Recognizing yourself in literature cannot only help you to get a clearer grasp of what you already think and feel. It can also deeply unsettle your vision of yourself. This article examines a hitherto neglected mechanism to this effect: learning by way of seeing yourself in others’ blindness. I show that In Search of Lost Time epitomizes this phenomenon. Confronting characters oblivious to their old age makes the protagonist realize that he, too, has aged without noticing it, and invites readers (...) to analogous insights. The paper contributes to the discussion on how you can learn from literature and adds a twist to Proust’s claim that the purpose of literature is that readers recognize themselves in it. (shrink)

Raquel Cascales and Luis Echarte focus on the development of practical wisdom and what they call ‘seeing with the heart’ for science students by means of reading science fiction literature. They argue that literature can bring the student into contact with the reality of moral life as moral dilemmas are made concrete by the characters and circumstances in a novel. They provide an analysis of how Aldous Huxley’s Brave New World can be read in the classroom and show how the (...) novel invites students to think about the role of science in society, the evolutionary paradigm, advances in genetic and psychological manipulation, as well as questions concerning human emotions,suffering, and friendship. (shrink)

This article analyses the slippery notions of the normal and normality in select works of Richard von Krafft-Ebing (1840–1902) and Sigmund Freud (1856–1939) and argues that homosexuality became a ‘boundary object’ between the normal and the abnormal in their works. Constructing homosexuality as ‘normal enough’ provided these two key thinkers of the fin de siècle with an opportunity to challenge societal and medical norms: Krafft-Ebing did this through mapping perversions; Freud, by challenging perceived norms about sexual development more broadly. The (...) article submits that the scientific logic presented in Krafft-Ebing’s seminal case study compilation Psychopathia Sexualis and Freud’s early theoretical writings and cases, including Three Essays on the Theory of Sexuality (1905), was itself haunted by notions of norms and the normal that were not always easy to resolve, and sometimes involved a certain amount of inspired conjecture on the part of both thinkers in order to develop and validate their differing tripartite models of normality. Krafft-Ebing imagined homosexuality as a variation of the normal by generalizing a gay male experience. He also recorded the obstreperous cases of homosexual women based largely inside the clinic but by and large ignored this evidence. Freud inextricably bound homosexuality to normality (and vice versa) by redefining homosexuals as a group to include individuals with unconscious same-sex desire. Doing so allowed him to conceptualize the fear of homosexuality as crucial in the formation of neurosis and psychosis, and at the same time put him at odds with relevant early identity politics. (shrink)

Literature reviews have traditionally been a simple exercise in reporting the current relevant research, both to provide an overview of the current status of the field, and perhaps to draw attention to controversies. From the perspective of positivist research traditions, it was important to neutrally report all the relevant research, which was assumed to be foundational. In this article, written for the Applied Critical Realism special issue of Journal of Critical Realism, I use my own research to illustrate how a (...) literature review might look if it were non-foundational and guided by the principles of immanent critique. Immanent critique is central to Bhaskar’s philosophical methodology but has not been much applied in critical realist empirical research. Following a brief introduction to immanent critique, its history and relation to other ways of grounding knowledge, an excerpt from a literature review is used as backdrop for an extended discussion about various potential applications, and impl... (shrink)

Wit explores modes of reading representations of death and dying, both through the play’s sustained engagement with Donne’s Holy Sonnets and through Vivian’s self-reflexive approach to her illness and death. I argue that the play dramatizes reparative readings, a term coined by Eve Kosofsky Sedgwick to describe an alternative to the paranoid reading practices that have come to dominate literary criticism. By analyzing the play’s reparative readings of death and dying, I show how Wit provides lessons about knowledge-making and reading (...) practices in the field of health humanities. (shrink)

How might the idea of recognition offer a fresh slant on contemporary women’s writing? In this essay, we bring theories of recognition into dialogue with two literary works: Chris Kraus’s widely reviewed memoir I Love Dick and The Other Woman by the well-regarded Swedish novelist Therese Bohman. Our analysis focuses on recognition within the texts as well as its relevance to relations between texts and readers. We seek to clarify how attitudes to heterosexual love, feminism and same-sex identification are entangled (...) and the broader implications of such entanglements. We are interested in how the protagonists engage the world as readers and the role of literature in shaping their identifications and attachments. Yet, a comparative analysis can also bring to light how a feminist habitus is predicated on class and education, suggesting that these two texts may invite rather different experiences of recognition. (shrink)

