Although experimental philosophy is now over a decade old, it has only recently been introduced to the domain of philosophical aesthetics. So why is there already a need to defend it? Because, as I argue in this paper, we can anticipate the three main types of objection generally addressed to experimental philosophy and show that none of them concern experimental philosophers in aesthetics. I begin with some general considerations about experimental philosophy and its, sometimes conflicting, characteristics. This framework is designed (...) to help me situate the experimental practice in aesthetics within the general movement. I then present the objections and respond to them in turn. Their failure should convince aestheticians to embrace the practice early on and opponents of experimental philosophy to revise their usual objections before addressing them to experimental philosophers in aesthetics. (shrink)

Experimental Philosophy (X-Phi) is now a fully-fledged methodological project with applications in almost all areas of analytic philosophy, including, as of recently, aesthetics. Another methodological project which has been attracting attention in the last few years is conceptual engineering (CE). Its areas of implementation are now diverse, but as was the case initially with experimental philosophy, aesthetics has unfortunately been left out (or perhaps aestheticians have failed to pay attention to CE) until now. In this paper, I argue that if (...) conceptual engineers are interested in expanding their project to the field of aesthetics, which would greatly benefit the field, then they should rely on the existing experimental work of aestheticians. Experimental philosophers have only recently started to join forces with conceptual engineers in various fields, as well as to explore the methodological implications of such an alliance. This paper goes a step further by not only arguing that CE has potential in aesthetics, but that the way to realize this potential is to piggyback, so to speak, on the work of experimental aestheticians. In other words, instead of building a CE project in aesthetics from the ground up, this paper describes the support that CE can and should derive from current experimental aesthetics, thereby making the former’s development more efficiently realizable. Furthermore, I argue that doing so would also be beneficial to experimental aesthetics. Currently, the integration of X-Phi to the wider field of aesthetics is losing ground because certain objections—notably, the objection that X-Phi cannot be of relevance to normative questions—have not been properly refuted. By pairing up with a normative programme like CE, though, experimental aestheticians should finally be able to put these objections to rest. (shrink)

Cet article revient sur la notion de « sujet » chez Lacan en la distinguant de toute référence à l’identité. Il reprend la question « Qui parle? » posée par Michel Foucault en 1969 et y répond avec Lacan. En psychanalyse, il ne s’agit pas de négation du sujet, mais de dépendance du sujet par rapport au signifiant. Lacan a remis en question les « privilèges du moi », mais a sauvé la dimension du sujet en concevant un sujet de (...) l’inconscient. L’identité en psychanalyse n’est pas une identité déterminée par des normes sociales. C’est une identité au niveau du dire du sujet et de sa souffrance. Cet article montre finalement que le sujet lacanien est à la fois un sujet marqué par le signifiant et un sujet articulé à la pulsion. L’expérience de la psychanalyse conduit à une remise en question des identifications, permettant d’appréhender la marque traumatique au niveau du réel. (shrink)

It is an important issue for economic and finance applications to determine whether individuals exhibit a behavioral bias toward pessimism in their beliefs, in a lottery or more generally in an investment opportunities framework. In this paper, we analyze the answers of a sample of 1,540 individuals to the following question: Imagine that a coin will be flipped 10 times. Each time, if heads, you win 10 Euros. How many times do you think that you will win? The average answer (...) is surprisingly about 3.9 which is below the average 5, and we interpret this as a pessimistic bias. We find that women are more 'pessimistic' than men, as are old people relative to young. We also analyze how our notion of pessimism is related to more general notions of pessimism previously introduced in psychology. (shrink)

Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the idea that media are the physical material that makes up artworks, and that this material contains specific and unique features capable of 1) differentiating media from one another, and 2) determining the aesthetic potential and goals of each medium. As such, medium specificity is essential for aestheticians interested in matters of aesthetic ontology and value. However, as Noël Carroll has vehemently and convincingly argued, (...) the theory of medium specificity is inherently flawed and its many applications in art history ill-motivated. Famously, he concluded that we should ‘forget the medium’ entirely. In this thesis, I reject his conclusion and argue that reconstructing a theory of medium specificity, while taking Carroll’s objections into account, is possible. To do so, I offer a reconceptualization of the main theoretical components of medium specificity and ground this new theory in empirical research. I first redefine the medium not as the physical material that makes up artworks but as sets of practices – not the material itself but how one uses the material. I then show that what makes media specific and unique is not certain physical features, but the human responses, which can be empirically investigated, to the combination of practices that constitute media. This relation is one of response-dependence, albeit of a novel kind, which I develop by appealing to social metaphysics. The resulting theory is more complex but also much more flexible and fine-grained than the original and provides insight into a variety of current aesthetic theories. (shrink)

What do we see in a mirror? There is an ongoing debate whether mirrors present us with images of objects or whether we see, through the mirror, the objects themselves. Roberto Casati has recently argued that there is a categorical difference between images and mirror-reflections. His argument depends on the observation that mirrors, but not paintings, are sensitive to changes in the observer’s prospective. In our paper we scrutinize Casati’s argument and present a modal argument that shows that it cannot (...) establish this conclusion. We suggest that Casati’s line of reasoning suffers from the fact that he does not take dynamic images, i.e., images that change over time, into account. (shrink)

Tip-of-the-tongue experiences have an intriguing and insidious character. Some philosophers have tried to reduce them to more common states, with some considering these experiences to be beliefs about one’s state of knowledge, and still others considering them feelings about one’s state of knowledge. These two latter views are not mutually exclusive; indeed, one might hold a mixed theory, according to which the TOT is a feeling that depends constitutively on a belief. In the paper I first argue against the idea (...) that beliefs are a constitutive feature of TOTs and hence against both the pure and the mixed belief theories; next I address the feeling theory; finally, I defend a pluralist theory. (shrink)

Comment comprendre la thèse selon laquelle la liberté d’expression constitue l’un des fondements d’une société démocratique, comme cela a pu être invoqué dans de nombreuses décisions constitutionnelles, en particulier en Allemagne? L’article se propose d’éclairer la nature du lien entre liberté d’expression et démocratie en s’inscrivant dans une réflexion sur les concepts de liberté que nous mobilisons lorsque nous cherchons à penser la liberté d’expression. En s’appuyant sur les contributions de Habermas et de Honneth à ce débat, il s’attache à (...) en décliner les différentes facettes : liberté privée, communicationnelle, droit de participation politique ou liberté sociale. Sur la base d’une compréhension de la liberté d’expression comme un droit et une pratique sociale constitutifs d’un espace public démocratique, il s’agit de poser la question de sa régulation à nouveaux frais. (shrink)

From November 5 to November 22, 2019, the University of Milan hosts an exhibition in which philosophy and its problems are staged in playful and interactive forms. Like any catalog, this volume also intends to document the objects and themes proposed to the visitor. But it also has a more ambitious goal: to imagine and design the spaces of that Museum of Philosophy which, we are sure, will be created here in Milan, starting from the experience of this exhibition--Translated, via (...) Google, from page 2 of cover. (shrink)

Reasons motivate our intentions and thus our actions, justify our beliefs, ground our hopes and connect our feelings of shame and pride to our thoughts. Given that intentions, beliefs and emotions are intentional states, intentionality is strongly connected with normativity. Yet what is more precisely their relationship? Some philosophers, notably Brandom and McDowell, contend at places that intentionality is intrinsically normative. In this paper, we discuss Brandom and McDowell’s thesis and the arguments they provide for its defence. In contrast to (...) what they hold, we argue that neither reference intentionality nor content intentionality are intrinsically normative, although at least content intentionality has normative implications. More precisely, we argue that neither species of intentionality are normative from a semantical viewpoint, because being in an intentional state is not being in a state that is semantically correct or incorrect. Nevertheless, being in a state endowed with content may be a reason for believing or acting. Thus, we argue that content intentionality has normative implications. More precisely, we argue that any content is such that, if it is the content of a state that is sensitive to reasons - as judging paradigmatically is – then it entitles the subject of that state to have further states or to act in certain ways. (shrink)