al-Ījī's epitome of his Mawāqif fī ʻilm al-kalām on Islamic theology.

Good and evil; religious aspects; Islam.

al-juz 1.-3. [without special title] -- al-juzʼ 4. Fī mabāḥith al-ḥudūth wa-al-qidam wa-asrār al-dahr wa-al-azl -- al-juzʼ 5. Fī al-zamān wa-al-makān -- al-juzʼ 6. Fī al-hayūlī -- al-juzʼ 7. Fī al-arwāḥ al-ʻāliyah wa-al-sāfilah -- al-juzʼ 8. Fī al-nubūwāt wa-ma yataʻalaqu biha -- al-juzʼ 9. Fī al-jabr wa-al-qudar, aw, al-Qadāʼ wa-al-qadar.

Taftāzānī, Masʻūd ibn ʻUmar, 1322-1389?; criticiam and intepretation; Islamic law; early works.

Taftāzānī, Masʻūd ibn ʻUmar, 1322-1389?. Tahdhīb al-manṭiq wa-al-kalām.

In her film, Desperately Seeking Susan, Susan Seidelman continues her inquiry into the relations between the “center” and the “margin” in contemporary culture. The ideology of the film represents the center — the status quo — as the site for mature negotiations of communal values, whereas it constructs the margin — the locus of opposition — as an instance of self-indulgence, transgression, and extremity. This is the same theme in her first film, Smithereens. This fascination with the tension between the (...) center and the margin is interesting in that it enacts the “politics of reluctance” of fairly successful upper bourgeois who in their youth learned a political language and a set of attitudes now being tested in their middle years by new political “realities.”. (shrink)

Brooks' Lost in America is a somewhat parodic and amused exploration of the fantasy of freedom. But it is also an ideological maneuver to reinscribe, albeit humorously, the existing economic order by “showing” all oppostition as impractical. In spite of itself, the film is more a discourse on history and the need for a homogenized “tradition” in a consumer society than what it professes to be: an account of self-origination. 11 thus demonstrates that the fate of individuals cannot be scrutinized (...) outside history. The relation between contemporary American culture and the past is fraught with contradictions engendered by American society's view of social “change.”. (shrink)

Najm al-Din al-Katibi's al-Risalah al-Shamsiyyah is a scholarly edition and translation of The Canons of Logic, with additional commentary and notes. Composed by Najm al-Din al-Katibi, a scholar of the Shafi'i school of law, al-Risalah al-Shamsiyyah is the most widely read introduction to logic in the Arabic-speaking world. It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasa students from the early fourteenth century up until the present day. Building on (...) the theories of Avicenna, al-Razi, and other pioneers of logic, al-Katibi discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-Katibi and his impact on concepts of formal discourse and argument. (shrink)

Logic was revered in the thirteenth century, perhaps more highly than it has been revered before or since. In the Muslim East, logic was an integral part of the syllabus of schools and found to be especially helpful for legal studies. It was at this time that The Canons of Logic was composed by Najm al-Din al-Katibi, a scholar of the Shafi'i school of law. The Rules of Logic is the most widely read introduction to logic in the Arabic-speaking world. (...) It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasa students from the early fourteenth century up until the present day. Building on the theories of Avicenna, al-Razi, and other pioneers of logic, al-Katibi discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-Katibi and his impact on concepts of formal discourse and argument. This new translation of The Canons of Logic provides new life to an influential text that has shaped the work of scholars of logic for centuries. (shrink)

[1] Shaʻar ʻavodat ha-Eloḳim -- [2] Shaʻar ha-beḥinah. Shaʻar Yiḥud ha-maʻaśeh -- [3] Shaʻar ha-biṭaḥon 1-2.

[1] Shaʻar ha-biṭaḥon -- [2] Shaʻar yiḥud ha-maʼaśeh -- [3] Shaʻar ha-keniah --.

A contemporary to Thomas Aquinas in Latin Catholic Italy, and with a parallel motivation to stabilize each his own civilization in its flux and storm, 'Abd Allah Baydawi of Ilkhan Persia wrote a compact and memorable Arabic Summation of Islamic Natural and Traditional Theology. With the same strokes of his pen he presented the Islamic version of the Science of Theological Statement, bafflingly called "Kalam" while familiarly embracing "Theology". Baydawi's Tawali'al-Anwar min Matal'al-Anzar (Rays of Dawnlight Outstreaming from Far Horizons of (...) Logical Reasoning), with Mahmud Isfahani's commentary, is a formidably clear logical and mental vision of mankind's final completion as a spiritual structure in Islam. Reality - in nature's Possible mode, in an apodictic Divine mode, and in humanity's heroic Prophetic mode - comprises man's Worldview and is the Theme of the Baydawi/Isfahani discourse. The Edifice of Man and Humanity's evanescent Evidence within it are both hugely arresting and moving. The print edition is available as a set of two volumes (9789004121027). (shrink)

Hadith; commentaries; early works to 1800.