Afropolitanism lies at the core of a debate concerning African identity, particularly on account of new configurations and flows generated by the globalization process. Proponents of this concept argue it has the capacity to better express the way Africa relates to and negotiates with the world than conventional African narratives of identity and emancipation. The paper aims at examining the relevance of this position, particularly through Mbembe’s approach to the concept and his criticism of conventional narratives of African identity (...) and emancipation. (shrink)

The article analyzes two novels of migration by Nigerian women authors in the context of Afropolitanism: Chimamanda Ngozi Adichie’s Americanah (2013) and Sefi Atta’s A Bit of Difference (2013). It is argued that Afropolitanism obscures the reasons why migration from Africa to the West has been increasing in the decades since independence, rather than decreasing. In comparing the two novels, the article focuses on empathy towards and solidarity between fellow Nigerians, which has been seen by Nigerian philosopher Chielozona (...) Eze as crucial for building African civil society and functional state. (shrink)

The search for identity is at the core of African political philosophy. This has moved from its essentialist enclave to recent calls for cosmopolitanism or Afropolitanism in the African context. This article takes a critical look at Afropolitanism. While it accepts that Afropolitanism is important because of the nature of modern society, it queries Afropolitanism in the context of the peculiar nature of African nations that are still mere geographical territories in search of national identities. Hence, (...) it argues that Afropolitanism alone will not be enough as a basis to construct African identity, rather it may worsen bourgeoning African identity crises. (shrink)

This article follows a perplexing juncture in Chimamaanda Ngozi Adichie's 2013 novel Americanah: Ifemelu's choice to return back to Nigeria. Following the themes of “home,” “travel,” and “Africanness,” this article explores the link between the migration away from and to Africa and the apparent racelessness Ifemelu experiences as she crosses the fragmented racial zones between Nigeria and America. It challenges the claim that returning to Africa is counterintuitive and only a departure from the Continent is desirable, thus, analyzing the logic (...) of travel concomitant with contemporary phenomenologies of Africanness. This analysis seeks to distinguish Afropolitanism from “Americanah” and to offer Americanah's emphasis on reverse migration as a counterweight to Afropolitanism's emphasis on extra-continental travel. Ifemelu's return opens up two questions in the context of this analysis: What does the logic of travel offer to Ifemelu's racial identity as she comes to understand herself in two geospatial temporalities? and What does the language of “home” as contrasted to the discomfort of travel, contributes to her ontological understandings of herself as African? (shrink)

"Sponsored by the Quadrant Global Cultures group... and by the Institute for Global Studies at the University of Minnesota.".

Crime fiction by women writers across the globe has in recent years begun to explore the position of women detectives within post-feminist cultural contexts, moving away from the explicit refusal of the heterosexual romance plot in earlier feminist ‘hard-boiled’ fiction. In this article, I analyse Hawa Jande Golakai's The Lazarus Effect (2011) and The Score (2015) as part of the tradition of crime fiction by women writers in South Africa. Joining local crime writers such as Angela Makholwa, Golakai not only (...) questions orthodox conceptions of gender and sexuality in traditional iterations of the crime novel, but also combines elements of chick-lit with the crime plot. Reading the archetypal quest structure of the two genres against the background of Sara Ahmed's cultural critique of happiness, I argue that Golakai inventively recasts the recent sub-genre of the chick-lit mystery from the perspective of an Afropolitan detective. Her detective tenaciously undercuts the future-directed happiness script that structures conventional chick-lit and detective novels with their respective focus on finding a fulfilling heterosexual, monogamous romantic relationship, and the resolution of the crime and restoration of order. In this way, the novels defy the frequently assumed apolitical nature of chick-lit texts and also allow us to reimagine the idea of Afropolitanism, outside of its dominant consumerist form, as a critical Afropolitanism that emerges from an openness to be affected by the unhappiness and suffering of others. (shrink)

Against the background of South Africa’s ‘official’ policy of multilingualism, this study explores some of the socio-cultural dynamics of English as a lingua franca (ELF) in relation to how cosmopolitanism is understood in South Africa. More specifically, it looks at the link between ELF and cosmopolitanism in higher education. In 2016, students at Stellenbosch University (SU) triggered a language policy change that enacted English (as opposed to Afrikaans) as the primary medium of teaching and learning. English has won recognition as (...) the academic lingua franca for at least two socio-political reasons: First, English is considered more ‘neutral’ than Afrikaans (which continues to be strongly associated with Afrikanerdom), and second, English is arguably associated with cosmopolitanism and an international institutional status. Despite English being the academic lingua franca, it continues to be caught in an ambivalent climate with tensions among policy planners, language practitioners, higher education managers, academic staff and students. Ultimately, this paper argues that ambiguity is one of the most defining features of English in South Africa and that a complex range of Cosmopolitan, Afropolitan and glocal African identity trajectories reflect the power dynamics of English in the country. (shrink)

Africa as a continent has experienced and still going through lot of negative, derogatory and dehumanizing experiences. This, in turn formed the basis of the identity crises that rock the continent. Some Western philosophers, historians, sociologist and so on are of the opinion that Africans do not have an identity nor history of their own; this is emboldened in the idea that Africa is not part of world history. This view may not necessarily be unconnected with the clash of culture (...) occasioned by the colonization of the continent of Africa by the Western world. Against this backdrop, the discourse examines what constitute African identity before the advent of colonialism. This is done to unravel the content and context of Africa(n) identity before the subjugation of the continent’s identity by the colonial master. This search, which seems to have formed the basis of the contemporary contention of the Africans’ diaspora wanting to know ifs they are truly Africans or a hybrid of different cultures remain the fulcrum of this discourse. In driving home the argument of the paper, different philosophies such as afrocentricity, afropolitanism, negritude, transnationalism as articulated by African scholars are reviewed with the aim of reconstructing the misconception and misrepresentation of the images alluded to Africa. Hence, using the analytical method of philosophical investigation, the paper project afrocentricity as a philosophy that is basic to the quest of identity in the African diaspora than afropolitanism. (shrink)

This book sets up a rich intercultural dialogue between the philosophy of Immanuel Kant and Michel Foucault, and that of key African thinkers such as Kwame Anthony Appiah, Achille Mbembe, Kwasi Wiredu, Kwame Gyekye, Tsenay Serequeberhahn, and Henry Odera Oruka. The book challenges western-centric visions of an African future by demonstrating the richness of thought that can be found in African and Afrodiasporic philosophy. The book first shows how thinkers such as Serequeberhan have criticised the inconsistencies in Kant's work, whereas (...) others such as Wiredu, Gyekye, Appiah and Mbembe also referred to his work positively and used it to develop progressive political concepts such as the metanational state; partial cosmopolitanism and Afropolitanism. The book goes on to consider how Mbembe and Mudimbe have responded to Foucault's ideas in deciphering the various Western, African and Afrodiasporic discourses of knowledge on Africa. The book concludes by considering various theories of intercultural exchange, from Gyekye's cultural borrowing, to Appiah's conversation across boundaries, Wiredu's cross cultural dialogue, Mbembe's thinking outside the frame, Serequeberhan's dialogue at a distance, and Oruka's call for global re-distribution and a new ecophilosophical attitude to safeguard human existence on the planet. This book invites us all to engage in intercultural dialogue and mutual respect for different cultural creations. It will be an important read for researchers in Philosophy wherever they are in the world. (shrink)