This paper examines some aspects of the grammar of measurement based on data from non-split and split measure phrase (MP) constructions in Japanese. I claim that the non-split MP construction involves measurement of individuals, while the split MP construction involves measurement of events as well as of individuals. This claim is based on the observation that, while both constructions are subject to some semantic restrictions in the nominal domain, only the split MP construction is sensitive to restrictions in the verbal (...) domain (namely, incompatibility with single-occurrence events and with individual-level predicates, and (un)availability of collective readings). It is shown that these semantic restrictions can be explained by a uniform semantic constraint on the measure function, namely, Schwarzschild’s [(2002). The grammar of measurement. The Proceedings of Semantics and Linguistics Theory, 24, 241–306] monotonicity constraint. In particular, I argue that, in the two constructions at issue, the measure function is subject to the monotonicity constraint, and that we observe different semantic restrictions depending on whether the measure function applies to a nominal or a verbal domain. (shrink)

This paper addresses the question of whether the preverbal even (VP-even) embedded in a nonfinite clause can take wide scope (e.g., Bill refused to even drink WATER). The paper presents novel evidence for wide scope VP-even that is independent of the presuppositions of even. The evidence is based on examples of antecedent-contained deletion (ACD), where embedded VP-even associates with a nominal constituent (or part of it) that raises out of the embedded clause via quantifier raising. Assuming that even must c-command (...) the focus that it associates with, the case at issue forces VP-even to have wide scope, and further shows that VP-even in NPI-licensing contexts is not necessarily an NPI. (shrink)

This book enables readers to understand contemporary Japanese society and culture. Since it is written by experts, it allows readers to start with any chapters they are interested in. It also provides a unique way to introduce Japanese society and culture to those who have never visited or studied Japanese society by reading articles from various authors on topics such as gender, family, economy, natural disasters and politics and laws. It provides scholars, academics, graduate students and the general educated audience (...) all the information required to understand contemporary Japanese society and culture fully and see the diverse perspectives available. (shrink)

The purposes of this study are (a) to establish a measurement for evaluating conversational impressions of group discussions, and (b) to make an exploratory investigation on their interactional processes which may affect to form those impressions. The impression rating and factor analysis undertaken first give us four factors concerning conversational impressions of “focus group interviews (FGIs)”: conversational activeness, conversational sequencing, the attitudes of participants and the relationships of participants. In relation to the factors of conversational activeness and conversational sequencing in (...) particular, the microanalysis of four selected topical scenes from our database further shows that the behavior of the moderator and the interviewees is organized not independently but with reference to each other. The study thus emphasizes the importance of the integration of quantitative and qualitative approaches towards human interactions. (shrink)

Journal of Mass Media Ethics, Volume 27, Issue 1, Page 68-70, January-March.

ABSTRACTTwenty-five years ago, Christians, Ferré, and Fackler’s Good News: Social Ethics and the Press proposed the then-radical notion of communitarianism as an alternative moral philosophy for media ethics. This article evaluates communitarianism as a media ethic, but not only according to the work already done by Christians and colleagues. Instead, this article extends the communitarian ideal by connecting it, in a new way, to notions espoused a half century earlier by Tetsuro Watsuji, a Japanese philosopher whose prescriptions of ethics in (...) Rinrigaku in 1937 have been largely ignored by media scholars. (shrink)

Cross-cultural interviewing can pose challenges for journalists, given potential differences in language, word choice, volume, body posture, and group dynamics. This article explores some of the complexities of cross-cultural interviews with the dual aim of heightening awareness of ethical considerations for journalists who conduct them and of discussing ethical principles that may help in guiding their work. This article attempts to move the discussion of cross-cultural interviews beyond traditional Western ethics. Eastern moral philosophy and ideals of trust and human relations (...) similar to, but predating the work of contemporary Western communitarians are considered. The authors' ethnographic study of MLB's “Nippon Summer”—the influx of Japanese players in 2007—and analysis of articles resulting from press coverage of those players serve as a framework for discussing ethical considerations at play in cross-cultural journalism, when, for example, West writes East. (shrink)

Segundo de uma série de três artigos que visam a analisar a utilização do discurso alegórico – em sua vertente alegórica e hermenêutica – em três obras de José Saramago: Memorial do convento, Manual de pintura e caligrafia e O evangelho segundo Jesus Cristo. Neste segundo ensaio, enfocaremos a visão clássica sobre alegoria e metáfora, destacando as três qualidades básicas para a “boa mímeses” – a brevidade, a clareza e a verossimilhança – e os fines da alegoria retórica, os quais (...) eram determinados em função da maior ou da menor clareza existente entre sentido literal e figurado. Analisaremos ainda as diferenças estabelecidas pela Retórica clássica entre tota allegoria, permixta apertis allegoria e mala affectatio, considerando ainda como o Maneirismo e o Barroco, inverteram esses valores e de que modo o Memorial do Convento e o Manual de Pintura e Caligrafia, de José Saramago, resgatam a concepção barroca da alegoria construtiva ou retórica. (shrink)

Terceiro de uma série de três artigos que visam a analisar a utilização do discurso alegórico – em sua vertente alegórica e hermenêutica – em três obras de José Saramago: Memorial do convento, Manual de pintura e caligrafia e O evangelho segundo Jesus Cristo. Neste terceiro ensaio, enfocaremos a visão hermenêutica sobre alegoria e suas relações com a tipologia, destacando a visão dos Padres das Escrituras Sagradas, além da leitura de Santo Agostinho, do Venerável Beda e de São Tomás de (...) Aquino acerca da alegoria hermenêutica. Analisaremos, ainda, as diferenças estabelecidas por Walter Benjamin entre a alegoria e o símbolo, para mostrar como José Saramago reconstrói a alegoria hermenêutica aplicada às Sagradas Escrituras, adotando o ponto de vista benjaminiano, em O evangelho segundo Jesus Cristo. (shrink)

Primeiro de uma série de três artigos que visam a analisar a utilização do discurso alegórico – em sua vertente alegórica e hermenêutica – em três obras de José Saramago: Memorial do convento, Manual de pintura e caligrafia e O evangelho segundo Jesus Cristo. Neste primeiro ensaio, analisaremos os sentidos socioculturais das diferentes avaliações dos processos de leitura e interpretação ao longo da história, tendo em vista sua influência direta na constituição de dois diferentes tipos de alegorias: a retórica e (...) a hermenêutica. Para isso, voltaremos às primeiras práticas de leitura e interpretação, segundo a visão da antiguidade clássica, que subsidiam a limitação dos processos interpretativos que constituem as bases da alegoria retórica, chegando à experiência medieval, com a eclosão da multiplicidade de sentidos e a valorização dos processos interpretativos, que propiciam o surgimento de uma nova alegoria, de natureza hermenêutica. (shrink)

This essay will introduce the biography and works of Tsumura Kimiko (1902-1975), one of the first female professional Noh actors, who threw herself into the male-dominated world and fought against the biased conventions of traditional Noh theater. Not only has she successfully opened the gates to many other female Noh actors, but more importantly, she has reevaluated the artistic value of Noh through her original Noh plays. Precisely, she highlighted the role of natural environment created by the dance accompanied (...) with simple and familiar poetic phrases on the Noh sage. In addition, she redefined the categories of Woman Play (Kazura Mono) and of Warrior Play (Shura Mono) with the main characters in the modern context. Her biography will help us learn how Noh has come to earn its current status of a traditional art form, and explorations of her plays will broaden the canon of Noh plays. (shrink)