This major new book offers a highly original account of ethical and political subjectivity in contemporary culture. It makes a strong case for a non-unitary or nomadic conception of the subject, in opposition to the claims of ideologies such as conservatism, liberal individualism and techno-capitalism. Braidotti takes a bold stand against moral universalism, while offering a vigorous defence of nomadic ethics against the charges of relativism and nihilism. She calls for a new form of ethical accountability that takes "Life" as (...) the subject, not the object, of enquiry. This ethics is presented as a fundamental reconfiguration of our being in the world and it calls for more conceptual creativity in the production of worldviews that can better enable us to behave ethically in a technologically and globally mediated world. The nomadic ethical subject negotiates successfully the complex tension between the multiplicity of political forces on the one hand and the sustained commitment to emancipatory politics on the other. _Transpositions_ provides an intellectually rich guide to the leading critical debates of our time and will be of great interest to scholars and students throughout the humanities and social sciences. (shrink)

Kantian Transpositions presents an important new reading of Jacques Derrida’s writings on religion and ethics. Eddis Miller argues that Derrida’s late texts on religion constitute an interrogation of the meaning and possibility of a “philosophy of religion.” It is the first book to fully engage Derrida’s claim, in “Faith and Knowledge: The Two Sources of ‘Religion’ at the Limits of Reason Alone” to be transposing the Kantian gesture of thinking religion “within the limits of reason alone.” Miller outlines the terms (...) of this “transposition” and reads Derrida’s work as an attempt to enact such a transposition. Along the way, he stakes out new ground in the debate over deconstruction and ethics, showing—against recent interpretations of Derrida’s work—that there is an ethical moment in Derrida’s writings that cannot be understood properly without accounting for the decisive role played by Kant’s ethics. The result is the most sustained demonstration yet offered of Kant’s indispensible contribution to Derrida’s thought. (shrink)

For Anselm Kiefer, his painting shows that, that something exists “shows that there is also nothingness.” The moment of visibility is also the moment of our exposure in/with/through nothing (in a gerundive sense) elemental in the happening of the visible. Painting bears ways of exposing the becoming of the visible and ultimately of consciousness, both sensible and intellectual, in/through/with emptying and nothing, i.e., in the happening of the seer and the seen, in that coming into being of existing, we are (...) exposed to the insight that “there is also nothingness.” The paper offers a series of transpositions, a series of ways of experiencing visibility and vision found in looking at specific images and paintings. The transpositions expose us to blindness, emptying, gaps, and loss in the happening of the visible, which, in displacing the certainty of rational subjective seeing/consciousness, lead to the quickening of vision and the visible anew. (shrink)

This article argues that two words in line 8.612 of the Aeneid, promissa and perfecta, have been transposed since the poem's composition, and that the restoration of their correct order yields a preferable sense. This corruption would have happened at an early stage in the poem's transmission, but there is some reason to believe that Servius’ comment on the verse reflects its original state.

We discuss, within the framework provided by a recently developed variational method, transposition-invariant field equations for unified field theories. Systems that are, in addition, invariant under Weyl-type gauge transformations or lambda transformations are derived. It is found that in a weak field limit two of the systems contain the equations of general relativity and the covariant Maxwell equations for a charge-free region.

After having been for some while the butt of conservative critics, verse transpositions in Propertius have, mainly thanks to the work of G. P. Goold, again become respectable among scholars. In his edition of Catullus, Tibullus, and Propertius J. J. Scaliger , the great archeget of the method, had subjected the other great elegist of Propertius’ generation to the same treatment,2 and in fact one of Scaliger's transpositions is supported by external evidence: 1.5.71–6 belong after 6.32; this is confirmed by (...) Ovid's imitation in Trist. 2.447ff. Trist. 2. 459–60 echo Tib. 1.6.31f. and 5.73 . That Ovid should have brought together in one distich verses from two different Tibullian poems may not seem wholly impossible, but much less likely than that the lines in Tibullus were also consecutive, in particular because the distich immediately preceding 459f. clearly refers to the situation of Tib. 1.6. (shrink)

