En faisant dialoguer autour de cette catégorie double " les enfants et les fous ", l'oeuvre de Descartes, celle de Foucault et les objections d'ordre naturaliste, ce travail cherche à découvrir chez Descartes la pièce manquante qui permette de tenir ensemble le Cogito, le " nourrisson ", et le fou.

Peu de notions semblent a priori aussi vertueuses, donc aussi inoffensives, que celle de " transparence ", synonyme de clarté, de sincérité voire de rectitude morale. Mais en philosophie, c'est bien connu, aucun concept n'est bon ou mauvais en soi. Et, à y bien regarder, rien n'est si clair qu'il n'y paraît lorsqu'il s'agit de transparence. Chaque citoyen a par exemple le droit d'être informé de la façon la plus objective. Faut-il pour autant tout montrer dans les médias, y compris (...) les images les plus choquantes? Si ce même citoyen se plaît à mettre en scène son intimité sur les réseaux sociaux, doit-il pour autant ne pas s'inquiéter de l'utilisation marchande ou sécuritaire de ses données personnelles? Si un homme politique a pour obligation d'être irréprochable, peut-il tolérer d'être constamment épié, y compris jusque dans sa vie privée? Cette recherche sans limite de " transparence " est en train de gommer une frontière qu'on croyait jusqu'ici sacrée : celle qui sépare l'espace publique de l'espace privé. Qu'il s'agisse de la presse à scandale ou de la téléréalité, de la vie de nos dirigeants, du traitement de l'information par les médias ou des nouvelles technologies, l'exigence de transparence s'est imposée dans tous les domaines de la société, glissant subrepticement de l'injonction morale au fantasme de contrôle absolu, au risque de nous conduire à la lisière du totalitarisme. C'est sur ce danger que Mazarine Pingeot a souhaité attirer l'attention. (shrink)

Comme plusieurs autres femmes de son rang, la duchesse de Bouillon s’engage dans la Fronde pour soutenir les intérêts de sa famille. L’ampleur et la qualité de son réseau relationnel, ainsi que ses talents personnels, en font une adversaire redoutable pour le cardinal Mazarin, qui décide donc de la faire emprisonner en janvier 1650. Malgré les conditions très difficiles de sa détention, Madame de Bouillon semble devoir être une médiatrice de premier plan entre son mari rebelle et le cardinal-ministre. Cependant, (...) en dépit de la détermination dont elle fait preuve, la duchesse ne parvient pas à s’imposer comme telle. Non seulement elle paraît trop engagée au service de sa maison mais aussi et surtout, elle est victime des préjugés misogynes de son temps, qui tendent à disqualifier le pouvoir féminin, toujours soupçonné d’être abusif, autoritaire et castrateur. (shrink)

Comme plusieurs autres femmes de son rang, la duchesse de Bouillon s’engage dans la Fronde pour soutenir les intérêts de sa famille. L’ampleur et la qualité de son réseau relationnel, ainsi que ses talents personnels, en font une adversaire redoutable pour le cardinal Mazarin, qui décide donc de la faire emprisonner en janvier 1650. Malgré les conditions très difficiles de sa détention, Madame de Bouillon semble devoir être une médiatrice de premier plan entre son mari rebelle et le cardinal-ministre. Cependant, (...) en dépit de la détermination dont elle fait preuve, la duchesse ne parvient pas à s’imposer comme telle. Non seulement elle paraît trop engagée au service de sa maison mais aussi et surtout, elle est victime des préjugés misogynes de son temps, qui tendent à disqualifier le pouvoir féminin, toujours soupçonné d’être abusif, autoritaire et castrateur. (shrink)

