v. 1. Dal primo periodo padovano al periodo presalernitano.

Since 1537 Marco Antonio Zimara’s Tabula cum dilucidationibus in dictis Aristotelis et Averrois has been one of the most efficient and largely used instruments for a swift and at the same time precise access to the philosophical topics discussed in Aristotle’s works and in Averroes’ commentaries as well. In this paper the long and laborious gestation of Zimara’s Tabula is taken into account, starting with the notes in a 1507 edition of Aristotle’s works.

Tommaso Giannini was a prominent professor at the ferrarese Studium between sixteenth and seventeenth century. Probably influenced by Platonic sympathies nurtured by the Court and partly by the University milieu, in 1587 he published his first work titled De providentia ad sententiam Platonis et Platonicorum liber unus, which was a catalyst for his academic career. A compilative work in essence, the De providentia displays a large amount of sources always tacitly used: Marsilio Ficino, Jacques Charpentier, Giulio Serina, Stefano Tiepolo, Teofilo (...) Zimara, Bessarion, Agostino Steuco and amid the ancients Plotinus, Plutarcus, Sirianus, Proclus, Giamblicus, Apuleius, Calcidius, Ammonius, Psellus. A small place is reserved to Giovanni Pico della Mirandola and precisely to his Disputationes adversus astrologiam divinatricem. The aim of the paper is to provide a supplement of analysis of Giannini’s interest in Pico’s works considering his later writings, each one commonly identified as Disputationes Aristotelicae. (shrink)

The situation after the 13th century, however, badly needs to be clarified by additional detailed research. Bruno Nardi and Anneliese Maier have exhibited a nice understanding of the extraordinary complexities surrounding the question of what "Averroism" might be during this later period, but they stand nearly alone in this knowledge; even Gilson is content to dismiss, with a few strokes of the pen, the entire "Averroist" tradition as authority-bound, sterile, and doomed to early extinction through sheer stagnation. But the very (...) history of philosophy attests to the vitality of the tradition, whatever it may consist of, or at least to the vitality of the designation, for Cremonini in the 17th century was still preferring the commentaries of Averroes to all others, and late in the 16th century Marcantonio Zimara was commonly known as an "Averroist"--to name but two obvious cases. From before the time of Siger of Brabant through to the 17th century Averroes was read as the Commentator on Aristotle, and every generation throughout this period reveals its quota of philosophers who are, or who could easily be, dubbed "Averroists." It is here being asked: what do all these thinkers share, if anything? A common attitude toward the nature of the intellective soul? A common sympathy toward Averroes' Neo-Platonic rendering of Aristotle? A common blind reproduction of the Commentator's interpretation of the Stagirite? An unwarranted trust in the capacities of unaided reason, as manifested in a constant opposition of the conclusions of natural reason to the doctrines of the Christian Revelation? A common tendency in the direction of doubt, insincerity, heresy, and even atheism? It is here suggested that, far from taking "Averroism" as an obsolescent and disappearing species of subversive thinkers, it would be more enlightening to consider the tradition as symptomatic of the essential inability of Christian thinkers to assimilate Greek philosophy without modifications which would profoundly alter the fundamental character of that philosophy. Or, to phrase it somewhat differently, throughout the mediaeval period, when the domain of natural reason was being radically separated from the domain of faith, the rigorous rendering of Aristotle that Averroes presented maintained a steady appeal, which waned only when new translations from the Greek pointed up the Neo-Platonic predispositions of the Commentator, and revealed that the original spirit of the Stagirite was rather different than the flavor that Averroes introduces to the texts. (shrink)