An introduction to the Death Scene issue of Cultural Studies Review, with reflections on the nature of the death scene in general and on the specific issues covered by contributors.

This special issue of Cultural Studies Review brings together an interdisciplinary range of scholarship to investigate the ethical implications of troubled images.

It is often through conversations about household objects, jewellery or other items that the very subject of death is broached within families. Objects mediate and produce death discourse just as death mediates and produces value and meaning. The movement of objects within, across and between private/personal spaces and relationships, public spaces and relations, and commercial domains and relations is about value transformation. Value is a fluctuating, comparative or relative measure and in the sphere of personal life and spaces objects attain, (...) maintain or transform in both value and meaning through the life course and through events such as death and bereavement. While objects are always on the move in consumer capitalism, bereavement and household disbandment instigate emotionally charged processes of decision-making about what things might mean, their value (and for whom) and where they should go. This paper examines shifting classifications of objects — sacred, profane and abject — in relation to shifting registers of meaning and economies of value. It argues that the same type of object can have quite different, even contradictory, value attributions. (shrink)

This paper examines the emergence and trajectory of a vernacular femicide memorial tree at Mount Gravatt (Meanjin/Brisbane) which is juxtaposed with established and regulated official commemorative placemaking practices in this social geography. The paper explores the implicit rules about marking gender in official publics of commemoration, arguing that they perform or conversely risk a doubling of women’s invisibility through assimilation into symbols and aesthetic conventions of seemingly settled history and settled subjects. They can become barely noticeable for the kinds of (...) messages they may seek to publicly speak and breakthrough in encounter. Conventional commemoration of violence against women also risks positioning women as ‘victims’ by not unsettling that position through passive, familiar and assimilationist design forms and narrative tropes. Importantly, memorials that address violence against women and intimate femicide should contest ‘active forgetting’ by insisting that this is a public facing, collective issue of responsibility against resistant effacements, disavowal, and sequestration into the private sphere and personal life. (shrink)

This introduction positions the special issue by highlighting the inherent relationality of place as well as how place is not just an object of analysis but something that shapes thinking, writing and experiences of the world. We reflect on why sociology has found it somewhat more difficult than its social science counterparts to give place the centrality it merits, and discuss whether this reflects a problem with dealing with questions of ‘scale’ and thinking the ‘in-betweenness’ of place. We assess important (...) formulations of place in recent place theories, including non-essentialist framings of place such as ‘progressive’ and as ‘assemblage’. We make a case for seeing the articles in this special issue (and Thesis Eleven’s own long history of publishing writing on the topic of place) as resonating with the themes of place as materiality, atmospheres and spaces of belonging. (shrink)