Aristotelianism remained the dominant influence on the course of natural philosophy taught at the University of Paris until the 1690s, when it was swiftly replaced by Cartesianism. The change was not one wanted by church or state and it can only be understood by developments within the wider University. On the one hand, the opening of a new college, the Collège de Mazarin, provided an environment in which the mechanical philosophy could flourish. On the other, divisions within the French Catholic (...) Church between Austinians and Molinists led to Cartesianism finding support within an important section of the faculty of theology, which was the traditional guardian of philosophical orthodoxy. The conversion of the University of Paris to Cartesianism had important consequences. It encouraged similar changes to the natural philosophical curriculum throughout France and affected the structure and raison d'être of the Académie des Sciences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 473-492 [Access article in PDF] Sainte-Beuve between Renaissance and Enlightenment Paul Nelles For a period of eight years in the 1840s Charles-Augustin de Sainte-Beuve held a post of conservateur at the Bibliothèque Mazarine. 1 Each day he traversed the gallery of hommes illustres which decorated the reading room. This held busts of major figures from history and literature. In one (...) of his portraits littéraires from these years Sainte-Beuve pretended to derive inspiration from this legion of intellectual heroes. Among the busts stood one of Gabriel Naudé, Mazarin's first librarian in the 1640s. Sainte-Beuve dreamt, he wrote at the time, of placing Naudé's bust beside that of Charron, or even better, between those of Montaigne and Bayle. Through Naudé, Sainte-Beuve avowed to discover the genius loci of the Bibliothèque Mazarine. Yet whatever local reasons there were for the presence of Naudé's bust at the Mazarine, Sainte-Beuve set out in this essay to find a place for Naudé among the pantheon of French thinkers on his own merits. Such playfulness with a biographical conceit of both the literary and visual arts belied serious purpose. If it fuelled Sainte-Beuve's claim to have found in the seventeenth-century thinker "un sceptique moraliste sous masque d'érudit," 2 it was also expressive of a critical campaign devoted to the revision of a received tradition of French thought and learning. Sainte-Beuve [End Page 473] juxtaposed a seventeenth-century tradition of "literary" skepticism independent of formal philosophy with an Enlightenment inheritance he was eager to disown. Central to this task was a disciplinary turn away from philosophical inquiry and the history of philosophy to literary history. This in turn entailed a full embrace of the shadowy inhabitants of the margins of pre-Enlightenment thought from the late Renaissance to Bayle.Sainte-Beuve's discovery of seventeenth-century precursors, as he clearly regarded them, was first sketched in a series of articles in the Revue des Deux Mondes in the 1830s and 1840s. Naudé was thus somewhat more than a random sighting in Sainte-Beuve's critical galaxy. Together with Bayle and a handful of other figures Naudé occupied a key position within the constellation of thinkers Sainte-Beuve charted in plotting a course for the practice of literary history and criticism in the middle years of the nineteenth century. The context of the development of Sainte-Beuve's enterprise illuminates an intriguing aspect of the historiography of skepticism in modern intellectual history. While functioning in part to legitimize literary history as a discipline, the circumstances of Sainte-Beuve's undertaking are rooted in wider contemporary currents of historiography and the philosophy of history. There is, then, a crucial disjuncture between the tradition Sainte-Beuve set out to describe and that established in the twentieth century under the rubric of libertinage. Sainte-Beuve did not seek to establish seventeenth-century origins for Enlightenment free thought. Rather, he turned to the seventeenth century in an effort to exhume a tradition of criticism and literary skepticism with which, on his account, the Enlightenment had openly broken. 3Sainte-Beuve's interest in Naudé, Bayle, and other figures derived from a need to differentiate the orientation and method of literary history from contemporary mechanisms for assessing the significance of France's intellectual and cultural heritage. For all concerned this was a heritage unquestioningly viewed through the prism of the political events of 1789 and their aftermath. According to Sainte-Beuve, la critique emerged in the seventeenth century with thinkers such as Charron, Naudé, and Bayle. From his standpoint, the significance of such figures inhered entirely in their pre-Enlightenment status. They vividly illustrate how the Enlightenment had deviated from a well-established tradition of la critique. The degree to which they served as a foil to the Enlightenment becomes evident when contrasted with Sainte-Beuve's characterization of mainstream Enlightenment figures. [End Page 474]For Sainte-Beuve and his contemporaries literature was not yet restricted to a narrow canon... (shrink)

Le Conseiller d'Etat ou Recueil général de la politique moderne est l'un des grands traités politiques du XVIIe siècle. Son auteur, Philippe de Béthune, diplomate réputé et fin connaisseur de la vie publique, a écrit un livre étonnant de philosophie politique, de stratégie, d'économie et d'urbanisme. Œuvre d 'un homme de cour, habitué à côtoyer les princes, il est le produit de la réflexion et de l'expérience d'un personnage singulier, mais aussi d'une époque insolite de mutation entre deux mondes, - (...) celui de la Renaissance, des guerres de religion et des troubles de la Ligue, et celui de l'absolutisme monarchique et de l'État moderne, - marquée par une transformation profonde des valeurs politiques et morales. Personnalité peu commune, qui a voyagé à travers toute l'Europe, qui par deux fois a été ambassadeur à Rome et qui a bénéficié d'une longévité remarquable, Philippe de Béthune est le frère puîné de Sully Il naît sous Charles IX, commence sa carrière comme mignon, dans l'entourage de Joyeuse, l'archi-favori d'Henri III, sert Henri lV Louis XIII, Richelieu et termine sa vie sous le ministériat de Mazarin. Publié en 1633, avec l'accord du cardinal ministre, Le Conseiller d'Etat n 'a jamais été réédité depuis 1684. Cette nouvelle édition est précédée d'une longue introduction sur l'art politique de la première moitié du XVlle siècle et le paysage mental de l'époque. (shrink)

