Essays discuss the division of household labor, anti-semitism, violence against women, reproductive freedom, parenting, friendship between women, and feminist theology.

I want to discuss why it makes sense to speak of a linguistic turn in the philosophy of Paul Ricœur. He early on had said that “the word is my kingdom and I am not ashamed of it” without, at that time, spelling out just what this claim meant as regards a broader philosophy of language. Nor would he have had any difficulty in admitting that his attitude toward language and questions about language changed over time. Keywords : Analytic Philosophy, (...) Linguistic Turn. Résumé Je souhaite discuter pourquoi il y a un sens à parler de tournant linguistique dans la philosophie de Paul Ricœur. Il avait dit dès le début de son travail “la parole est mon royaume et je n'en ai point honte,” sans, à ce moment-là, spécifier ce que cette affirmation signifie au regard d'une philosophie du langage. Et il n'aurait pas eu de difficulté à admettre que son attitude envers le langage et les questions sur le langage a changé au fil du temps. Mots-clés: Philosophie analytique, Tournant linguistique. (shrink)

Reading Ricoeur -- Freedom and nature -- Ricoeur's turn to hermeneutics -- The fullness of language and figurative discourse -- Selfhood and personal identity -- Memory, recognition, practical wisdom.

A substantial guide providing an overview of both physicalism and metaphysical naturalism, reviewing both questions of formulation and justification for both doctrines. Includes a diagnostic strategy for understanding talk of naturalism as a metaphysical thesis.

What happens when the meaning of life based on a divine revelation no longer makes sense? Does the quest for transcendence end in the pursuit of material success and self-absorption? Luc Ferry argues that modernity and the emergence of secular humanism in Europe since the eighteenth century have not killed the search for meaning and the sacred, or even the idea of God, but rather have transformed both through a dual process: the humanization of the divine and the divinization of (...) the human. Ferry sees evidence for the first of these in the Catholic Church's attempts to counter the growing rejection of dogmatism and to translate the religious tradition into contemporary language. The second he traces to the birth of modern love and humanitarianism, both of which demand a concern for others and even self-sacrifice in defense of values that transcend life itself. Ferry concludes with a powerful statement in favor of what he calls "transcendental humanism"—a concept that for the first time in human history gives us access to a genuine spirituality rooted in human beings instead of the divine. (shrink)

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's _Memory, History, Forgetting_ examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production (...) of historical narrative. _Memory, History, Forgetting_, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora. A momentous achievement in the career of one of the most significant philosophers of our age, _Memory, History, Forgetting_ provides the crucial link between Ricoeur's _Time and Narrative_ and _Oneself as Another_ and his recent reflections on ethics and the problems of responsibility and representation. “His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events.... It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—_Library Journal _“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— _New York Times Book Review _. (shrink)

Pellauer's programmatic study neatly differentiates what he takes to he a proper phenomenology of religion from the works of W. Bede Kristensen, Cornelius Bleeker and Gerhard van der Leeuw. Following Husser's lead, but leaving aside Husser's idealism, Pellauer suggests that Husserl provides a useful theoretical model of experience, one which is "hypothetically applicable to all human experience." Pellauer then critically explores Husser's model. This exploration opens the way for Pellauer to suggest important ways in which the phenomenon of silence should (...) he examined, ways not developed in Dauenhauer's study. What follows is the slightly edited second half of Pellauer's contribution. (shrink)

We perceive smells as perduring complex entities within a distal array that might be conceived of as smellscapes. However, the philosophical orthodoxy of Odor Theories has been to deny that smells are perceived as having a distal location. Recent challenges have been mounted to Odor Theories’ veracity in handling the timescale of olfactory perception, how it individuates odors as a distal entities, and their claim that olfactory perception is not spatial. The paper does not aim to dispute these criticisms. Rather, (...) what will be shown is that Molecular Structure Theory, a refinement of Odor Theory, can be further developed to handle these challenges. The theory is further refined by focusing on distal perception that requires considering the perceptual object as mereologically complex persisting odor against a background scene conceived of as a smellscape. What will be offered is an expansion of Molecular Structure Theory to account for distal smell perception within natural environments. (shrink)

I offer some comments from the perspective of someone familiar with the work of Paul Ricoeur on Allan Bell’s proposal that discourse studies take a hermeneutic turn drawing on Ricoeur’s idea of an arc of interpretation. I suggest that such a hermeneutic turn would need to be more radical than Bell proposes in that he limits it largely to questions of method, without really addressing how it might affect our understanding of either the object of discourse studies or the goal (...) of such studies. This does raise the question, however, whether discourse studies should be considered a subdiscipline of hermeneutical philosophy. (shrink)

