Samuel Lepine Dans cet article, je propose d’analyser le concept de bonheur en termes d’humeurs positives. Je montre que cette analyse constitue une voie moyenne entre l’analyse du bonheur comme émotion et l’analyse du bonheur en termes de propensions émotionnelles. Je soutiens plus particulièrement qu’être heureux consiste à ressentir une humeur positive, quelle que soit cette humeur. Cette analyse est donc réductionniste – être heureux n’est rien d’autre qu’être de bonne humeur – et pluraliste –nos bonnes humeurs, dans toute leur (...) diversité, constituent autant de manières différentes d’être heureux. Afin de soutenir cette approche, je défends la thèse selon laquelle les humeurs sont des attitudes prospectives, consistant à évaluer l’impact affectif possible de notre environnement sur nos états motivationnels tels que nos désirs ou nos préférences. Je m’efforce ensuite d’explorer les relations que le bonheur entretient avec le bien-être à partir de cette analyse du bonheur comme bonne humeur. (shrink)

Samuel Lepine Dans cet article, je propose d’analyser le concept de bonheur en termes d’humeurs positives. Je montre que cette analyse constitue une voie moyenne entre l’analyse du bonheur comme émotion et l’analyse du bonheur en termes de propensions émotionnelles. Je soutiens plus particulièrement qu’être heureux consiste à ressentir une humeur positive, quelle que soit cette humeur. Cette analyse est donc réductionniste – être heureux n’est rien d’autre qu’être de bonne humeur – et pluraliste –nos bonnes humeurs, dans toute leur (...) diversité, constituent autant de manières différentes d’être heureux. Afin de soutenir cette approche, je défends la thèse selon laquelle les humeurs sont des attitudes prospectives, consistant à évaluer l’impact affectif possible de notre environnement sur nos états motivationnels tels que nos désirs ou nos préférences. Je m’efforce ensuite d’explorer les relations que le bonheur entretient avec le bien-être à partir de cette analyse du bonheur comme bonne humeur. (shrink)

Evaluation of an accompanying collaborative device is a sensitive element that questions in particular the effect of the accompanying people. The literature has relied in particular on the notion of socio-cognitive conflict to support this perspective. In this article, we study the specific case of a collaborative device for veterinary student guidance with the collaboration of teachers and vet practitioners. The proposed mixed evaluation of the process and these effects shed light on the roles of these professionals from an animatic (...) perspective of groups. The asymmetries of status, the roles defined, and the social climate specific to the generation of a socio-cognitive conflict appear as essential in any accompanying collaborative device. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Phaedra's Labyrinth as the Paradigm of Passion: Racine's Aesthetic Formulation of Mimetic Desire Jacques-Jude Lépine Haverford College The actual model of Racine's Phaedra is no more the one that he claims to follow in his preface than one ofthose which his critics have sought in vain to find in the works of his immediate predecessors.1 Indeed, the comparative reading ofRacine's last profane tragedy against his sources shows that (...) Seneca and Euripides only provided a very general framework, one might say a traditional theme, which Racine completely recasts on the level of the plot, structure, characters, poetic esthetics, and theatrical performance. On the other hand, the myth of Phaedra's involuntary passion for her stepson Hippolytus, the hunter who was supposed to be atavistically insensitive to erotic seduction, could very well have been reorganized on the basis of another mythological episode which precedes it, the killing of the Minotaur by Theseus in the Labyrinth. There are many explicit references to this episode throughout Racine's Phaedra. There are even more than a rich but strictly thematic critic has been able to detect (see Racine), underscoring the fundamental point of my essay that the intensely poetic character of the Labyrinth, and particularly its function as a fantastic spatial frame, is not simply of a decorative nature. In Racine's work, as in any other genuine literary masterpiece, there is a unity ofcontent and form. The many references to the Labyrinth are determinant for the very subject ofPhaedra, which is the representation of passion, the only subject of interest for Racine. In fact, I intend to demonstrate that Racine used the unique topography of the Labyrinth as a paradigm of the logic of the relationships between his ' These works are Garnier's "Hippolyte" (1573) and Quinault's "Bellérophon" (1671). 48Jacques-Jude Lépine characters because of its capacity for fully expressing the mimetic origin of passion, a decisive discovery the gradual stages towards which may be traced in all his previous works. The Monster Hunt as a Metaphor of the Dramatic Action In order to demonstrate this point, I will start from the textual data, even though it will be necessary to go beyond a simple inventory of the themes explicitly connected to the Labyrinth. The first of these themes is obviously the one of monstrosity. At some point in the play, all the main characters accuse themselves, or are accused, of being a monster (Barthes 115). The relationship between this moral monstrosity (expressed in ambiguous statements suggesting a physical sign) and the return of Theseus, whose numerous monster hunts Hippolytus recalls in the opening scene,2 is easy to see. As has been already noted, the theme of the monster hunt is present from beginning to end of the play, where the fight between Hippolytus and the sea monster occurs (see Jasenas). But the monsterpar excellence is the Minotaur, whose death at the hands of Theseus Phaedra recalls in a famous speech which serves to reveal her passion to Hippolytus through a series of substitutions in the original cast of characters: Oh, why were you too young top have embarked Within the ship that brought him [Theseus] to our shores? You would have been the monster's killer then, In spite of all the windings of his maze. To find your way in that uncertain dark, My sister would have armed you with the thread. But no! In this design I would have been Ahead of her, my sister! Me, not her, It would have been whom love at first inspired; And I it would have been, Prince, I, whose aid Had taught you all the Labyrinth's crooked ways. A single thread would not have been enough To satisfy your lover's fears for you. I would myself have wished to lead the way, And share the perils you were bound to face. Phaedra, into the Labyrinth, with you Would have descended, and with you returned, To safety, or with you have perished. (647-62) 2 See verses 73-90. References to Margaret Rawlings's translation of Phaedra will be given parenthetically in the text. The verse numbers refer to the French edition... (shrink)

