In the Theaetetus Socrates states that we should become like God. Recent commentators disagree over the meaning of his directive. David Sedley argues that it urges us to assimilate to God in our present lifespan by a life of philosophical contemplation. Julia Annas thinks that it is just another way of stating that virtue is sufficient for happiness. Sandra Peterson denies that Socrates’s directive should be taken seriously. I argue that his directive is serious and includes both moral virtue and (...) philosophical contemplation. Furthermore, I argue that this goal does not fall within the confines of our present lifespan. By this directive Socrates means that to become like God we should live virtuously in order to escape the cycle of reincarnation and achieve a specific, fulfilling kind of immortality. (shrink)

My objective in this paper is to contribute to our understanding of Aristotle’s science of ethics by defending two claims. There is a way in which generalizations hold only for the most part that is unlike any of the types of generalizations in the natural sciences that hold only for the most part. These ethical generalizations depict ideals that, although grounded in and perfective of our human nature, are only rarely realized. Aristotle’s account of practical wisdom provides all the resources (...) we need for understanding how the person with practical wisdom can tell when the for the most part generalization in ethics is true and when it is not. (shrink)

In Politics VIII, Aristotle contends that music has some influence over character and the soul. Nevertheless, it is not entirely clear what sort of influence music has. Does appropriate music cause someone to become virtuous, as Socrates seems to suggest? And if that is Aristotle’s claim, then is it noteasily refuted by examples of vicious lovers of excellent music, such as the Nazi soldiers who forced imprisoned Jewish musicians to perform Mozart concertos?But if appropriate music is not the principal cause (...) of moral virtue, what sort of formative role does Aristotle think it has? In this paper, I investigate what Aristotlesays about music and the formation of character. I argue that, according to Aristotle, music is a universal, instrumental cause of moral virtue. (shrink)