Edizione con introduzione delle nove questioni anonime sugli Elenchi Sofistici conservate nel ms Paris, Bibliothèque Mazarine, 3523, ff. 70rb-72rb . Nell'introduzione l'A. esamina le convergenze fra queste e le questioni sugli Elenchi conservate nel ms. Praha, Méstska Lidova Knihovna, L. 76 . L'ed. affronta anche il problema, irrisolto, di riferimenti interni ad autori, verosimilmente maestri, non identificati: Albertus , Robertus e Antonius. Su quest'ultimo si concentra l'attenzione dell'ed., per il quale Antonius commentò gli Elenchi attorno al 1260, probabilmente a (...) Parigi. Antunius e Albertus sono ricordati anche in due scholia nella copia dei Sophistici Elenchi in Wien, ÖNB, 2377, f. 49r. (shrink)

In his Quaestiones supra librum De Caelo et Mundo which are preserved in the manuscripts Vienna, Dominikanerkonvent 150/120, fols. 47ra-68va and Paris, Bibliothèque Mazarine 3493, fols. 95ra-136rb, Peter of Auvergne deals with the question of whether there is one world or whether there can be many worlds 24). Peter raises this question because Aristotle refutes the existence and possibility of a plurality of worlds in De Caelo I, 8-9. I shall first discuss the three sets of questions on De (...) Caelo attributed to Peter of Auvergne . In the second section I shall present the answers of authoritative ancient and medieval scholars on the problem of whether a plurality of worlds exists or is possible . Finally I shall examine Peter’s question and indicate its probable sources. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 177 Amsterdam, appears in the series of the International Archives of the History of Ideas, published under the direction of P. Dibon of Nijmegen and R. Popkin of the University of California at San Diego and a distinguished international editorial committee. Other volumes demonstrate the philosophical respectability of the collection: three on Descartes and Cartesianism, one on Berkeley's immaterialism, three on Pierre Bayle, the rest on philosophical (...) topics from the Renaissance to the 19th century. In this gallery, these letters by a not very good French poet---who was yet an acute and rather individualistic judge of men and books, already one of the arbiters of intellectual and artistic life in France--may seem a little out of place. Yet, to many historians of intellectual affairs, the firm establishment of dates and personal relationships is a matter of much importance, and documents such as these, largely devoted as they are to the communication of news about books and writers, the activities of rulers and ambassadors, printers and curious travelers, can be a substantial aid in determining the structure of an historical moment, the succession and interrelationship of events. One is willing to grant that much of what Chapelain wrote to Heinsius is trivial and concerns books and literary news of slight importance, that a delicate irony makes less of some of his comments than they were worth at the time. The triviality itself is a clue to the temper of Paris during the Fronde and in the late years of the regency of Mazarin. Great ideas were not being discussed in public when Pascal was writing his Pensdes; the irony is a mode of defense against involvement, and fashionable at the time. Bray's elaborate introduction is more concerned with the artistic and subjective aspect of the letters than with their contribution to intellectual history. In about a hundred pages, he discusses his author's method of writing, the genre which this kind of letter represents, the artistry it exhibits, from basic structure to stylistic ornamentation, and finally the human and even ethical implications of this collection. His notes are full and informative; identifications are well documented and cross-referencing in the notes and in the index of names make the volume a usable source of information, even though it cannot be recommended as stimulating debate or lively narrative. The topics discussed by Chapelain range over a considerable area, without becoming controversial. There is one exceptional letter in which he instructs Heinsius in adapting his integrity to the role of a diplomat; he must acquire "un peu de dissimulation" to oppose to "l'ing~nuit~ du Parnasse." There are references to civil strife, to foreign affairs, to the rivalry of Dutch and English navies, to the sympathy of the French for the Swedish Lutheran dynasty as opposed to the Catholic ttapsburgs and the ecclesiastical electors of Mainz, Cologne, and Trier. Queen Christina of Sweden plays a continually less attractive part as the letters proceed to their end; and Christiaan Huygens, the Duc de Montausier, Ismael Boulliau, Guez de Balzac, and Gilles M4nage figure more or less regularly in these pages. Of philosophers there is little mention, and of discussion of ideas for their own sake still less. The letters are, like many another collection deriving from the age before the learned and scientific journals, a source of valuable information about certain persons and certain books; they are hardly a serious