This article focuses on the affective potential of anticipation, in its ready endorsement of the unknown, as a formative lens for theorising feminist temporalities. I draw from earlier readings of Luce Irigaray’s conceptual paradigm of sexual difference to examine how its articulation of a feminist future that is inherently unknowable might contribute to recent debates on the temporalities of feminist thought. The article presents two broadly intersecting lines of argument. I first emphasise the continued centrality of sexual difference in its (...) anticipatory imperative for thinking feminism but – or perhaps, especially – through a contradictory retrieval of the term that re-narrates its contemporary significance. In other words, it is precisely the retroactive position that sexual difference occupies that exacts a critical reorientation of existing modes of feminist temporalities; it moreover does so as a theoretical construct that altogether circumvents our understanding of feminism as a progress narrative. Secondly, I build upon Drucilla Cornell’s contentions in Beyond Accommodation that the unknown futurity inaugurated by the trajectories of sexual difference demands a dimension of inquiry that is inevitably aesthetic (1991). I identify a possibility of literature’s reinvigoration in emergence narratives of feminist theorising, particularly in a certain ethical capacity precipitated by its affective experience of enchantment, which mirrors the ‘wonder’ that sexual difference incites. If we are to continue to use literature as a conducive space of feminist analysis, then it is the forward-looking perpetuation of feminist narratives that must also be rethought for their investment in the multiple contingencies of anticipation. (shrink)

Straipsnyje analizuojamas Lietuvos partizanų, partizaninio karo, istorijos vaizdavimas keliuose romanuose: Mariaus Ivaškevičiaus Žali, Teodoro Četrausko Tarsi gyventa, Juozo Jasaičio Per sutemas, Petro Venclovo Kartybių taurė – iki dugno, Antano Šileikos Pogrindis, Justino Sajausko Neužmirštami Suvalkijos vardai. Romanai nagrinėjami aktualizuojant Maurice‘o Halbwachso kolektyvinės atminties koncepciją, Haydeno White‘o istorijos diskurso sampratą, Umberto Eco interpretacijos teoriją. Tyrimas atskleidė, kad dauguma autorių renkasi istorinį diskursą, kuris pasakoja, o mažuma – kuris naratyvizuoja. Partizaninio karo kolektyvinė atmintis yra siejama arba su abstrakčiais, arba su konkrečiais partizanais; (...) istorijos diskursas suponuoja įvairias interpretacijas, kurios rodo skirtingas autoriaus, teksto, skaitytojo intencijas. (shrink)

Hanna Meretojan kirja The Ethics of Storytelling ammentaa hermeneuttisesta perinteestä aineksia kirjallisuutieteelliseen näkökulmaan, joka valottaa kerronnan rooleja meidän jokapäiväisessä elämässämme ja pyrkii myös tarjoamaan kriittisen välineistön, jonka avulla voimme ymmärtää ja kritisoida aikamme kerronnallisia käytäntöjä ja kertomusmalleja. Tämä teksti tarkastelee Meretojan argumentin pääpiirteitä ja sijoittaa hänen työnsä laajempaan nykyaikaisen eettisen ajattelun kontekstiin.

Ce texte a été publié dans Carnets, n° 6, janvier 2016 – Exotopies de Barthes, p. 130-142. Résumé : L'idiorrythmie, terme que Barthes emprunte au vocabulaire religieux des monastères et qui répond à son « fantasme d'une solitude collective », d'un compromis entre retrait et engagement, est, selon nous, en germe depuis les premiers travaux et sous-tend toute son écriture. Car, parmi le foisonnement de métaphores littéraires ou philosophiques mobilisées pour mener à bien son combat d'écrivain contre le - Poétique (...) et Études littéraires – GALERIE – Nouvel article. (shrink)

The main object of this interdisciplinary paper is examining fan fiction as a social practice and a literary experience. Its conclusions draw upon the results from two years of field research conducted in the Russian Harry Potter female fan fiction Internet community. Reading communities play a crucial part in this new type of literary communication, even though these communities are completely ignored by the literature industry. These online communities strongly support the readers’ writings, provide an exchange of experiences, encourage the (...) rethinking of different contexts of literary and social behavior, foster the development of literary and social imagination, and so on. While analyzing and theorizing fan fiction in detail as a literary experience, the author draws upon Uses of Literature by Rita Felski and her concept of the “modes of textual engagement”. The author comes to the conclusion that fan fiction uses even more “modes of textual engagement” compared to institutionalized literature, while minimizing all the factors leading to the rejection of a reader — which helps to understand the reasons for fan fiction’s enormous popularity and the practices of extensive reading. Apart from the four general functions of literature Rita Felski deals with, fan fiction is based on two additional functions of the correspondence with “canon”, and the correspondence on pornography. All these modes of textual engagement saturate the fan fiction reader’s experience with intensity, corporeality and efficiency. This ethnographic research is complemented with theoretical questions about the changing role of a reader and a writer in amateur online literary communication. (shrink)