have is not a single history but multiple histories based on various philosophical and methodological approaches adopted by art historians. Some of these histories pertain to the technical details of a given art form, and some with the changes that have occurred in the evolution and development these forms. While some historical accounts focus on the relevant biographical details of the artists, some art histories focus on the social, cultural, political, and even the economic conditions of civilization that determine the nature of an art form. Considering the multi-dimensional and multi-level complexities of Indian civilization and culture, the contributions to this volume have investigated into a number of factors which are directly and indirectly relevant for comprehending the complexities of the Indian aesthetic tradition. (shrink)

This paper surveys the key terms śaktipāta and samāveśa (both of which refer to religious experience) in the primary sources of Tantric Śaivism over several centuries of textual development, building up a theory as to their range of meanings. It specifically focuses on their usage by Abhinavagupta (Kāshmīr, 10th century) by presenting a complete translation of chapter 11 of his Tantrasāra. The paper thus serves to (a) illuminate the nature of spiritual experience and the qualifcations for religious praxis in Śaivism, (...) (b) give insight into the worldview of the Tantric Śaivas, and (c) help in pinpointing a specific and significant issue in the phenomenological study of religion generally. (shrink)

On philosophy of recognition in Kashmir Śaivism.

The Parama¯rthasa¯ra, or 'Essence of Ultimate Reality', is a work of the Kashmirian polymath Abhinavagupta (tenth–eleventh centuries). It is a brief treatise in which the author outlines the doctrine of which he is a notable exponent, namely nondualistic S´aivism, which he designates in his works as the Trika, or 'Triad' of three principles: S´iva, S´akti and the embodied soul (nara). The main interest of the Parama¯rthasa¯ra is not only that it serves as an introduction to the established doctrine of a (...) tradition, but also advances the notion of jiv¯anmukti, 'liberation in this life', as its core theme. Further, it does not confine itself to an exposition of the doctrine as such but at times hints at a second sense lying beneath the evident sense, namely esoteric techniques and practices that are at the heart of the philosophical discourse. Its commentator, Yogara¯ja (eleventh century), excels in detecting and clarifying those various levels of meaning. An Introduction to Tantric Philosophy presents, along with a critically revised Sanskrit text, the first annotated English translation of both Abhinavagupta's Parama¯rthasa¯ra and Yogara¯ja's commentary. This book will be of interest to Indologists, as well as to specialists and students of Religion, Tantric studies and Philosophy. (shrink)

In its classical formulation as found in Svātmārāma’s Haṭhapradīpikā, haṭhayoga is a Śaiva appropriation of an older extra-Vedic soteriological method. But this appropriation was not accompanied by an imposition of Śaiva philosophy. In general, the texts of haṭhayoga reveal, if not a disdain for, at least an insouciance towards metaphysics. Yoga is a soteriology that works regardless of the yogin’s philosophy. But the various texts that were used to compile the Haṭhapradīpikā (a table identifying these borrowings is given at the (...) end of the article) were not composed in metaphysical vacua. Analysis of their allusions to doctrine shows that the texts from which Svātmārāma borrowed most were products of a Vedantic milieu—bearing testament to Vedānta’s newfound interest in yoga as a complement to jñāna—but that many others were Śaiva non-dual works. Because of the lack of importance given to the niceties of philosophy in haṭhayogic works, these two non-dualities were able to combine happily and thus the Śaiva tenets incorporated within haṭhayoga survived the demise of Śaivism as part of what was to become in the medieval period the dominant soteriological method in scholarly religious discourse in India. (shrink)

This book offers a comprehensive presentation of the Pratyabhij philosophy (elaborated in the 10th and 11th centuries by Utpaladeva and Abhinavagupta) by showing how its main concepts arose from the confrontation of aiva religious dogmas ...

Comparative study of Buddhist, Vedanta, and Kashmir Śaiva philosophies.

This book presents the historical account of its teachers. To make the reading easy and intelligible its technical terms are explained. The book also explains how PRATYABHIJNA system was formulated and developed by the great teachers.

Includes bibliographical references (p. [197]-207).

The worship of Śiva as a deity was the dominant form of theistic and religious devotion which flowed through Kashmir to other parts of India from the first century BC. The Trika school is an idealistic, monistic, and theistic school of philosophy in Śaivism, that originated in the ninth century C.E. in Kashmir. The study attempts to elucidate the historical development of Trika school along with the idiosyncratic and unique philosophy of the school. The paper further endeavours to (...) explain the enthralling development of this particular school which can best be understood from a religio-philosophical context. The study employs textual analysis and conceptual enquiry as the research method to analyse and present the development and distinct nature of the Trika school. (shrink)

We argue that the pratyabhijñā system of Kaśmir Śaivism holds an inconsistent position. On the one hand, the Pratyabhijñā regards Śiva as an impersonal mechanism and the universe, including persons, as not having agency; call this the Impersonal Component. On the other hand, it considers Śiva himself as a person, and individual persons as having agency sufficient to respond to Śiva; call this the Personal Component. We maintain that the Personal Component should be affirmed and the Impersonal Component rejected. The (...) Impersonal Component’s claim that Śiva is unaware of and unaffected by his manifestation should be rejected, and the doctrine of satkāryavāda should be modified. The universe is Śiva’s manifestation, in the first instance, but it also has a relative autonomy from him. Moreover, humans have agency and freedom. Their actions effect Śiva. He grows and develops in response to his manifestation. (shrink)