contribution to the history of ideas. H~covaT BROWN Brown University Pascal. By J. H. Broome. (New York: Barnes & Noble, Inc., 1966. pp. x + 250. $6.00.) The most remarkable feature of this work is that it locates and forcefully interprets philosophical themes common to all of Pascal's widely=diversified writing. In his works on the vacuum, the computer, geometry, hydrostatics, Grace, freedom and the art of persuasion as well as the Pens~es, Broome locates five regular features of Pascal's thought: 1) the three orders (pp. 103-4, inter alia); 2) the deux infinis (p. 146); 3) a theory of knowl- 178 HISTORY OF PHILOSOPHY edge; 4) a dialecticalmethod; and 5) a theory of communication. The former two themes are commonly discussed by students of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 177 Amsterdam, appears in the series of the International Archives of the History of Ideas, published under the direction of P. Dibon of Nijmegen and R. Popkin of the University of California at San Diego and a distinguished international editorial committee. Other volumes demonstrate the philosophical respectability of the collection: three on Descartes and Cartesianism, one on Berkeley's immaterialism, three on Pierre Bayle, the rest on philosophical (...) topics from the Renaissance to the 19th century. In this gallery, these letters by a not very good French poet---who was yet an acute and rather individualistic judge of men and books, already one of the arbiters of intellectual and artistic life in France--may seem a little out of place. Yet, to many historians of intellectual affairs, the firm establishment of dates and personal relationships is a matter of much importance, and documents such as these, largely devoted as they are to the communication of news about books and writers, the activities of rulers and ambassadors, printers and curious travelers, can be a substantial aid in determining the structure of an historical moment, the succession and interrelationship of events. One is willing to grant that much of what Chapelain wrote to Heinsius is trivial and concerns books and literary news of slight importance, that a delicate irony makes less of some of his comments than they were worth at the time. The triviality itself is a clue to the temper of Paris during the Fronde and in the late years of the regency of Mazarin. Great ideas were not being discussed in public when Pascal was writing his Pensdes; the irony is a mode of defense against involvement, and fashionable at the time. Bray's elaborate introduction is more concerned with the artistic and subjective aspect of the letters than with their contribution to intellectual history. In about a hundred pages, he discusses his author's method of writing, the genre which this kind of letter represents, the artistry it exhibits, from basic structure to stylistic ornamentation, and finally the human and even ethical implications of this collection. His notes are full and informative; identifications are well documented and cross-referencing in the notes and in the index of names make the volume a usable source of information, even though it cannot be recommended as stimulating debate or lively narrative. The topics discussed by Chapelain range over a considerable area, without becoming controversial. There is one exceptional letter in which he instructs Heinsius in adapting his integrity to the role of a diplomat; he must acquire "un peu de dissimulation" to oppose to "l'ing~nuit~ du Parnasse." There are references to civil strife, to foreign affairs, to the rivalry of Dutch and English navies, to the sympathy of the French for the Swedish Lutheran dynasty as opposed to the Catholic ttapsburgs and the ecclesiastical electors of Mainz, Cologne, and Trier. Queen Christina of Sweden plays a continually less attractive part as the letters proceed to their end; and Christiaan Huygens, the Duc de Montausier, Ismael Boulliau, Guez de Balzac, and Gilles M4nage figure more or less regularly in these pages. Of philosophers there is little mention, and of discussion of ideas for their own sake still less. The letters are, like many another collection deriving from the age before the learned and scientific journals, a source of valuable information about certain persons and certain books; they are hardly a serious contribution to the history of ideas. H~covaT BROWN Brown University Pascal. By J. H. Broome. (New York: Barnes & Noble, Inc., 1966. pp. x + 250. $6.00.) The most remarkable feature of this work is that it locates and forcefully interprets philosophical themes common to all of Pascal's widely=diversified writing. In his works on the vacuum, the computer, geometry, hydrostatics, Grace, freedom and the art of persuasion as well as the Pens~es, Broome locates five regular features of Pascal's thought: 1) the three orders (pp. 103-4, inter alia); 2) the deux infinis (p. 146); 3) a theory of knowl- 178 HISTORY OF PHILOSOPHY edge; 4) a dialecticalmethod; and 5) a theory of communication. The former two themes are commonly discussed by students of... (shrink)