Gustav Gustavovich Shpet (1879--1937) is undoubtedly best known for introducing Husserlian phenomenology to Russia. He applied to aesthetics and the philosophy of language the principles he had discovered in Husserl's Logical Investigations and Ideas I. But, perhaps without knowing it, he modified the phenomenology he had found in Husserl. His modifications show a thinker who is thoroughly grounded in Russian religious thought of the late nineteenth and early twentieth centuries. The result is a philosophy that combines Husserl's analysis of the (...) structure of consciousness with the fundamental Platonism of Orthodoxy, the doctrine of incarnation, and the related notion that matter is to be venerated. (shrink)

"German--and particularly French--sources of the revolution that has occurred in literary theory during the past thirty years have long been recognized. The Russian contribution to these events has been hinted at previously, but Cassedy documents in detail the extraordinary work of Potebnya, Veselovskij, and other figures virtually unknown in the West.... An important contribution to intellectual history and literary theory."--Michael Holquist, author of Dostoevsky and the Novel "An astonishing number of complex movements and ideas--from Humboldt through Russian and French Symbolists (...) to Heidegger, Husserl, Roman Jakobson and the deconstructors, from symbology to logology and iconology--begin to fit together in this wide-ranging and provocative book.... Cassedy's book will outrage some readers, delight others, and enlighten all."--Caryl Emerson, author of Boris Godunov: Transpositions of a Russian Theme. (shrink)

- Musique et Musicologie – GALERIE – Nouvel article.

This book explores the word meaning as it is used in such expressions as "the meaning of life," "the search for meaning," "ultimate meaning." In many of the "metaphysical" contexts where we find the word meaning, it appears to mean "purpose," "value," "goal," "direction," and even "God." The book answers the following questions: How did the English word meaning come to carry these various sub-senses, given that its original sense has to do with signifying? When did the notion of a (...) "meaning of life" arise in English and other languages? How does the English word meaning, which is a verbal noun, differ in these usages from the roughly equivalent words in other European languages? How did the word evolve in usage over time? How has it been used in recent decades? The book's chapters show that the usage is relatively recent, arising in the late eighteenth century in German romanticism and passing into English in the early nineteenth century; that the English word functions differently from the way its European near-equivalents do, thanks to its ability to suggest signifying and hence interpretation; that it is seldom defined and hence ambiguous and polyvalent; that it functions today in a wide variety of contexts, including psychotherapy and the continuing conversation between secularism and religion; and that ambiguity and polyvalence are actually the source of its power, since those qualities allow for flexibility in the way the word is understood. (shrink)

In July 1809, E. T. A. Hoffmann received a copy of the score to Beethoven's Fifth Symphony and in July 1810, he published a review of the Fifth Symphony in the German journal for music criticism Allgemeine musikalische Zeitung. Hoffmann need not have actually heard a performance; in his review, the purely musical analysis could easily have been based entirely on his reading of the score. In its basic structure, the review follows the pattern of reviews published in the AMZ. (...) What is groundbreaking, however, is what Hoffmann has done with the introductory portion: Hoffmann serves up a full-blown theory of musical romanticism. His idea is to put Beethoven forward as the ultimate musical romantic. (shrink)