Abstract

In the article I discuss Husserl’s conception of the Lifeworld as developed in his Crisis Book, in order to find out whether art can be especially illuminative in order to understand the Lifeworld and one’s own living in it. I draw a parallel between the sciences as discussed by Husserl as abstractions from the Lifeworld that offer a special view of what in the Lifeworld as such remains disclosed. However, scientific and artistic abstraction differs in character. Whereas the sciences establish formal systems and thereby discover the world as to its computability, the arts abstract from the everyday set of meanings and go back to the primordial and original experience of the world in its perceptibility. Thus they are able to draw attention to the essential character of the Lifeworld as such.