Namen pričujoče raziskave je prikazati do sedaj zanemarjeno vlogo češkoslovaških slavistov pri oblikovanju Parry-Lordove teorije ustnega pesništva. Potek predstavlja v obliki zgodbe o pristnem odkritju, ki izhaja iz določenega znanstvenega okolja (Antoine Meillet, praški lingvistični krožek itd.). Glavne vloge v njej igrajo Matija Murko, ustanovitelj češkoslovaške slavistike Roman Jakobson in nekateri drugi raziskovalci. Največ pozornosti članek posveča Murkovim in Parryjevim znanstveno-raziskovalnim strategijam, ki sta jih uporabljala med potovanji na Balkan leta 1930, in jih primerja. Članek razkriva tudi določene povezave med (...) Murkom in Lordom, ter nekatere njihove dokaze, ki do sedaj še niso bili objavljeni. (shrink)

In the mid-1990s, a group of UN officials and nongovernmental organizations gathered to formulate a strategy to promote a controversial international social policy agenda by reinterpreting existing human rights treaties to give them new meanings. At the heart of this strategy was a four-step process to use the six UN human rights treaty monitoring bodies and an interlocking network of UN agencies, UN officials, and NGOs to create an international right to abortion. In the decade that has followed, UN member (...) nations have allowed the strategy to develop to an extensive degree, despite the fact that it undermines their own laws. This study examines the reasons why the process has been able to advance, and analyzes the way the strategy has undermined the treaty monitoring system andchallenged the credibility of the international human rights regime. (shrink)

Résumé Le présent article décortique, avec une approche sémiotique, l’index que l’on retrouve à la fin d’un livre. L’objectif est double : faire ressortir les processus de signification en jeu dans l’index et reconnaître la création sémiotique réalisée par l’analyste documentaire. L’index est un assemblage de signes, soit les vedettes, les localisateurs ainsi que diverses caractéristiques de la représentation spatiale ; leur signifiant renvoie à leur signifié respectif. L’index dans sa totalité représente un texte sémiotique, d’un genre spécifique, et dont (...) l’interprétation repose non seulement sur les expressions linguistiques elles-mêmes, mais aussi sur la structure des entrées et sur les liens tissés avec les passages de l’ouvrage indexé. L’index peut paraître une structure objective, proposant une version épurée et stable du contenu d’un document. Or, l’analyse sémiotique proposée ici révélera d’une part la structure malléable de l’index et d’autre part l’interprétation flexible et la subjectivité injectées dans sa construction. Après une description plus approfondie du contexte et de la problématique, nous décrivons d’abord l’aspect formel de l’index, soit les signes impliqués et la manière dont ils sont agencés. Nous abordons ensuite l’aspect interprétatif de l’index, notamment les facteurs qui influencent son interprétation. Ceci nous amène à décrire en détail la structure logique de l’index. Cet exercice un peu scolaire d’un outil qui peut sembler familier permettra de mettre en lumière des jeux de signification normalement passés sous silence. (shrink)

The study of vegetables represents one of the main topics in Bacon’s Sylva sylvarum. Not only in quantitative terms, because plants occupy about a third of the entire book, but the centuries on plants are among the most structured, and this reveals Bacon’s particular interest for the topic. The key to understanding Bacon’s interest can be found in both his Sylva sylvarum and the Historia vitae et mortis, where Bacon explains how the results of studying certain processes in (...) plants can be later transferred and applied to animals and humans. In the context of his discussion of nourishing foods and drinks, Bacon addresses the question of how nourishment gets assimilated in the body. One of the ways in which the... (shrink)

Bacon’s projects of natural history were extremely popular in the mid-seventeenth century, especially for a group of people devoted to experimental activities, namely the Hartlib Circle. Ralph Austen, one member of the Hartlib Circle, tried to construct his own project of natural history using Bacon’s Sylva sylvarum as a pattern and following the Baconian scheme with particular interest for the methodological aspects entailed by such an endeavor. This paper provides an account of Austen’s at­tempts at writing a natural history (...) as found in his Observations upon some part of Sr Francis Bacon’s Naturall History. It discusses the methodology and aims served by such an enterprise, both practical and theoretical: the role of experimentation in the process of compiling a natural history as the most reliable activity able to provide accurate knowledge of the natural world and the determination to provide general rules and axioms about nature. (shrink)

Bacon?s Sylva Sylvarum and his New Atlantis both appeared soon after his death, edited by his chaplain, Rawley. The works are, on the face of it, dissimilar, and have been treated as unrelated, on the assumption that Rawley was merely attempting to rush out (in the wake of his employer?s death) two works that had occupied his last years. In order to establish just what their relation is, we need to establish, first, whether New Atlantis was simply a last?minute (...) addition to the Sylva volume; second, what Rawley says about their association and how he effects it; and third, whether the two works have other concerns in common that would have led Bacon himself to consider them as companion pieces. Such an examination shows that there were intrinsically connected pieces, and can be used to throw light on the aims of both works. (shrink)

La démarche de la Sylva Sylvarum semble s’écarter de la voie inductive proposée par le Novum Organum. Pourtant, l’exemple de la fabrication de l’or indique que les deux textes n’offrent pas forcément des perspectives si différentes. Cette œuvre est davantage détaillée dans la Sylva, avec un accent pratique plus prononcé. Mais, comme dans le Novum Organum, la dimension opérationnelle y est articulée à la recherche des causes générales du processus et, si la « forme » n’est pas présente (...) comme terme, l’idée apparaît bien en arrière-fond. Cet article propose ainsi, sur la base de cet exemple, de nuancer la divergence entre l’ experientia literata des histoires naturelles et l’induction vraie du Novum Organum. (shrink)

