This volume assesses Friedrich Schleiermacher s contribution to the theory and practice of translation two hundred years after his classic text "On the Different Methods of Translating". It brings together scholars from Philosophy and Translation Studies who offer close readings of Schleiermacher s ideas, placing them in the context of his hermeneutics and examining their relevance today as well as their potential to inspire further work.".

Professional attire has traditionally been regarded as a sign of ethicality. However, recent trends towards a more casual workplace may have altered the general public’s attire-based perceptions. To determine whether these trends have rendered the association between professional attire and ethicality obsolete, we draw on signaling theory and we examine, in two laboratory studies with working samples, the main effects of attire style (i.e., business formal, business casual, casual) on perceptions of employee ethicality. We also assess the mediating effects of (...) attire appropriateness, the moderating effects of context (industry type), as well as their combined moderated-mediation effects in the relation between attire style and the outcome of interest. We find that casual attire is perceived as less ethical than business casual attire in both studies but is perceived as less ethical than business formal attire in the first study only. Moreover, the effect of attire style on perceptions of ethicality is mediated by perceptions of attire appropriateness. Lastly, we found inconclusive results for the moderated-mediation model, which suggest a more intricate effect of industry type than originally proposed. Three subsequent focus groups with working professionals provided additional insights into our findings and revealed workplace-relevant outcomes associated with perceptions of ethicality. Theoretical and practical implications, study limitations, and future research avenues are discussed. (shrink)

« Un peu plus de cent vingt ans après l’invention des frères Lumière, la richesse des combinaisons disponibles ou envisageables entre poésie, traduction et film permet de rebattre les cartes de l’histoire qui voudrait que la poésie précède le cinéma et que la traduction soit seconde. Ainsi le poème peut-il traduire (à distance variable) le film en mots et vice versa, le sous-titrage être poésie, la traduction être à l’origine du film-poème, le corps de l’interprète en langue des signes se (...) faire poème et traduction, la poésie de la bande-son se faire traduction d’une situation géopolitique et ainsi de suite. La définition même de ce qu’il faut entendre par « poésie », « traduction » et « cinéma » se trouve enrichie de ces allers et retours et entremêlements. »--. (shrink)

The following study presents some considerations on different subjects regarding the field of art, from the art of using sounds in theatre and the importance of the Greek tragedy to the subtle differences between opera and theatre. The sound experiment is to be approached knowing that the audience is, in some way, deaf. The renewal of the sounds, even of those coming forth from the remote ages, is part of the author’s lust for a theater that celebrates real contact and (...) real feeling, with a unique expression of force, of intense colors and sharp energies. The main goal is to discover the actor’s or the opera singer’s work with the sounds, with the vibration of the words in his body, thus investigating the “meanings” of the pure sound. (shrink)

In the context of increased movement across borders, this book examines how key cultural texts and concepts are transferred between nations and languages as well as across different media. The texts examined in this book are considered fundamental to their source culture and can also take on a particular relevance to other cultures. The chapters investigate cultural transfers and differences realised through translation and reflect critically upon the implications of these with regard to matters of cultural identity. The book offers (...) an important contribution to cultural approaches in translation studies, with ramifications across different disciplines, including literary studies, history, philosophy, and gender studies. The chapters offer a range of cultural and methodological frameworks and are written by scholars from a variety of language and cultural backgrounds, Western and Eastern. (shrink)