"--Maria DiBattista, Princeton University "This book provides a really original take on the literature of the fin de sicle and high modernism, suggesting how central the imaginative labor of literary works was to the social, philosophical, ...

In a dialogue whose precedents include Oscar Wilde's “Critic as Artist,” two fictional professors of English take up the relationship between aestheticism and quietism. Their conversation begins with a debate on the necessity of treating sociopolitical contexts when teaching literature then moves to connections among aesthetic experience, political disengagement, inactivity, and contemplation explored by Wilde, Miguel de Molinos, Aristotle, Hannah Arendt, Walter Pater, Arthur Schopenhauer, Johann Winckelmann, and others. Having described the influence of nineteenth-century science and determinism on Wilde's gospel (...) of inaction, as well as Pater's adaptation of the Winckelmannian view that people and things express their nature most truly when still, one speaker wonders whether aesthetic experience gains some of its significance from its affiliation with leisure. The other resists the idea that repose might constitute one of life's key desiderata, but notes at the close how both his own view and his interlocutor's are adumbrated in the Wallace Stevens poem that furnishes the dialogue its title. (shrink)

This essay is the journal editor's introduction to part 3 of an ongoing symposium on quietism. With reference to writings of James Joyce, Francis Picabia, J. M. Coetzee, Charles Taylor, Alasdair MacIntyre, Elaine Pagels, and Karen King—and with extended reference to Jonathan Lear's study of “cultural devastation,” Radical Hope—Jeffrey Perl explores the possibility that the fear of anomie is misplaced. He argues that, in comparison with the violence and narrowness of any given social order, anomie may well be preferable, and, (...) in any case, may be no more than another name for quietism. (shrink)

This essay is the journal editor's introduction to part 3 of an ongoing symposium on quietism. With reference to writings of James Joyce, Francis Picabia, J. M. Coetzee, Charles Taylor, Alasdair MacIntyre, Elaine Pagels, and Karen King—and with extended reference to Jonathan Lear's study of “cultural devastation,” Radical Hope—Jeffrey Perl explores the possibility that the fear of anomie (“anomiphobia”) is misplaced. He argues that, in comparison with the violence and narrowness of any given social order, anomie may well be preferable, (...) and, in any case, may be no more than another name for quietism. (shrink)