The notion of ‘the end’ has long occupied philosophical thought. In light of the horrors of the twentieth century, some writers have gone so far as to declare the end of philosophy itself, emphasizing the impossibility of thinking after Auschwitz. In this book the distinguished philosopher Alain Badiou, in dialogue with Giovanbattista Tusa, argues that we must renounce ‘the pathos of completion’ and continue to think philosophically. To accept the atrocities of the twentieth century as marking the end of (...) philosophy is intolerable precisely because it buys into the totalizing doctrines of the perpetrators. Badiou contends that philosophical thinking is needed now more than ever to counter the totalizing effects of globalized capitalism, which prescribes no objective for human life other than integration into its system, giving rise to a widespread sense of hopelessness and nihilism. (shrink)

Western modernity was born with a revolution of limits. Western man, who has become the creator of his own destiny, has identified freedom with a conscious and systematic violation of the given conditions, with a future that constantly transcends the present. This modern condition is thus characterised by the fact that it is limited by boundaries that are mobile and can change. From this observation arises the paradoxical situation that growth today is inconceivable if it is not linked to a (...) scenario of scarcity, in contrast to premodern theological views based instead on the abundance of creation, the original richness of the world. Inspired by this vision of a sustainable world, ecological thinking today is immediately associated with a language of finitude. Degrowth, self-limitation, and resource efficiency, these are all terms associated with a universalist model of progress that seems to know no limits. This article argues that the world is doomed to its own inevitable end if sustainability is understood from the perspective of an economically sustainable future defined by the limits of capitalist management. If, on the other hand, we step out of this impoverished and economic perspective of the concept of limit and the condition of finitude, then we open ourselves to an ecocosmic perspective that understands the world as part of a cosmic diversity that cannot be contained within a more or less extended totality of resources. In this article, being finite is understood ecologically as being a non-self-sufficient part of the interrelated possibilities of worldmaking, not as an element of a set of individuals or things. (shrink)

In this essay, Giovanbattista Tusa suggests that we are currently witnessing a mutation, which disrupts the mythical imaginary that had confined viruses, climate change, and atmospheric turbulences to an immutable background in the all-too-human narrative of the struggle against nature. I argue that the incapacity of translating this mutation in cultural and social terms, and the repression of this traumatic experience, are the cause of the perturbation that haunts our time. Disorientation pervades philosophy when the entire imaginary to which (...) it had anchored its power to change the world seems to dissolve in the air, when what was silent and distant turns out to be vibrant, more familiar to us than any known proximity. Precisely for this reason, philosophy must rediscover its ability to inhabit times and spaces different from those oriented by the hegemony of capitalist progress, with its correlate of regular catastrophic emergencies and calculated risk. In this essay, Giovanbattista Tusa aims to present a perspective in which, instead of coming back straightforwardly ‘down to earth’, philosophy accepts inhabiting the fluctuating disorientation of its own time, itself populated by intermittent and uncertain opportunities of experiencing differently the past and the future—to encounter different relationships with the times that change. (shrink)

This pioneering volume, for the first time, explores the extraordinary Portuguese poet Fernando Pessoa and his relationship to philosophy. On the one hand, this book reveals Pessoa's serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa's diverse writings. The volume includes sixteen new essays (...) from an international group of scholars, analyzing Pessoa's multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient aesthetics, philosophy of language, transcendentalism, immanence, nihilism; to Islamic philosophy, Indian philosophy, philosophy of religion, neo-paganism, the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. (shrink)

Abstract:Michael Marder and Giovanbattista Tusa discuss the "today" and "tonight" in Heidegger's thinking and beyond.

A glossary of conceptual terms (with short essay-entries explaining the reasons) for the 21st century (and how we may work through this century) by leading names in philosophy and cultural studies.

Le philosophe Alain Badiou, en dialogue avec Giovanbattista Tusa, propose ici d’abandonner la thèse heideggérienne d’une unité destinale de la philosophie, sous le nom de métaphysique. Plutôt que d’affirmer qu’il n’y a pas de vérité, il s’agirait alors de reconstruire une relation entre les vérités et un absolu non transcendant. En menant une critique radicale de la doctrine de la finitude, qui nous rappelle que l’être humain est mortel et qui affirme le relativisme culturel et le caractère inachevé de (...) tout accès au vrai, le philosophe entend ainsi montrer comment le concept d’infini serait la condition des vérités universelles. (shrink)

In his Paralipomena Johannes Kepler reported an experimentum that he had seen in the Dresden Kunstkammer. In one of the rooms there, which had been turned in its entirety into a camera obscura, he had witnessed the images formed by a lens. I discuss the role of this experiment in the development and foundation of his new theory of optical imagery, which made a distinction between two concepts of image, pictura and imago. My focus is on how Kepler used his (...) report of the experiment inside the camera obscura to criticize the account of image formation given in Giovanbattista Della Porta's Magia naturalis . I argue that this experiment allowed Kepler to sort out the confusion between images 'in the air'—referring to the geometrical locus of images in the perspectivist tradition of optics—and the experimentally produced 'projected images', which were empirically familiar but conceptually alien to perspectivist optics. (shrink)

The notion of the ‘end’ has long occupied philosophical thought. In light of the horrors of the 20th century, some writers have gone so far as to declare the end of philosophy itself, emphasising the impossibility of thinking after Auschwitz. In this book the distinguished philosopher Alain Badiou, in dialogue with Giovanbattista Tusa, argues that we must renounce the ‘pathos of completion’ and continue to think philosophically. To accept the atrocities of the 20th century as marking the end of (...) philosophy is intolerable precisely because it buys into the totalising doctrines of the perpetrators. Badiou contends that philosophical thinking is needed now more than ever to counter the totalizing effects of globalised capitalism, which prescribes no objective for human life other than integration into its system, giving rise to a widespread sense of hopelessness and nihilism. To resist this degradation of human life, Badiou calls for a renewal of the idea of communism: the creation of new forms of collective organisation capable of challenging the logic of capitalism and enabling individuals to become self-determining subjects. This volume consolidates much of Badiou’s thinking over the years and will appeal to the many followers of his philosophical project, as well as all those interested in contemporary philosophy and radical political theory. (shrink)

In his Paralipomena Johannes Kepler reported an experimentum that he had seen in the Dresden Kunstkammer. In one of the rooms there, which had been turned in its entirety into a camera obscura, he had witnessed the images formed by a lens. I discuss the role of this experiment in the development and foundation of his new theory of optical imagery, which made a distinction between two concepts of image, pictura and imago. My focus is on how Kepler used his (...) report of the experiment inside the camera obscura to criticize the account of image formation given in Giovanbattista Della Porta's Magia naturalis. I argue that this experiment allowed Kepler to sort out the confusion between images 'in the air'—referring to the geometrical locus of images in the perspectivist tradition of optics—and the experimentally produced 'projected images', which were empirically familiar but conceptually alien to perspectivist optics. (shrink)