An experimental study on the effect of emotion lines in comics

Semiotica 2021 (243):305-324 (2021)
  Copy   BIBTEX

Abstract

Both mainstream and art comics often use various flourishes surrounding characters’ heads. These so-called “pictorial runes” help convey the emotional states of the characters. In this paper, using panels from Western and Indian comic albums as well as neutral emoticons and basic shapes in different colors, we focus on the following two issues: whether runes increase the awareness in comics readers about the emotional state of the character; and whether a correspondence can be found between the types of runes and specific emotions. Our results show that runes help communicate emotion. Although no one-to-one correspondence was found between the tested runes and specific emotions, it was found that droplets and spikes indicate generic emotions, spirals indicate negative emotions, and twirls indicate confusion and dizziness.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,098

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Runes, D. D.: "pictorial History Of Philosophy".L. R. F. J. & Staff - 1960 - Revista de Filosofía (Madrid) 19 (73/74):289-301.
Art and Emotion.Filippo Contesi - 2018 - Oxford Bibliographies in Philosophy.
Redefining Comics.John Holbo - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 1–30.

Analytics

Added to PP
2021-12-09

Downloads
16 (#935,433)

6 months
5 (#710,311)

Historical graph of downloads
How can I increase my downloads?

Author Profiles

Bipin Indurkhya
Jagiellonian University
Amitash Ojha
International Institute of Information Technology, Hyderabad (Alumnus)

References found in this work

Facial Expression and Emotion.Paul Ekman - 1993 - American Psychologist 48 (4):384-392.
Chapter 12. Pictorial metaphors of emotion in Japanese comics.Eduardo Urios-Aparisi & Charles J. Forceville - 2009 - In Eduardo Urios-Aparisi & Charles J. Forceville (eds.), Multimodal Metaphor. Mouton de Gruyter.
The telling face in comic strip and graphic novel.Ed S. Tan - 2001 - In Jan Baetens (ed.), The Graphic Novel. Leuven University Press. pp. 212.

Add more references