The manuscript notes described and trascribed below are unique: they show Bacon in the very act of originating, selecting and developing materials for the natural-philosophical projects of the crucial last years of his life. Many of the notes are drafts of material later incorporated in published texts—notably the Sylva Sylvarum . Examination of the drafts indicates that the Sylva is not a hotch-potch of plagiarized scraps. Bacon took great pains, acknowledged borrowings and drew heavily on his own extensive (...) experimental and observational work. The drafts also show that much of the material was used to display the explanatory power of his ambitious speculative philosophy. Preoccupation with the speculative philosophy is also evidenced in the notes which have no counterpart in the published works. Among these notes is a passage on the size of the universe, the motion of the fixed stars and the hypothesis of the earth's diurnal rotation. In that passage Bacon struggled with threats to his unswervingly geostatic conception of the universe. (shrink)

This special issue brings to the attention of the scholarly community some of the common features and some of the subtle, but important, differences between Francis Bacon's and Giovan Battista Della Porta's ways of dealing with the reading, selecting, enacting, and recording of recipes. Focusing on questions of genre, intellectual and material context, strategies of research, and strategies of performing recipes, the four papers of this special issue address two major issues. First, they shed new light on the relationship between (...) Della Porta's Magia naturalis and Francis Bacon's Sylva sylvarum. Second, they show that in the recording of their experimental practices, Bacon and Della Porta depart from the traditional “recipe format” and discover new avenues of experimental research. (shrink)

The relationship between Francis Bacon's Sylva sylvarum and Giovan Battista Della Porta's Magia naturalis has previously been discussed in terms of sources and borrowings in the literature. More recently, it has been suggested that one can read these two works as belonging to a common genre: as collections of recipes or books of secrets. Taking this as a framework, in this paper I address another type of similarity between these two works, one that can be detected by looking at (...) the methods of reading, research, and enacting and recording recipes one can find in Bacon and Della Porta. I show that essential to the two approaches was the complex interplay of practices associated with enacting recipes, and that these influenced the ways in which Della Porta and Bacon recorded their experiments. Creative manipulation of the recipes transformed them into something new. In the case of Della Porta's second edition of the Magia naturalis, this new format is something I call “technologies,” that is, ways of recording the enacting of recipes with the intention to ensure repeatability and predictability of results. In the case of Bacon, the enactment aims at something different: to display and “bring to light” the hidden motions and processes of nature. (shrink)

Early modern study of plants blossomed in a network of observation, exchanges, collaborations, and epistolary discussions. Following Baconian methodology, Dutch scholars combined the labor of listing and describing plants with botanical experimentation. This empirical approach was a suitable context for Descartes, who exchanged information and performed observations on plants in collaboration with Dutch experimenters. In this article, I focus on (1) the reception of a few botanical experiments of Bacon’s Sylva Sylvarum in Huygens and Reneri, with whom Descartes was (...) in contact, and (2) Descartes’ collaboration with Reneri. While performing observations on plants together, Reneri acquired Descartes’ theoretical framework (as it arises in his disputations) and influenced the latter with a Baconian approach to the study of living nature. This combination of experimental knowledge and a theoretical framework shaped a Cartesian study of plants, as it later surfaced in Regius and ultimately paved the way to a modern science of plants. (shrink)

Francis Bacon on Motion and Power gathers twelve contributions by the best specialists of Baconian thought in Europe, the United States, and South America in a very unified manner. Since Graham Rees founded The Oxford Francis Bacon Project in 1995, research on Francis Bacon's work has made significant progress. Romanian researchers have offered translations of major works, such as Novum Organum and Sylva Sylvarum. An important project of translation of Bacon's works into French is also underway. A new generation (...) of researchers has emerged, editors of this volume included, offering new insights into Bacon's thought, and fighting against "idols of Baconian scholarship" and "blind spots" in... (shrink)

John Evelyn (1620-1706) is best remembered for Sylva - his magnum opus - and his Diary . Alongside Pepys' diary, Evelyn's is as well known now as anything else written in their time. A connoisseur of architecture, painting, music, coins, and sermons, Evelyn was renowned for his practical knowledge on horticulture and arboriculture, and he was one of the original Fellows of the Royal Society. His Diary begins with an account of his early life and travels in Europe. In (...) addition to his own jottings of events, Evelyn drew on contemporary newspapers and pamphlets. (shrink)

1. Il significato del Parmenide nella filosofia di Platone -- 3. Tempo e verità nella fenomenologia di Husserl -- 4. Kierkegaard e Thomas Mann -- 5. Ingens sylva.

Centuries II and III of Francis Bacon’s posthumous natural history Sylva Sylvarum are largely dedicated to sound. This paper claims that Bacon’s investigation on this topic is fruitfully read against the background of the Aristotelian theory of sound, as presented in De anima commentaries. I argue that Bacon agreed with the general lines of this tradition in a crucial aspect: he rejected the reduction of sound to local motion. Many of the experimental instances and more theoretical remarks from his (...) natural history of sound can be elucidated against this wider concern of distinguishing sound from motion, a theme that had been a staple of Aristotelian discussions of sound and hearing since the Middle Ages. Bacon admits that local motion is part of the efficient cause of sound, but he denies that it is its form, which means that sound cannot be reduced to a type of local motion. This position places him outside subsequent developments in natural philosophy in the seventeenth century. (shrink)

1. Il significato del Parmenide nella filosofia di Platone -- 3. Tempo e verità nella fenomenologia di Husserl -- 4. Kierkegaard e Thomas Mann -- 5. Ingens sylva.

1. Il significato del Parmenide nella filosofia di Platone -- 3. Tempo e verità nella fenomenologia di Husserl -- 4. Kierkegaard e Thomas Mann -- 5. Ingens sylva.