Results for 'György Enyedi'

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  1. Complex dilemmas of identity and practice.Noel Enyedy, Jennifer Goldberg & Kate Muir Welsh - 2006 - Science Education 90 (1):68-93.
     
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  2. Negotiated representational mediators: How young children decide what to include in their science representations.Joshua A. Danish & Noel Enyedy - 2007 - Science Education 91 (1):1-35.
     
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    Applied human geography and ethics from an east central European perspective.Judit Timár & György Enyedi - 2004 - Ethics, Place and Environment 7 (3):173-184.
    Drawing on east central European, mainly Hungarian, experience, this paper views—from a different angle—some of the issues raised in international literature in connection with the ethics of applied human geography, and raises new ones. Citing a few examples of various personal, institutional and political economic ‘terrains’ within geography, it intends to underscore the importance of the issue of ‘what kind of geography and what kind of geographers’ in studying the ethics of geographical research. The paper also offers an east central (...)
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    The Connection between the Unitarian Thought and Early Modern Political Philosophy.Mester Béla - 2002 - Journal for the Study of Religions and Ideologies 1 (3):142-157.
    The aim of my paper is to show links and parallels between Locke’s concept of the state of nature and the Unitarian (Socinian) denial of original sin. At first I will give an overview of the Unitarian history and thought, then I will logically and philologically demon- strate a parallelism of Locke’s hidden anthropology and the Unitarian doctrine on human being, with data of Locke’s Unitarian readings, especially writings of a Transylvanian theologian in the late 16th century, György (...). (shrink)
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    Sleeping away the Factory, Healing with Time: Gaston Bachelard, the Poetic Imagination and Testről és lélekről/ On Body and Soul.Saige Walton - 2020 - Paragraph 43 (3):348-363.
    Gaston Bachelard distinguishes the radical novelty and newness of the imagination from pre-existing sensory impressions. In this article, I explore Bachelard's connections between time, the imagined image and poetic form, and I consider their implications for the cinema. Concentrating my analysis on Ildikó Enyedi's Testről és lélekről/ On Body and Soul — a film that alternates between doubled worlds, depictions of human and animal life — I draw out the temporality and the diversity of Bachelard's imagined images. Bringing Bachelard's (...)
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