L’article examine la façon dont Hegel traite la représentation des attributs divins, avec référence particulière à deux questions traditionnelles : la question de leur compatibilité réciproque et le problème de l’univocité ou équivocité entre les prédicats humains et divins. Les hypothèses défendues sont les suivantes : la prétention de connaître Dieu en lui attribuant plusieurs prédicats constitue selon Hegel l’erreur fondamentale de la théologie rationnelle ; néanmoins, Hegel ne considère pas tous les attributs divins comme représentations dépourvues de noyau spéculatif (...) et donc simplement destinées à disparaître, avec le passage du niveau de la Représentation au niveau du Concept ; il affirme plutôt la correspondance des prédicats de toute-puissance, bonté, justice et sagesse, avec les déterminations du Concept ; la transposition spéculative de ces attributs divins est une partie intégrante de la « véritable théodicée » de Hegel, car elle représente une réplique – alternative à celle de Leibniz – par rapport à l’anti-théodicée de Pierre Bayle, centrée sur l’affirmation d’une contradiction insoluble entre la bonté, la toute-puissance et la justice divines ; enfin, l’éclaircissement du lien dialectique que Hegel établit entre justice et sagesse divines – à travers leur transposition spéculative – permet de mieux saisir la façon dont il conçoit le rapport entre justice humaine et justice divine, qui est ici examinée à travers une analyse de l’interprétation hégélienne du livre de Job. (shrink)

Higher plant nuclear genomes contain many families of dispersed repeats that change during evolution. Recent evidence from studies on genetically defined transposable elements raises the possibility that many of the dispersed repeats are remnants of such elements. Transposition of DNA has also occurred between mitochondria, chloroplasts and nuclei, a fact that underlines the major role played by DNA transposition in determining the structure of plant genomes.

Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition (...) this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. (shrink)

In today’s world, there are more than 5000 languages and dialects in use, of which only 100 may be considered of major importance. As Dreyfuss (1972) states, inter-communication amongst them has proved not just difficult but impossible. Because a universal language would be the solution to this problem, over 800 attempts have in fact been made in the last 1000 years to develop an official second language that in time could be adopted by all major countries. Some of the most (...) recognized examples are Esperanto, Interlingua, Ido and Volapuk. However, all of them combine elements of existing languages and rely on the Roman alphabet, which reduces their applicability to certain regions of the world. The aim of this project is to explore the world of pictographic communication and develop an effective system for conveying information/knowledge on a universal scale. This would potentially bridge linguistic and cultural gaps, transcending boundaries, and thereby creating a broader vision of multiculturalism. In this sense, we find useful the notion of ‘semantography’, from the Greek word semanticos, significant meaning, and graphin, to write. The term was coined by Charles K. Bliss in 1947 to define his development of a non-alphabetical symbol writing system, based on the principles of ideographic writing and chemical symbolism. Semantography was the name of Charles K. Bliss’ proposed book for the Blissymbolic communication system. (shrink)

So far his weapons of defence are taken from a common armoury; but in the next verses he develops the argumentum ad hominem which was foreshadowed in ‘eques’ and ‘intra fortunam qui cupis esse tuam.’ Such promptings, says he, come strangely from Maecenas, whose own discreetness and self-repression will be famous in history, and whom he is resolved, so far as in him lies, to imitate.

We show that the representability of cylindric algebras by relativized set algebras depends on the scope of the operation transposition which can be defined on the algebra. The existence of “partial transposition” assures this kind of representability of the cylindric algebra . Further we characterize those cylindric algebras in which the operator transposition can be introduced.

Westphal wished to transpose lines 88–90 and 93–5 of the Supplices. This transposition has been supported recently by R. D. Dawe , by Holger Friis Johansen in C. & M. xxvii , 43–4 , and by Sir Denys Page . However, the transposition gains little support from a careful examination of the language and context of the passage, as I shall now proceed to demonstrate. I discussed the whole passage previously in my article ‘Aeschylus Supplices 86–95’, Classical Philology, (...) 1 , 21–5, and much of my argument can be found in that earlier article. (shrink)

Westphal wished to transpose lines 88–90 and 93–5 of the Supplices. This transposition has been supported recently by R. D. Dawe, by Holger Friis Johansen in C. & M. xxvii, 43–4, and by Sir Denys Page. However, the transposition gains little support from a careful examination of the language and context of the passage, as I shall now proceed to demonstrate. I discussed the whole passage previously in my article ‘Aeschylus Supplices 86–95’, Classical Philology, 1, 21–5, and much (...) of my argument can be found in that earlier article. (shrink)