Alfredo Traps in Durrenmatt’s tale discovers that he has brought off, all by himself, a murder involving considerable ingenuity. The mock prosecutor in the tale demands the death penalty “as reward for a crime that merits admiration, astonishment, and respect.” Traps is deeply moved; indeed, he is exhilarated, and the whole of his life becomes more heroic, and, ironically, more precious. His defense attorney proceeds to argue that Traps was not only innocent but incapable of guilt, “a victim of the (...) age.” This defense Traps disavows with indignation and anger. He makes claim to the murder as his and demands the prescribed punishment—death. (shrink)

Discussion of the soul in this essay departs from the concept of the soul that for thousands of years has occupied the attention of philosophers and theologians and pervaded religious discourse. The author is concerned with what William James referred to as ‘the popular soul,’ the soul as it is invoked by expressions such as ‘an expansive soul,’ ‘a soulless person,’ ‘soul-mate,’ and ‘that melody touched my soul.’ Skepticism with regard to the existence of this soul is without warrant. How (...) this soul comes into being and develops; what its essential features are; how the world, when the soul is engaged, is transformed; what its relationship is to one's conscience; its importance in a human life; its connections to purity and perfection, to silence; its survival upon death; and the perils posed today to its development and existence are the principal topics considered. (shrink)

CHAPTER I RESPONSIBILITY "Mother, little heart of mine," he said (he had begun using such strange caressing words at that time), "little heart of mine, ...