Objetivamos, com o artigo proposto, apresentar os principais elementos que fundamentam a proposição metodológica do processo psicoterápico inspirado nos pressupostos filosóficos e psicológicos do filósofo francês Jean-Paul Sartre. A análise, que é descritiva e compreensiva, terá como pano de fundo a biografia de um personagem criado pelas autoras cujo projeto de ser está inviabilizado pelo seu saber de ser/cogito - o fracassado. A descrição do movimento existencial do personagem/analisando promove reflexões acerca de suas escolhas singulares e familiares e de seu (...) projeto fenomenológico e existencial de ser. Pela análise regressiva e pela síntese progressiva, visamos, primeiramente, à investigação das dimensões antropológicas e sociológicas em que o analisando se encontra, para em um segundo momento, compreender a dimensão psicológica, sendo esta última, constituída a partir do desdobramento das duas primeiras. Por fim, nosso artigo nos leva a refletir sobre as condições universais constituintes do cogito do analisando e a forma como ele se edificou em sua singularidade/universalizada, complicando-se psicofisicamente corpo/consciência em situação. (shrink)

This paper illustrates Hegel’s criticism of the reduction of reality to thought in the idealism which he believed to be peculiar to the Indian spirit. The paper starts by analyzing the metaphors of dream and mesmerism. Hegel deducted these metaphors from anthropology and he largely used them to describe the ways in which Indian idealism is structured. We outline Hegel’s interpretation of some central concepts of Indian philosophy and religion, especially those of Brahman and Yoga. Then we reach the rebound (...) which is proper of every idealism of this kind: the resolution of material reality into an absolutized, and therefore absolutely empty, thought turns ipso facto into a subjection of thought to reality in its harshest and most natural shape, represented in India by castes. Finally, we trace Hegel’s criticism of Romantic irony, and in particular of Friedrich Schlegel. We show that irony ends up subjecting the spiritual dimension to superstition and to bare reality, like Indian idealism. However, irony starts from an absolutization of a form of thought which is very far from the Indian one. (shrink)

In the studies about the origin of G'L which can be translated as “to redeem” or “to stain”, “to contaminate”, it is usually deepened in the Deutero-Isaiah as well as in the Trito-Isaiah. This article intends to do an exegetical analysis of the text, through the Historical-Critical-Literary Method, by describing God as the “redeemer of His people” and as a warrior whose powerful hand will bring justice, and notwithstanding the promise of sending a redeemer to save the people and to (...) establish a new covenant, there will be destruction and calamity beforehand. Those divine interventions are due to the lack of a mediation which can ensure righteousness and justice. (shrink)

The article analyzes section VI B («The Spirit in Self-Estrangement») within absolute knowing. The main focus is Hegel’s speculative analysis of the formal structure of absolute knowing, starting from infinite judgement («the thing is ego»), to its conclusion with the definition of utility as preisgegebnes Sein für anderes (a being at the mercy of an «other», in Baillie’s translation). The article does not examine the phenomenological process of culture development, but focuses on the formal structure of pure insight (the most (...) important result of culture), comparing the self which constitutes the insight with the one which manifests itself as self-knowing spirit in absolute knowing. Here the inexorable Aufhebung of insight, as purest incarnation of modern reason, comes to light: Hegel emphasizes rationality and therefore he criticizes its abstract form which downgrades pure insight from reason to raisonnements of Understanding. (shrink)

A diversidade dos cultos e práticas religiosas afro-brasileiras e a consequente multiplicidade das suas experiências já foram ressaltadas pelos estudiosos do fenômeno principalmente na virada do milênio. Propomos-nos nesse texto a discutir de que forma essas religiões conseguiram preservar traços marcantes das culturas e crenças passadas de geração em geração e ao mesmo tempo, modernizar suas práticas e modos de vivenciar a experiência religiosa uma vez que precisam adaptar-se aos novos tempos e, portanto, a novas expectativas e anseios dos praticantes. (...) O cenário em que estabelecemos este debate é o estado de Pernambuco, mais particularmente as religiões afro-brasileiras nesse estado. O exercício metodológico aqui realizado parte das nossas experiências de campo, juntamente com entrevistas realizadas, somadas as reflexões teóricas a partir das quais chegamos a compreensão que o “Candomblé” em Pernambuco se moderniza tentado conservar as suas tradições. As práticas religiosas estão mais abertas, mais espetacularizadas, agora também fazem parte do patrimônio histórico da sociedade. Palavras-chave: Modernização. Fenômeno religioso. Espetacularização. Cultura. Candomblé.The diversity of Afro-Brazilian cults and religious practices as well as the resulting multiplicity of its experiences has already been highlighted by researchers of the religious phenomenon, mainly in the turning of the millennium. In this text we propose to discuss in which way those religions were able to preserve hallmarks of the cultures and beliefs passed on through generations and at the same time modernize its practices and ways of living the religious experience once they need to adapt to the new times and, therefore, to new expectations and wishes of the believers. The scenario in which we establish this debate is the state of Pernambuco, particularly the Afro-Brazilian religions in this state. The methodological exercise herein fulfilled comes from our field experiences, alongside with interviews made, and added to the theoretical reflections from which we arrive to the comprehension that the “Candomblé” in Pernambuco modernizes itself by trying to preserve its traditions. The religious practices are more open, more spetacularized, and now it is also a part of society’s historical heritage. Keywords: Modernization. Religious Phenomenon. Spetacularization. Culture. Candomblé. (shrink)

This paper discusses historical-critical thought to address the problems of restoration and preservation of tape music, proposing viable solutions to the matter of digitizing the historically valuable data that exists on and is represented by magnetic tapes. A detailed program of research and restoration and some software for helping in creation of critical editions of the musical works are proposed. We also present some of the issues and controversies that must be considered and approaches we have applied in the preservation (...) of tape music, highlighting how these interpretations can impact later performances of these tape documents. Fundamentally, we argue that the act of tape music restoration has a parallel with the interpretation of the “Urtext score” in the performance of music from the Common Practice Era. (shrink)