Abstract

The article aims to point out some of the interpretive horizons of Twilight of the Idols, especially the status in relation to philological literary project regarding Will to Power and the philosophical status within the texts of 1888. Among others, the central hypothesis that will guide our interpretation is the 'heuristic of necessity': the question about desires and needs that cause or force an artistic, politic, etc. production and, moreover, a hypothesis that is found through the book. Finally, it is also to point out that how Nietzsche operates with a semantic distance in relation to concepts that were previously elaborated by him, for example, the concept of ‘genius'. These assumptions help to fill a gap into the research-Nietzsche, regarding a text that didn’t receive its real significance in Brazil