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  1. Bearing Witness and Creative Activism.Sondra Bacharach - 2023 - Journal of Aesthetics and Art Criticism 81 (2):153-163.
    In this article, I explore the relationship between witness-bearing arts as a form of creative activism designed to respond to social injustices. In the first section, I present some common features of bearing witness, as conceptualized within media studies and journalism. Then I explain how artworks placed in the streets can bear witness in a similar way. I argue that witness-bearing art transmits knowledge about certain unjust and harmful events, which then places a moral burden or responsibility on the viewer. (...)
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  • How Public Statues Wrong: Affective Artifacts and Affective Injustice.Alfred Archer - forthcoming - Topoi:1-11.
    In what way might public statues wrong people? In recent years, philosophers have drawn on speech act theory to answer this question by arguing that statues constitute harmful or disrespectful forms of speech. My aim in this paper will be add a different theoretical perspective to this discussion. I will argue that while the speech act approach provides a useful starting point for thinking about what is wrong with public statues, we can get a fuller understanding of these wrongs by (...)
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  • Objectionable Commemorations, Historical Value, and Repudiatory Honouring.Ten-Herng Lai - 2024 - Australasian Journal of Philosophy 102 (1):37-47.
    Many have argued that certain statues or monuments are objectionable, and thus ought to be removed. Even if their arguments are compelling, a major obstacle is the apparent historical value of those commemorations. Preservation in some form seems to be the best way to respect the value of commemorations as connections to the past or opportunities to learn important historical lessons. Against this, I argue that we have exaggerated the historical value of objectionable commemorations. Sometimes commemorations connect to biased or (...)
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  • Objectionable Commemorations: Ethical and Political Issues.Chong-Ming Lim & Ten-Herng Lai - 2024 - Philosophy Compass 19 (2):e12963.
    The term, "objectionable commemorations”, refers to a broad category of public artefacts – such as, and especially, memorials, monuments and statues – that are regarded as morally problematic in virtue of what or whom they honour. In this regard, they are a special class of public artefacts that are subject to public contestation. In this paper, we survey the general ethical and political issues on this topic. First, we categorise the arguments on offer in the literature, concerning the objectionable nature (...)
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  • How Statues Speak.David Friedell & Shen-yi Liao - 2022 - The Journal of Aesthetics and Art Criticism 80 (4):444-452.
    We apply a familiar distinction from philosophy of language to a class of material artifacts that are sometimes said to “speak”: statues. By distinguishing how statues speak at the locutionary level versus at the illocutionary level, or what they say versus what they do, we obtain the resource for addressing two topics. First, we can explain what makes statues distinct from street art. Second, we can explain why it is mistaken to criticize—or to defend—the continuing presence of statues based only (...)
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