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Nishida Kitarō to Bukkyō: Zen to Shinshū no kontei o kiwameru

Tōkyō: Daitō Shuppansha (2002)

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  1. Leibniz Y la filosofía de la religión en Nishida kitarô.Z. Agustín Jacinto - 2016 - Kriterion: Journal of Philosophy 57 (133):207-232.
    ABSTRACT This paper is an analysis of the manner Nishida Kitarô, in the process of construction of his own philosophy of religion, enters into dialogue with Leibniz's thought concerning Pre-established Harmony. Although the philosophy of religion is an important theme and Nishida goes back to Leibniz at some points in his textual career, there are relatively few studies that touch on the relationship between these two thinkers. I study Nishida's approach under three headings. The first section concerns ten main aspects (...)
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  • Kenotic Chorology as A/theology in Nishida and beyond.John W. M. Krummel - 2019 - Sophia 58 (2):255-282.
    In this paper, I explore a possible a/theological response to what Nietzsche called the ‘death of God’—or Hölderlin’s and Heidegger’s ‘flight of the gods’—through a juxtaposition of the Christian-Pauline concept of kenōsis and the ancient Greek-Platonic notion of chōra, and by taking Nishida Kitarō’s appropriations of these concepts as a clue and starting point. Nishida refers to chōra in 1926 to initiate his philosophy of place and then makes reference to kenōsis in 1945 in his final work that culminates—without necessarily (...)
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