This article investigates the new attitude toward the reception and use of Augustine in the early thirteenth century as seen in the works of Helinand of Froidmont and Robert Grosseteste. Both scholars were products of the Twelfth Century Renaissance of Augustine, represented in Peter Lombard’s Sentences, the Glossa Ordinaria, and Gratian’s Decretum. Yet both Helinand and Grosseteste reconstructed Augustine’s texts for their own purposes; they did not simply use Augustine as an authority. Detailed and thorough textual analysis reveals that the (...) early thirteenth century was a high point in Augustine’s reception, and one which effected a transformation of how Augustine’s texts were used, a fact often been obscured in the historiographical debates of the relationship between “Augustinianism” and “Aristotelianism.” Moreover, in pointing to the importance of Helinand’s world chronicle, his Chronicon, this article argues for the importance of compilations as a major source for the intellectual and textual history of the high Middle Ages. Thus, the thirteenth century appears as the bridge between the Augustinian Renaissance of the Twelfth Century, and that of the Fourteenth, making clear the need for further research and highlighting the importance of the early thirteenth century for a thorough understanding of the historical reception of Augustine. (shrink)

Während philosophische Theorien üblicherweise die Inkonsistenzen eines modernen Werte-Pluralismus mit neuen ethischen Konzepten heilen wollen, interessiert sich die soziologische Systemtheorie für die schlichte Beobachtung moralischer und ethischer Kommunikation. In den Blick rücken dabei praktische Situationen, in denen ethische Konzepte, moralische Subjekte, normative Ansprüche und Werte entstehen und anschlussfähig werden. Dieser Band versammelt empirische Studien zu so unterschiedlichen Kontexten wie Krankenhäusern, Wirtschaftsorganisationen, politischen Debatten und Mode und vermittelt so einen Eindruck von den unterschiedlichen Gegenwarten einer sich moralisch beschreibenden Gesellschaft.

The church-funded CARFO or KARFO (Afrikaans Christian Filmmaking Organisation) was established in 1947, and aimed to ‘[socialise] the newly urbanized Afrikaner into a Christian urban society’ (Tomaselli 1985:25; Paleker 2009:45). This initiative was supported and sustained by the Dutch Reformed Church (DRC), which had itself been part of the sociopolitical and ideological fabric of Afrikaans religious life for a while and would guide Afrikaners through tensions between religious conservatism and liberalism and into apartheid. Given Afrikaans cinema’s ties with Christian religious (...) and political conservatism, we explore the role – even the centrality – of the Afrikaans church in cultural activity before 1994, and then after 1994. Here, Afrikaans church is an inclusive term that brings together various denominations of Afrikaans-speaking churches, but which mainly suggests the domination of the DRC. After establishing the role of the Afrikaans church in the way described above, we move towards the primary focus of our study: exploring the representation of clergy in the contemporary Afrikaans film Faan se Trein in order to describe certain theological implications of this representation. With reference to Faan se Trein, our article notes and comments on the shifts that have occurred in clergy representation in Afrikaans cinema over the past decades. Osmer’s four tasks of practical theology, namely, descriptive, interpretive, normative and strategic are used for theological reflection. With due contextual reference to Afrikaans film dramas such as Broer Matie [Brother Matie], Saak van Geloof [A Matter of Faith], Roepman [Stargazer], Stilte [Silence], Suiderkruis [Southern Cross] and Faan se Trein, we arrive at some preliminary conclusions about the representation of clergy in mainly contemporary Afrikaans cinema. (shrink)