In the earlier sections of part one of the "critique of judgment," discussing natural beauty, Kant describes the aesthetical or beautiful in strongly formalistic terms. In the closing sections of this part, Discussing fine art, He characterizes the aesthetical or beautiful in predominantly expressionistic terms. The puzzle is not that these views are different but that our philosopher seems to think they are identical. Various hypotheses that claim to explain this puzzle are examined. The key suggested is kant's background or (...) approach. In analysing the aesthetical, Kant is looking for evidence of a harmony between natural fact and moral aspiration, Nature and freedom. For this purpose the aesthetical as form seems best in the field of natural beauty, And the aesthetical as expression in the field of fine art. (shrink)

It has frequently been argued that there is a clear and irreducible difference between statements of fact and statements of value. To say “X is cobalt” and “X is good” is to make statements differing not merely in detail but in kind. To attempt to reduce the second type of statement to the first is to commit the “naturalistic” fallacy. To attempt to reduce the first type of statement to the second is to commit the “idealistic” fallacy. In this paper, (...) I shall accept this position as correct but argue that, far from settling the question of value science, it is merely the elementary premise from which all discussion of this matter must begin. (shrink)