This plenary address to the 2013 annual meeting of the North American Society for Philosophical Hermeneutics is intended to shift the discussion beyond the study of individual figures like Gadamer and Ricoeur. Beyond the distinction between ontological and epistemological approaches to hermeneutics, and even that between regional and general hermeneutics, it seeks to pose three areas needing further inves­tigation. At the level of presuppositions and assumptions, more needs to be said about how we can say “we understand”; at the level (...) of practice, there is the question of how one evaluates not just competing interpretations but any interpretation; and at a more basic level constitutive of hermeneutic philosophy, the question of reflexivity—that I/we understand that I/we understand—remains to be explored. (shrink)

A major event in the history of twentieth-century thought, _Notebooks for a Ethics_ is Jean-Paul Sartre's attempt to develop an ethics consistent with the profound individualism of his existential philosophy. In the famous conclusion to _Being and Nothingness_, Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for (...) the first time in English, the _Notebooks_ reveal Sartre at his most productive, crafting a masterpiece of philosophical reflection that can easily stand alongside his other great works. Sartre grapples anew here with such central issues as "authenticity" and the relation of alienation and freedom to moral values. Exploring fundamental modes of relating to the Other—among them violence, entreaty, demand, appeal, refusal, and revolt—he articulates the necessary transition from individualism to historical consciousness. This work thus forms an important bridge between the early existentialist Sartre and the later Marxist social thinker of the _Critique of Dialectical Reason_. The _Notebooks_ themselves are complemented here by two additional essays, one on "the good and subjectivity," the other on the oppression of blacks in the United States. With publication of David Pellauer's lucid translation, English-speaking readers will be able to appreciate this important contribution to moral philosophy and the history of ethics. Jean-Paul Sartre was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, _The Family Idiot_, and _The Freud Scenario_, both published in translation by the University of Chicago Press. (shrink)

This essay explores the idea of the just which allowed Ricoeur to move beyond and expand the “little ethics” presented in Oneself as Another . One key development is that he moves beyond the idea of solicitude as a kind of benevolent spontaneity on the basis of the insight that not all intersubjective relations are face-to-face. This recognition that who the other is can be important allows him to show why the just is a notion that explicitly arises at the (...) level of the distant and often anonymous other, which is that of social and political institutions where the question of justice rather than friendship is central. Another related development is that the idea of reciprocity is shown still to fall short of truly mutual recognition. Pursuing a just solution to social problems leads to the question of a limited but bounded pluralism and a concomitant role for tolerance at the level of society and politics.  . (shrink)

When French philosopher Paul Ricoeur died in 2005, he bequeathed to the world a highly regarded, widely influential body of work which established him as one of the greatest thinkers of our time. He also left behind a number of unfinished projects that are gathered here and translated into English for the first time. _Living Up to Death_ consists of one major essay and nine fragments. Composed in 1996, the essay is the kernel of an unrealized book on the subject (...) of mortality. Likely inspired by his wife’s approaching death, it examines not one’s own passing but one’s experience of others dying. Ricoeur notes that when thinking about death the imagination is paramount, since we cannot truly experience our own passing. But those we leave behind do, and Ricoeur posits that the idea of life after death originated in the awareness of our own end posthumously resonating with our survivors. The fragments in this volume were written over the course of the last few months of Ricoeur’s life as his health failed, and they represent his very last work. They cover a range of topics, touching on biblical scholarship, the philosophy of language, and the idea of selfhood he first addressed in _Oneself as Another_. And while they contain numerous philosophical insights, these fragments are perhaps most significant for providing an invaluable look at Ricoeur’s mind at work. As poignant as it is perceptive,_ Living Up to Death_ is a moving testimony to Ricoeur’s willingness to confront his own mortality with serious questions, a touching insouciance, and hope for the future. (shrink)

"Without music, life would be an error."—Friedrich Nietzsche In his youth, Friedrich Nietzsche yearned to become a great composer and wrote many pieces of music. He later claimed to be "the most musical of all philosophers." Yet most books on Nietzsche fail to explore the importance of music for his thought. _Nietzsche and Music_ provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as (...) a whole. Part biography and part critical examination, Georges Liébert brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music, but instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liébert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts. He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness. A virtuoso exploration of this little-known but crucial aspect of Nietzsche's life and work, this volume will be of enormous value to scholars of philosophy, music, aesthetics, and literature. (shrink)

At the time of his death in 2005, French philosopher Paul Ricoeur was regarded as one of the great thinkers of his generation. In more than half a century of writing about the essential questions of human life, Ricoeur’s thought encompassed a vast range of wisdom and experience, and he made landmark contributions that would go on to influence later scholars in such areas as phenomenology, hermeneutics, structuralism, and theology. Toward the end of his life, Ricoeur began to focus directly (...) on ethical questions that he feared had been overshadowed by his other work; the result was a two-volume collection of essays on justice and the law. The University of Chicago Press published the English translation of the first volume, _The Just_, to great acclaim in 2000. Now this translation of the second volume, _Reflections on the Just_, completes the set and makes available to readers the whole of Ricoeur’s meditations on the concept. Consisting of fifteen thematically organized essays, _Reflections on the Just_ continues and expands on the work Ricoeur began in with his “little ethics” in _Oneself as Another_ and _The Just_. In the preface, he considers what revisions he would make were he to start over and how that is reflected in these essays. The opening part brings phenomenology to bear on ethics; the second group of essays comprises shorter, occasional pieces considering the concept of justice in the works of other philosophers, including Max Weber and Charles Taylor. The final part turns to the specific domains of medicine and the law, examining how concepts of right and justice operate in those realms. Cogent, deeply considered, and fully engaged with the realities of the contemporary world, _Reflections on the Just_ is an essential work for understanding the development of Ricoeur’s thought in his final years. (shrink)

