This article investigates the possibility and potential of a critical theory of nature and technology. A blind acceptance of the uninhibited development of the forces of production led traditional critical theory to neglect these areas, which it assigned to the domain of the natural sciences. The recognition that nature is socially constituted compels a reformulation of the interest in reasonable conditions that guided the older critical theory. The article asks what criteria offer themselves for determining what would be reasonable in (...) our relations both to the nature that we ourselves are, the body, as well as to the nature that we ourselves are not. Such questions might revitalize critical theory in the very moment it threatens to become historically obsolete. (shrink)

The conception of the nature of modern technology and the understanding of its history is largely determined by Marx: technology is instrumental appropriation of nature and its development was driven by the bourgeoisie and capitalism. To this familiar conception the article opposes the concept of two technology types, which we find in the early modern engineer Salomon de Caus: useful and enjoyable technology. Enjoyable technology, which serves pleasure and not production, originates in the orientation to curiosities and representation at royal (...) courts, limited neither by guild conservatism nor by considerations of profit. Precisely for this reason courtly technology was particularly creative. Against this historical background the article examines contemporary technological developments in the period of the transformation of capitalism into the aesthetic economy, in which technology development (apart from war) increasingly serves pleasure. Technology becomes plaything and life-style gadget. An explicit consumption of technology has emerged, in which Marx’s ideal obsolescence plays a leading role. (shrink)

In this clear and accessible book, Gernot Bohme places philosophical ethics in the context of our individual and social lives. Arguing against the conception of ethics as a body of knowledge, Bohme defines morality as a matter of 'serious questions'. In the case of an individual, a serious question is one that determines that person's mode of living. In the case of society, a serious question is one that shapes our social norms. In Ethics in Context, Bohme explores the (...) key areas of moral living and moral discourse. He examines some of the urgent issues affecting society today, such as the moral implications of reproductive technology, man's mastery over nature and the right of citizenship. This book is a lucid and engaging guide to ethics, which will be of great interest to students of philosophy and, indeed, to all those interested in the subject. (shrink)

The author asks about the conceptual tools which would enable a critique of contemporary capitalism without falling back to Utopianism and its historically-discredited theses. With the help of paired categories like community–society, human dignity–self-awareness, need–desire, Gernot Böhme portrays the deficiencies of contemporary Western social reality, e.g. the steadily exhausting reserves of the highly-bureaucratised welfare state system, the rapidly mounting differences in income, or the negative moral and psychological effects of unemployment and the so-called precariat. Böhme presents his (...) critique of “aesthetic capitalism,” which does not satisfy human needs in the Marxist sense but rather the aesthetically-refined consumer desires of today’s affluent societies, in reference to the views of contemporary critical theory authorities. (shrink)

Summary This paper attempts to distinguish the methods of the constitution of a realm of scientific objects from the methods of their mathematical representation. In its investigations into the procedures for forming quantitative concepts analytical philosophy of science has thematized the numerical representation of empirical relational systems (metricizing). It is the task of an historical epistemology to identify the methods and historical processes through which relams of phenomena have been made representable in such a way (quantification). In preparing such investigations (...) conceptual distinctions are made, in particular between quantities and scales. (shrink)

There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated (...) version authorised by Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian and an afterword by Professor David Leatherbarrow,, the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus. (shrink)

This article deals with the question of what type of ethics may be efficient to cope with actual problems in advanced societies, i.e. environmental problems, social conflicts, the usage of new technologies. The answer given is that it is not morality or ethical decisions that count but the customary (das Übliche). But the customary is a rather precarious resource. This is not only because it may turn out to be the particularistic orientation of social groups, like those of companies, political (...) parties, or even peer groups but also because it is eaten up by the progress of modernity. This is shown by comparison with the historical forerunner of the customary, namely what has been called ethical life (substantielle Sittlichkeit) by Hegel. (shrink)

This article charts the emergence since the 1950s of a new value category, staging value, which arises when capitalism moves from addressing people's needs to exploiting their desires. Staging values serve the intensification and heightening of life rather than the satisfaction of primary needs. The article reevaluates successive theories on the relationship between aesthetics and the economy in the light of these changes, and suggests the continued relevance of critical theory in the era of the aesthetic economy.

The concept of atmosphere may be defined as tuned space, i.e. space with a mood. This concept opens a lot of new perspectives for Aesthetics. The very paradigm of it is stage design. Stage designers install a certain climate on the stage. But in our days almost everything is staged. Thus the theory of atmosphere finds applications in Commodity Aesthetics, Design, Architecture, but also the staging of politics as well as the staging of a person through a certain life-style is (...) a field of application. Finally the Aesthetics of Atmosphere helps to understand art, in particular performative art and music. (shrink)

À partir d’éléments théoriques situés au fondement de sa conception des atmosphères (espace pensé à partir de la présence charnelle vs conception géométrique de l’espace comme topos ou spatium ; notion de Befindlichkeit ou « disposition affective » ; réflexions sur la perception), le présent texte de Gernot Böhme offre une synthèse tout à fait remarquable de ses réflexions tissées entre architecture et atmosphères. Il s’agit dès lors, pour le philosophe allemand, de chercher tout autant à penser la (...) spécificité esthétique de l’architecture que de permettre de situer celle-ci de manière adéquate face aux enjeux du monde contemporain, ou encore d’inciter les architectes à réfléchir leur pratique dans et par le type de rapport à l’espace, au monde et aux hommes qui se manifeste dans la méditation de la notion d’« atmosphères ». (shrink)