This paper discusses the meaning of an image rarely used within the religious and philosophical corpus of ancient India in order to describe the ultimate nature of God and the human being: a wall or canvas (Sanskrit, bhitti). The usage of such a peculiar image belongs to Abhinavagupta, the great exegete of the Tantric tradition who lived in Kashmir between the tenth and eleventh centuries A.D. After presenting some antecedents, the paper focuses on key passages taken fromAbhinavagupta’s work and (...) shows how, far from being secondary, the image of a wall possesses a remarkable consistency and expressive power in accordance withAbhinavagupta’s doctrinal presuppositions, in particular his commitment to a dynamic and ultimately paradoxical view of the divine realm, the universe and salvation. (shrink)

The paper gives an account of Rāmakaṇṭha’s (950–1000) contribution to the Buddhist–Brāhmaṇical debate about the existence or non-existence of a self, by demonstrating how he carves out middle ground between the two protagonists in that debate. First three points of divergence between the Brāhmaṇical (specifically Naiyāyika) and the Buddhist conceptions of subjectivity are identified. These take the form of Buddhist denials of, or re-explanations of (1) the self as the unitary essence of the individual, (2) the self as the substance (...) to which mental properties belong, (3) the self as the agent of both physical actions and cognitions. The difference of Rāmakaṇṭha’s position from both Nyāya and Buddhism is then elaborated. He posits a self, but not one that is an eternally unchanging substance, nor one that is anything other than consciousness. Hence his difference from Nyāya. He falls with Buddhism in holding that consciousness does not require anything other than itself to inhere in, but departs from Buddhism in holding that consciousness is not momentary but enduring. The guiding metaphor here is light, but light considered as a dynamic, qualitatively unchanging repetition of the action of illumination. (shrink)

The Īśvarapratyabhijñā treatise—an important philosophical text composed in Kashmir in the 10th century CE by the Śaiva nondualist Utpaladeva—remains partly unavailable to date: a crucial component of this work, namely the detailed commentary (Vivṛti or Ṭīkā) in which Utpaladeva explained his own verses, is considered as almost entirely lost, since only a small part of it has been preserved in a single, very incomplete manuscript remarkably edited and translated by Raffaele Torella. However, our knowledge of the Vivṛti is quickly (...) expanding: many additional fragments have recently come to light. The article gives an overview of these new findings while highlighting the most interesting of them, i.e. the discovery of the lengthiest Vivṛti fragment known to date in the margins of a manuscript containing Abhinavagupta’s Vivṛtivimarśinī. It also provides an edition and translation of the beginning of this fragment. (shrink)

The article considers what happened to the Buddhist concept of self-awareness ( svasaṃvedana ) when it was appropriated by Śaiva Siddhānta. The first section observes how it was turned against Buddhism by being used to attack the momentariness of consciousenss and to establish its permanence. The second section examines how self-awareness differs from I-cognition ( ahampratyaya ). The third section examines the difference between the kind of self-awareness elaborated by Rāmakaṇṭha (‘reflexive awareness’) and a kind elaborated by Dharmakīrti (‘intentional self-awareness’). (...) It is then pointed out that Dharmakīrti avails himself not only of intentional self-awareness but also of reflexive awareness. Some remarks on the relationship between these two strands of Dharmakīrtian Buddhism are offered. The conclusion points out that although self-awareness occurs in Buddhism as inextricably linked with anātmavāda , the doctrine of no-self, and sākāravāda , the view that the forms we perceive belong not to external objects but to consciousness, it is used by Rāmakaṇṭha to refute both of these views. An appendix addresses the problem of how precisely to interpret Dharmakīrti’s contention that conceptual cognition is non-conceptual in its reflexive awareness of itself. (shrink)

This book analyses the many facets-psychological, epistemological, metaphysical-of the repeated philosophical adventures over centuries to explore and explain the indubitability of I-consciousness. While the major focus is on the Upanisadic and the Buddhist traditions, this volume also examines Western philosophical traditions in a cross-cultural philosophical context.

A separatist conflict has been ongoing in India-administered Kashmir since 1989. Focusing on this region, this book critiques the existing normative theories of secession, and offers a comprehensive examination of the right of sub-groups to secede. The book looks at the different accounts of the moral right to secede, and assesses both the theories themselves as well as the claims of those who want to separate Kashmir from India. Included within this analysis are the three main types of (...) normative theory that ground the right of groups to secede in principles of national self: determination, consensual governance and rectificatory justice. Previous studies have discussed the causes behind the uprising in Kashmir against Indian authority and examined some of the legal and geo-political implications of the conflict for India and the wider region. This book provides a new way of looking at the Kashmir dispute, by asking what these theories tell us about Kashmir, and in turn what the example of Kashmir allows us to learn about these theories. It is of interest to students and scholars of South Asian Politics and International Relations. (shrink)

J. C. Chatterji’s book is a brief introduction to the nature of ultimate reality and the manifestation of the universe according to the Trika System. It also covers, briefly, the history of this advaita Shaiva philosophy of Kashmir. First published in 1914 as the first book in “The Kashmir Series of Texts and Studies,” it is still the clearest introduction to the Tattvas of the Trika. Since the lower twenty-five of the thirty-six Trika Tattvas represent the entire universe (...) from the Samkhya point of view, here also is a very clear exposition of the Samkhya Tattvas. The only difference is that, while the Purusha and the Prakriti are the final realities for Samkhya, they are but derivatives according to the Trika, which, carrying the analysis further, recognizes eleven additional Tattvas above the Purusha. (shrink)