Il Teatro Sociale di Sondrio, inaugurato nel 1824, rappresenta tra XIX e XX secolo il più importante centro teatrale dell’intera Valtellina. Considerando anche l’importanza che riveste nella storia locale, il teatro sondriese può essere preso come esempio attraverso cui riconoscere, da un punto di vista particolare, le evoluzioni a cui va incontro la drammaturgia italiana a cavallo dei due secoli. Lo studio dei manifesti conservati negli archivi e lo spoglio dei periodici locali hanno permesso di analizzare le modalità e (...) le tempistiche con cui venivano allestiti gli spettacoli e l’accoglienza di questi da parte del pubblico e della critica di Sondrio: su queste basi, il seguente studio cerca di offrire una fisionomia del pubblico teatrale otto-novecentesco, un pubblico provinciale, lontano da quello delle grandi città ma che, come si vuole dimostrare, condivide con quest’ultimo gli stessi gusti: dalla ricerca della novità alla passione per i drammi sentimentali, dalla pièce bien faite alla nuova drammaturgia borghese. (shrink)

Il testo affronta, alla luce delle più recenti pubblicazioni, il tema del rapporto storia e natura in Hegel; e offre una sintesi del corso di Filosofia della storia tenuto da Russo A. nel corrente anno accademico.

This collection contains such a wealth of topics that it deserves the attention of anyone seriously interested in what its title denotes, namely the philosophy of the history of philosophy. The content of the various essays, along with their translated titles, can be described as follows. "The New Aspects of the Philosophy of the History of Philosophy" claims to be, but is not, an introduction to the other essays; it abounds in obscurities and does not even make the effort of (...) integrating the various contributions into some common themes. "Meta-philosophy and History of Philosophy" is partly a methodological discussion of the connections among philosophy, metaphilosophy, and history of philosophy, and partly a discussion from a psychological-psychoanalytical and cultural anthropological point of view of questions like the following: whether anything like progress exists in the history of philosophy, what is the meaning of the whole philosophical history, and what are its prospects for the future. "Heidegger, Schelling, and German Idealism" discusses the relations between the history of philosophy and the philosophy of existence, using primarily Heidegger’s lectures on Schelling as a case study. "Hermeneutic Experience and Philosophical Historiography" is a discussion primarily of the theory of historical interpretation in Gadamer’s Wahrheit und Methode, and secondarily of some of its consequences for the study of the history of philosophy; it is highly informative, but one cannot fail to lament the fact that the author reports Gadamer’s critiques of historicism without any explicit indication that, besides Dilthey’s version, there exists Croce’s brand of historicism, which in my judgment is very similar to Gadamer’s hermeneutics as reported in this essay. "History of Art as History of Philosophy?" is a thoughtful and provocative brief discussion of the divergence between the histories of art and of philosophy; it also suggests that, nevertheless, data and facts from art-history can be used by the historian of philosophy for the reconstruction of the philosophical concepts of epochs and cultures whose available historical records abound in the field of art but are lacking in the area of philosophy. "The Hegelian Left and the History of Philosophy" is an analysis of some of the historiography of the 19th century Hegelian Left. "-Philosophy and the Theology of Secularization discusses the interconnections among philosophy, history of philosophy, the contemporary historical situation, and political philosophy, developing a Gentilean critique of the theology of secularization; it argues that Gentile’s critique refutes some presuppositions of this theology, namely, the idea of the progressive character of contemporary history and that of the irreversible process of secularization. "Philosophy of Religion and History of Philosophy," though terminologically and stylistically obscure, is a very stimulating justification of the thesis that an adequate philosophy of religion is to be grounded on a philosophy of history, which in turn is to be grounded on an all-encompassing history of philosophy; independently of the adequacy of this justification, the author makes a number of very suggestive comparisons between the history and historiography of philosophy and the history and historiography of the Church, such as the following: the analogy of the relationships between theology and Church history and between philosophy and philosophical history, the analogy between the "history of ideas" and ecumenical Church history, the analogy between the position of Hegel in philosophical history and that of Jesus in Church history, and the analogy between the visible/ invisible Church distinction in religious studies and the history/theory distinction in philosophical inquiry. "Beyond the Historical Disease" discusses to what extent philosophical hermeneutics solves Nietzsche’s problem that there is a conflict between historiographical awareness and the capacity to make history; it answers that, in spite of its insights, hermeneutics fails, and that the solution lies in the direction of certain suggestions found in Sartre’s Question of Méthode. "Interpretation and Translatability of Philosophical Texts" discusses certain problems in the theory of meaning from the point of view of analytical philosophy, and in relation to the meaning of philosophical passages. "Epistemology, Hermeneutics, and Analytical-Philosophical Historiography" is an interesting mixture of a critique of the view that contemporary analytical philosophy is ahistorical, a discussion of the similarities between Popper’s epistemology and Gadamer’s hermeneutics, and a study of the interplay between Popper’s epistemology and his interpretation of Plato in The Open Society and its Enemies. "Information Theory and Philosophy" studies the relation between science and the history of philosophy by comparing and contrasting certain philosophical ideas of Leibniz and Kant with recent results in information theory. A final essay deals with "The Myth of Faust in Kierkegaard."—M.A.F. (shrink)