RESUMO: No centro da filosofia de Kwame A. Appiah encontra-se a questão da identidade. Partindo do conceito da liberdade de Mill, ele considera a criação de uma identidade pessoal, no sentido de individualidade particular, uma tarefa permanente - como projeto individual. Nesse contexto, os planos de vida não devem ser concebidos como genericamente rigorosos, mas sim incoerentes e muitas vezes mutantes. Com isso, a identidade não se deve entender como algo fixo e cerrado, porém, como uma espécie de mosaico de (...) vários elementos que se encontram em reprogramação contínua - como formação híbrida. A construção da identidade encerra a narração de histórias de vida, tanto individual como coletiva. Os respectivos elementos podem recorrer a diferentes experiências transculturais, consoante a história coletiva e a história de vida do indivíduo. Assim, a transculturalidade é importante, não só para identidades coletivas, como também sempre em nível de identidade pessoal. O filósofo africano Achille Mbembe alude ao nomadismo do ser humano e à imersão e dispersão culturais associadas que se deixam ler como processos da transculturalidade. Na arte africana contemporânea, esses processos da formação da identidade refletem-se no transcultural. Como exemplos, devem ser apresentados os artistas Edson Chagas, Kehinde Wiley, Yinka Shonibare e Romuald Hazoumè, com obras selecionadas.ABSTRACT: The issue of identity is at the heart of Kwame Appiah's philosophy. Taking Mill's concept of liberty as his starting point, he views the development of a personal identity in the sense of a particular individuality as an ongoing task - as an individual project. In this context, life plans should not be understood as strictly linear but rather as disparate and continuously changing. Identity is thus not something which is fixed and closed but rather similar to a mosaic, consisting of various elements which are always shifting - a hybrid entity. The construction of identity includes the telling of life stories, both of a collective and of a personal nature. When doing so, each element may refer to diverse, transcultural experiences in keeping with the history of the collective and the life story of the individual. Transculturality is thus of significance not only for collective identities but also always on the level of personal identity. The African philosopher Achille Mbembe speaks of human nomadism and the associated cultural immersion and dispersion, which can be interpreted as transcultural processes. These processes of identity formation are reflected in the transculturality of contemporary African art. Selected works of artists Edson Chargas, Kehinde Wiley, Yinka Shonibare and Romuald Hazoumè will be presented as examples of this. (shrink)

Michel Foucault gilt als einer der wichtigsten Philosophen des 20. Jahrhunderts. Marita Rainsborough untersucht die aktuelle Relevanz seiner Philosophie unter Bezug auf die post- und dekolonialen Theorien von Mbembe, Bhabha und Mignolo im globalen Kontext. Dabei bezieht sie auch die Philosophie von Judith Butler und Byung-Chul Han sowie den Neuen Realismus in ihre kritische Lektüre mit ein und macht die bislang in der Rezeption vernachlässigten philosophischen Bezüge zu Bloch und Kant stark. Mit der Betrachtung des Subjekts zwischen Wissen, Macht, Ethik (...) und Ästhetik ergeben sich so eine Gesamtschau des Foucault'schen Werkes sowie neue Aspekte für die philosophische Auseinandersetzung mit diesem französischen Klassiker. (shrink)

Interkultureller Austausch geht von der Gleichwertigkeit der Kulturen aus und ist vom Gedanken des produktiven Dialogs, der gegenseitigen Anregung und der Korrektur bestimmt. Ein solcher Dialog mit Immanuel Kant und Michel Foucault bietet eine anregende Perspektive auf die afrikanische Philosophie. Marita Rainsborough untersucht vor diesem Hintergrund die Auseinandersetzung afrikanischer Philosophen wie Anthony Appiah und Achille Mbembe mit philosophischen Grundfragen. Ihre Visionen einer afrikanischen Zukunft machen deutlich, dass sich akute Probleme wie Machtmissbrauch und Menschenrechtsverletzungen - unter Berücksichtigung der lokalen Besonderheiten - (...) nur im globalen Kontext lösen lassen. (shrink)

This book sets up a rich intercultural dialogue between the philosophy of Immanuel Kant and Michel Foucault, and that of key African thinkers such as Kwame Anthony Appiah, Achille Mbembe, Kwasi Wiredu, Kwame Gyekye, Tsenay Serequeberhahn, and Henry Odera Oruka. The book challenges western-centric visions of an African future by demonstrating the richness of thought that can be found in African and Afrodiasporic philosophy. The book first shows how thinkers such as Serequeberhan have criticised the inconsistencies in Kant's work, whereas (...) others such as Wiredu, Gyekye, Appiah and Mbembe also referred to his work positively and used it to develop progressive political concepts such as the metanational state; partial cosmopolitanism and Afropolitanism. The book goes on to consider how Mbembe and Mudimbe have responded to Foucault's ideas in deciphering the various Western, African and Afrodiasporic discourses of knowledge on Africa. The book concludes by considering various theories of intercultural exchange, from Gyekye's cultural borrowing, to Appiah's conversation across boundaries, Wiredu's cross cultural dialogue, Mbembe's thinking outside the frame, Serequeberhan's dialogue at a distance, and Oruka's call for global re-distribution and a new ecophilosophical attitude to safeguard human existence on the planet. This book invites us all to engage in intercultural dialogue and mutual respect for different cultural creations. It will be an important read for researchers in Philosophy wherever they are in the world. (shrink)