This paper aims to show that genders are enacted, by providing an account of how an individual can be said to enact a gender and explaining how, consequently, genders can be fluid. On the enactive-ecological view we defend, individuals first and foremost perceive the world as fields of affordances, that is, structured sets of action possibilities. Fields of natural affordances offer action possibilities because of the natural properties of organisms and environments. Handles offer graspability to humans because of physical-structural properties (...) of handles and the anatomical-physiological properties of humans. Although humans live in fields of bodily, action, and cultural affordances, our work focuses on cultural affordances, where action possibilities are offered to individuals because of the normative responses of individuals in that culture. Knocking on a door affords entrance because knocking provides cultured individuals on the other side of the door an affordance to which they themselves behave normatively. Usually, behaving normatively in response to cultural affordances brings about sequences of perception-action loops, which we will call “scripts”: for instance, closed doors afford knocking, which affords the individual inside opening the door, which affords an interpersonal meeting, which afford entrance. Although the notion of script has a strong cognitivist flavor, one of the aims of the paper to provide an ecological account of scripts, to show that what cognitivists viewed as representations are in fact environmentally structured perception-action loops. On our account of gender, gendered cultures build and maintain gendered cultural affordance landscapes, that is, landscapes in which the action possibilities individuals face are normed according to a specific body type or situation; most often biological sex. Individuals enact a given gender when they come to perceive the affordances reserved for one gender by their culture and respond in the culturally normative way, thus enacting gendered sequences of perception-action loops. With the shifting landscapes of cultural affordances brought about by several recent social, technological, and epistemic developments in some cultures, the gendered landscapes of affordances offered to individuals in these cultures have become more varied and less rigid, thus increasing the variety and flexibility of scripts individuals can enact. This entails that individuals in such cultures have an increased possibility for gender fluidity, which may in part explain the increasing number of people currently identifying outside the binary. (shrink)

This paper presents philosophical perspectives related to the concept of boredom from the point of view of its forms and structural modes as developed by Martin Heidegger in his lectures at the University of Freiburg during the winter semesters of 1929 and 1930. We highlight a philosophical stance often overlooked in comparison to more traditional positions in Western philosophical thought—through the proposed hermeneutic-phenomenological processes, this will allow us to interweave their philosophical images with cinematographic narratives that enrich the factual understanding (...) of modernity. For this reason, we assume boredom and its essence, “tediousness”, as the fundamental mood of our era, thus permitting other mobilities of thought that warrant a study of phenomena relating to cultural entertainment as a symptom of the modern disease that distances Dasein from meeting, questioning, and self-care. (shrink)

Se intenta poner de manifiesto, en este artículo, a través de un somero análisis de la biografía y de la obra de Santiago Ramón y Cajal, como su contribución a la historia de la histología no fue un fruto del azar, sino de una profunda investigación propiciada por su deseo de saber.

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Close le 6 janvier 2014, cette exposition a donné lieu à deux publications : un livre collectif codirigé par Denis Chevallier, Michel Bozon, Michelle Perrot, Florence Rochefort et un petit catalogue à destination des visiteurs, illustrés tous les deux par une femme « torera » en costume de toréador chaussée de talons aiguilles de couleur rouge et tenant avec le bras gauche une cocotte-minute et de la main droite une épée : il s’agit d’un autoportrait de Pilar Albarracin qui (...) veut souligner iro... (shrink)

El presente texto corresponde a la presentación de la defensa de la tesis "La racionalidad científico-tecnológica. Aportes a la reflexión epistemológica en la obra de Herbert Marcuse", dirigida por la Dra. Delia Albarracín en la Maestría en Metodología de la Investigación Científica de la Universidad Nacional de Lanús, que dirige Esther Díaz, el 26 de agosto de 2011. En lo que sigue queremos sintetizar una lectura de la obra de Herbert Marcuse que pone el énfasis en un cruce posible entre (...) su visión antropológica y su visión epistemológica desde una metodología que denominamos dialéctica. La confluencia propuesta supone considerar a la categoría racionalidad tecnológica como una categoría central de su obra que permite estructurar una lectura de conceptos que, aventuramos, siguen vigentes para pensar y re-pensar nuestra condición humana. Esta categoría reúne reflexiones filosóficas y políticas en el intento por desnudar la principal ideología que permite cohesionar a los individuos en los modelos sociales centrales del siglo XX. This text is a part of the M.S. Dissertation, "Scientific-technological rationality. Contributions to an epistemological reflection on Herbert Marcuse's work", under the supervision of PhD Delia Albarracín for the Master in Methodology for Scientific Investigation, Lanús University, directed by Esther Díaz, held on August 26th, 2011. What follows is a summary of our approach to Herbert Marcuse's work, which focuses on the crossing between the anthropological and the epistemological vision, from a methodological view that we call dialectics. The proposed convergence implies that the technological rationality category is central in his work and permits a certain reading of concepts that are still in force to think over our human condition. This category joins philosophical and political reflections in an attempt to unveil the main ideology that unites individuals in the XXth century's principal social models. (shrink)