The essays in this book contain some of Paul Ricoeur's most fascinating ruminations on the nature of justice and the law. His thoughts ranging across a number of topics and engaging the work of thinkers both classical and contemporary, Ricoeur offers a series of important reflections on the juridical and the philosophical concepts of right and the space between moral theory and politics.

The essays in this book contain some of Paul Ricoeur's most fascinating ruminations on the nature of justice and the law. His thoughts ranging across a number of topics and engaging the work of thinkers both classical and contemporary, Ricoeur offers a series of important reflections on the juridical and the philosophical concepts of right and the space between moral theory and politics.

Inside What Would Plato Do?, you'll find the basics of philosophy, written in an easy, digestible way we can all understand, along with questions to help you apply these important theories to your own life. So, after you've learned about a philosophical concept, you'll then be challenged to test yourself and see how the results can impact your daily life. For instance, after learning about Kant's theory of morality and the importance of intention you're challenged with questions like: Can good (...) people do bad things? Was there a time when you intended to do something helpful that ended up being hurtful? Does that make you a good person (because you intended to do good) or a bad person (because the results were bad)? What Would Plato Do? will not only help you better understand some of the greatest thinkers ever but will also help you think of the world around you in a whole new way! (shrink)

In volume 1 of this three-volume work, Paul Ricoeur examined the relations between time and narrative in historical writing. Now, in volume 2, he examines these relations in fiction and theories of literature. Ricoeur treats the question of just how far the Aristotelian concept of "plot" in narrative fiction can be expanded and whether there is a point at which narrative fiction as a literary form not only blurs at the edges but ceases to exist at all. Though some semiotic (...) theorists have proposed all fiction can be reduced to an atemporal structure, Ricoeur argues that fiction depends on the reader's understanding of narrative traditions, which do evolve but necessarily include a temporal dimension. He looks at how time is actually expressed in narrative fiction, particularly through use of tenses, point of view, and voice. He applies this approach to three books that are, in a sense, tales about time: Virgina Woolf's _Mrs. Dalloway;_ Thomas Mann's _Magic Mountain;_ and Marcel Proust's _Remembrance of Things Past_. "Ricoeur writes the best kind of philosophy—critical, economical, and clear."—Eugen Weber, _New York Times Book Review _ "A major work of literary theory and criticism under the aegis of philosophical hermenutics. I believe that... it will come to have an impact greater than that of Gadamer's Truth and Method—a work it both supplements and transcends in its contribution to our understanding of the meaning of texts and their relationship to the world."—Robert Detweiler, _Religion and Literature_ "One cannot fail to be impressed by Ricoeur's encyclopedic knowledge of the subject under consideration.... To students of rhetoric, the importance of Time and Narrative... is all too evident to require extensive elaboration."—Dilip Parameshwar Gaonkar, _Quarterly Journal of Speech_. (shrink)

_Time and Narrative_ builds on Paul Ricoeur's earlier analysis, in _The Rule of Metaphor_, of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. Ricoeur finds a "healthy circle" between time and narrative: time is humanized to the extent that it portrays temporal experience. Ricoeur proposes a theoretical model of this circle using Augustine's theory of time and Aristotle's theory of plot (...) and, further, develops an original thesis of the mimetic function of narrative. He concludes with a comprehensive survey and critique of modern discussions of historical knowledge, understanding, and writing from Aron and Mandelbaum in the late 1930s to the work of the Annales school and that of Anglophone philosophers of history of the 1960s and 1970s. "This work, in my view, puts the whole problem of narrative, not to mention philosophy of history, on a new and higher plane of discussion."—Hayden White, _History and Theory _ "Superb.... A fine point of entrance into the work of one of the eminent thinkers of the present intellectual age."—Joseph R. Gusfield, _Contemporary Sociology _. (shrink)

We are immersed within an odorous sea of chemical currents that we parse into individual odors with complex structures. Odors have been posited as determined by the structural relation between the molecules that compose the chemical compounds and their interactions with the receptor site. But, naturally occurring smells are parsed from gaseous odor plumes. To give a comprehensive account of the nature of odors the chemosciences must account for these large distributed entities as well. We offer a focused review of (...) what is known about the perception of odor plumes for olfactory navigation and tracking, which we then connect to what is known about the role odorants play as properties of the plume in determining odor identity with respect to odor quality. We end by motivating our central claim that more research needs to be conducted on the role that odorants play within the odor plume in determining odor identity. (shrink)