Hume recourt régulièrement à la métaphore selon laquelle nous projetons des valeurs sur le monde du fait des émotions que nous éprouvons. Cette métaphore projectiviste semble impliquer la non-existence des valeurs, et l’impossibilité d’une connaissance morale. Dans cet article, j’essaie de montrer que ces implications sont loin d’être évidentes, et qu’une lecture réaliste de Hume est également possible, qui permet notamment de rendre compte du rapport complexe que Hume entretient avec le rationalisme moral en particulier, et avec la connaissance des (...) valeurs de façon plus générale. (shrink)

Although the relationship between stressors and thriving at work has been established, the linkage between them is still in the early stages of theory development. This study proposed a two-path model, based on Lepine’s stressors-performance model, to analyze the effects of the stressors on the thriving at work. Two complementary mediating paths were proposed, i.e., affective strain and motivation, which were explained using affective events theory and expectancy theory, respectively. Based on the empirical data from 233 employees, the results show (...) that challenge stressors could enhance employees’ positive affect and self-efficacy, thus leading to thriving at work; on the contrary, hindrance stressors would result in negative influences. In addition, it is also found that the effect of affective path tend to be greater than that of motivation path, which could provide a practical guide for organizations to effectively apply stress management and to promote employees thriving at work. (shrink)

During the first years of the post-war era, many French scientists travelled in the United States. As they looked for a reference to be used in rebuilding their own scientific landscape, their diaries say as much about the rise of the American biomedical complex as they do about their perception of research in the country. In order to illustrate how the French biologists adopted, competed with, or challenged the American model and how transatlantic exchanges played a critical role in the (...) molecularization of the life sciences, this paper presents three trajectories of laboratories. These include the services respectively led by P. Lépine and J. Monod at the Pasteur Institute, and G. Schapira’s biochemical research unit at the Hôpital des Enfants Malades. The three studies document the massive transatlantic circulation of materials, techniques, instruments, and people during the scientific reconstruction. The reconstruction however produced highly differentiated characters each operating in his own niche: the biotechnological inventor, the neo-clinician, and the fundamental biologist. The comparison situates the rise of molecular biology within the context of a rapidly expanding biomedical research system. It will help in understanding how, in contrast to the American situation, a logic of “demedicalization” became in France a means for developing biology at the molecular level. (shrink)

During the first years of the post-war era, many French scientists travelled in the United States. As they looked for a reference to be used in rebuilding their own scientific landscape, their diaries say as much about the rise of the American biomedical complex as they do about their perception of research in the country. In order to illustrate how the French biologists adopted, competed with, or challenged the American model and how transatlantic exchanges played a critical role in the (...) molecularization of the life sciences, this paper presents three trajectories of laboratories. These include the services respectively led by P. Lepine and J. Monod at the Pasteur Institute, and G. Schapira's biochemical research unit at the Hopital des Enfants Malades. The three studies document the massive transatlantic circulation of materials, techniques, instruments, and people during the scientific reconstruction. The reconstruction however produced highly differentiated characters each operating in his own niche: the biotechnological inventor, the neo-clinician, and the fundamental biologist. The comparison situates the rise of molecular biology within the context of a rapidly expanding biomedical research system. It will help in understanding how, in contrast to the American situation, a logic of ''demedicalization'' became in France a means for developing biology at the molecular level. (shrink)