Gernot Böhme discusses the nature of moral good in the light of what he calls proto-ethics, considering how to be human “well.” Here the predicate “good” takes on an adverbial and not an adjectival form, and Böhme refers to the Aristotelian distinction between praxis and poiesis to show that today's activistic civilisation with its emphasis on achievement as the effect of activity has deprived humans of their ability to focus on activity itself. Böhme rejects ideologies which (...) profess the “enhancement” of humans by medical/pharmacological means, and instead postulates the recrea-tion of praxis skills by physical and spiritual training, especially in human relations with nature and the own body. Backing this postulate are numerous examples of how to be human “well.”. (shrink)

Gernot Böhme defines meditation as achieving specific states of consciousness by concentration and “switching off” the attention usually paid to diverse areas of everyday life. Böhme goes on to discuss what he considers to be the main meditation-generated forms of consciousness, like non-intentional consciousness, empty consciousness, consciousness of presence, the awareness of nonduality, and self-awareness, which extends beyond the normal sense of identity and reveals the hidden, unconscious dimensions of the deeper self. Böhme anchors these reflections (...) in his philosophical critique of today’s reified consumerism and postulates the inclusion of this inquiry path in classical epistemological analysis. (shrink)

In the paper Gernot Böhme considers the spatial aspects of the perception of sound, especially the human voice, which he sees not as a verbal bearer of meaning but the expression of “the speaker’s atmospheric presence.” The voice lends the communication space emotional colour and the atmospheres it creates envelop the communication partners by way of resonance. The author sets the signatures concept propounded by the Renaissance philosopher Jacob Böhme against semiotic theories: understanding music is not interpretation (...) but resonance. Gernot Böhme also focuses on contemporary experimental music, where musical instruments are not treated as tools for the production of musical sounds but bodies “provoked” to generate specific sounds in the acoustic space. (shrink)

As its subtitle suggests, the essay is a phenomenological account of the diverse ways in which light can be experienced by the senses. Gernot Böhme divides these experiences into two types depending on whether they concern the relation between light and space or between light and objects. Böhme sees the synthesis of both these types of experiences in the illumination phenomenon, in which spatial/light effects and the way in which objects are illuminated combine to create a specific (...) atmos-phere during the sensual, bodily experiencing of space. Böhme also discusses the applications of light effects in contemporary architecture and art. (shrink)

The author reflects on the anthropological role of the “self-cultivation” category in the philosophical system of Immanuel Kant, for whom self-cultivation stood as the central idea of the Enlightenment. Kant believed that it was man alone who created himself to a rational being, that his rationality was not a granted good but something he had to mature to by way of multiple disciplinary, civilizing and moralizing measures. An interesting avenue in Gernot Böhme’s approach is his assumption that this (...) conceptual perspective applied to all three Kantian Critiques, e.g., that Critique of Pure Reason propounds the disciplining of human cognition under the banner of subordinating the sphere of intuition to the categories of intellect. These categories are not inborn in the human mind, but are built by the willful disciplining of the perceptual elements of cognition anchored in the animal fundaments of the humanum. Towards the close of his essay Böhme attempts a critique of Kant’s philosophy, accusing it of reductionism and depreciating many anthropological powers. (shrink)

This article contains some further clarifications of the postitions held by the 'Starnberg Group', i.e. the constitution theory and the finalization theory with particular respect to the case of Classical Hydrodynamics. It is an answer to G. Eberlein und N. Dietrich who recently published a full monography dedicated to criticism of these positions.

Die Gegner der Finalisierungsthese setzen sich in der Regel nur mit dem Projektentwurf der Starnberger Gruppe, nicht mit ihren substantiellen Forschungen, noch viel weniger mit der Sache selbst auseinander, so auch M. Tietzel in Z. f. allg. Wissenschaftstheorie IX, 2, 1978. Als Replik wird deshalb hier ein Stück dieser substantiellen Untersuchungen veröffentlicht: Es geht um die Frage, ob dem Begriff "abgeschlossene Theorie" ein ausweisbarer Sinn gegeben werden kann. Dies wird untersucht durch Analyse der Theoriestruktur der klassischen Hydrodynamik. Hier läßt sich (...) eine systematische Beziehung zwischen der Struktur der Theorie und der empirischen Charakterisierung der Gegenstände, auf die sie sich bezieht , nachweisen. Die Theorie wird also mit Notwendigkeit gültig sein, kann also in diesem Sinne auf der entsprechenden Gegenstandsklasse als abgeschlossen angesehen werden. (shrink)

In this essay about the philosophy of human corporeality Böhme asks about the sense of the I—body relation. He enters a polemic with Hegel, who wrote about the self-appropriation of the own body in acts of will, and points to passive acts of bodily sensing like experiencing pain or fear as that which builds an awareness of the own body’s “mineness.” Böhme calls this awareness affected self-givenness, linguistically articulated by the pronouns “mine” and “me,” which are genetically precedent (...) to awareness and the pronoun “I”. Against this categorial background Böhme considers the argumentative role both these philosophical models of the I—body relation could play in contemporary debates on the diverse cultural forms in which the human body has been commercialised. (shrink)

1 Atmosfera L’espressione atmosfera non è affatto estranea al discorso estetico. Anzi, essa affiora spesso, e in modo quasi automatico, nei discorsi inaugurali dei vernissages, nei cataloghi d’arte e nelle laudationes. In questi casi si può parlare della potente atmosfera di un’opera, dell’effetto atmosferico o di una forma di rappresentazione dotata di una valenza maggiormente atmosferica. L’impressione è quella di dover indicare con atmosfera qualcosa di indefinito, di difficilmente esprimi...

This article scrutinizes the concepts of the body from Descartes through to Hermann Schmitz. The definition the author himself gives is an existential one in the sense of Kierkegaard: To be a body is the task of performing corporeal existence as a commitment.