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Daniela Coli [11]D. Coli [3]
  1. Croce and enriques.D. Coli - 1983 - Giornale Critico Della Filosofia Italiana 3 (3):383-386.
     
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  2.  8
    Gentile and Modernity.D. Coli - 2014 - Collingwood and British Idealism Studies 20 (1-2):137-166.
    This essay situates Gentile in the debate over the meaning and value of 'modernity' as interpreted by post-War commentators such as Hannah Arendt, Jürgen Habermas and Leo Strauss. Coli shows how Gentile drew upon his predecessors as he developed his actual idealist conception of the relation between thinking, the thinker and the world. Gentile's response to themulti-faceted problem of modernity combines reactionary and progressive elements: the central threads of western culture, he believes, can and should be retained, though updated, refined (...)
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  3.  4
    Giovanni Gentile.Daniela Coli - 2004 - Bologna: Mulino.
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  4.  4
    Il filosofo, i libri, gli editori: croce, laterza e la cultura europea.Daniela Coli - 2002 - Napoli: Editoriale scientifica. Edited by Daniela Coli.
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  5.  10
    I "Three Discourses" di Thomas Hobbes.Daniela Coli - 1998 - Rivista di Filosofia 89 (2):305-316.
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  6.  16
    Quentin Skinner interprete di Hobbes.Daniela Coli - 1997 - Rivista di Filosofia 88 (2):269-280.
  7. The letters from Croce, Benedetto to Gentile, Giovanni.D. Coli - 1984 - Giornale Critico Della Filosofia Italiana 4 (2):268-273.
     
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  8.  8
    Politics and the Passions, 1500-1850.Victoria Ann Kahn, Neil Saccamano & Daniela Coli (eds.) - 2006 - Princeton University Press.
    Focusing on the new theories of human motivation that emerged during the transition from feudalism to the modern period, this is the first book of new essays on the relationship between politics and the passions from Machiavelli to Bentham. Contributors address the crisis of moral and philosophical discourse in the early modern period; the necessity of inventing a new way of describing the relation between reflection and action, and private and public selves; the disciplinary regulation of the body; and the (...)
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