This chapter opens with a discussion on the Luke Skywalker's role in Return of the Jedi. At the end of the film Skywalker must make a decision whether to ignore the utilitarian principle that he must kill his father to save the galaxy, or violate the ethical principle against dishonoring and murdering his own father and risk being turned to the dark side by the Emperor. Both are unacceptable to Luke. So he will have to turn a Sith to (...) the light side of the Force. Such a maneuver requires a leap of faith, and for that this chapter turns to a man who knew just how hard it was: the Danish philosopher Soren Kierkegaard. Luke realizes that killing Darth Vader will not bring balance to the Force. Luke defeats Vader in the duel, but saves him in not ending it the way everyone has been telling him to. (shrink)

Jedi ethics are flawed because they submit to the demands of hierarchy. Hierarchy in its many forms – whether on the job, in government, or even within a Star Wars fan club – makes demands due to its very nature. One way in which reliance on hierarchy can cause moral trouble is when it's allowed to overtake other moral values. The Jedi Council prove themselves unworthy of Ahsoka's trust, as they end up turning her over. The Jedi (...) Council places more value on playing their part in hierarchical political and military systems than trusting one of their own. The Jedi's claim to ethical impartiality is due in large part to their denial of their feelings. One key step to impartiality is found in recognizing that moral duties must be prioritized over hierarchical demands. The Jedi play key roles not only in the greater galactic society, but also in the war that Palpatine is secretly orchestrating. (shrink)

Some fans have suggested that the titles of the Skywalker Saga films are in the wrong order. Episode VIII: The Last Jedi should've been “A New Hope” ‐since Luke's sacrifice in his battle with Kylo gives Rey and The Resistance a new hope in their struggle against the First Order. In his Two Treatises of Government, Locke argues for a better solution: a separation of religious and political power. Religion should be a private affair; politics and government should be (...) a secular matter. To understand Luke's position, it's important to understand that pacifism is not a call to inaction; when something wrong occurs that could be stopped by violence, the pacifist is not obligated to stand around and do nothing. Especially when it's an act of violence, the pacifist is obligated to stop it. (shrink)

The heroes and villains of the Star Wars saga are probably the most widely recognized fictional characters in the Western world. In particular, the saga is a celebration of friendship and family bonds. Though it is a story of conflict and warfare, grand political concerns about the fate of the galaxy are kept in the background, as the story focuses more on action and the relationships among the main characters. The overwhelming loyalty that the heroes of Star Wars feel for (...) friends and family is a traditional feature of heroes, from ancient history to today. Weighing the actions of fictional characters like Luke and his pals can help us reflect on how we should act in the real world. In some ways, the moral views of early philosophers move us too far toward civic duty and away from the traditional values of loyalty to friends and family. (shrink)

The Jedi are “keepers of the peace.” Just as they protect the galaxy, Jedi are called upon to keep the peace within themselves by aligning their wills to the Force. This requires self‐restraint, abstinence from worldly pleasures, a virtue‐driven mindset, incorruptible fearlessness, and total belief in following the will of the Force. The principles of the Jedi Order closely mirror the “hard life” maxims of a school of philosophy known as Stoicism, represented by the slave‐turned‐philosopher Epictetus. For (...) both Jedi and Stoics, philosophy is a way of life, not just a subject for study. A central claim of Stoic ethics is that only virtues and virtuous activities are good, and only vices and vicious actions are evil. A Jedi's strength of mind has greater value than the ability to execute a Force push. The ultimate goal for Jedi is to decipher the will of the Force and conduct themselves accordingly. (shrink)

This chapter explores how the non‐dualistic metaphysics endorsed by Star Wars and Spinoza provides an important lesson about what it means to have a true idea about something. According to the non‐dualistic metaphysics of the Jedi, power‐seeking ultimately isn't a matter of domination or destruction, but of “balance”. Living things are like all other things: they strive to maintain and increase their power. But they're unique because their manner of power‐ seeking demonstrates in an especially clear way how non‐dualistic (...) metaphysics is true: how independence and dependence, activity and passivity, aren't simply opposed but in fact interpenetrate and codetermine one another. The non‐dualistic interplay of activity and passivity, self‐assertion and receptivity, independence and dependence, is further demonstrated through the psychological lives of human beings. (shrink)

As the last of the Jedi, Luke must now pass on what he has learned of the Force, presumably to restart the Jedi Order. In the imaginations of many, Luke simply must have continued his rise, becoming one of the most powerful living beings in the universe. Deleuze draws his notion of the forces of becoming partly from German philosopher Friedrich Nietzsche, who says that the world is “a monster of energy, without beginning, without end” that “only transforms (...) itself” as “a play of forces and waves of forces, a sea of forces flowing and rushing together, eternally changing, with an ebb and a flood of its forms.” Deleuze's interpretation is that all bodies, all physical things, are “nothing but forces” defined solely by their activities of affecting – and being affected by – other things with which they interact. (shrink)

The world of Jedi is very different from our own, that their awareness of the universe is more encompassing, richer. The Jedi call that mystical aspect of reality they perceive the Force. Jedi younglings and padawans must put their body to new uses, perform new tasks, and learn new skills in physical activities that have profound effects on the way they see the world around them. What the Jedi say more than anything else about the Force (...) is that it flows. Jedi who are able to coordinate their actions with that flow can work with the full potency of the universal relationship between all things. Jedi do not need a special Force‐organ to perceive the Force. The Force is not something Jedi just see, or hear, or taste, or touch, but rather it is something they experience on its own terms, probably using their whole body to do it. (shrink)

In Star Wars, Han Solo gives the Force no credit when he first discusses it with Luke and Obi‐Wan on the way to Alderaan. Han Solo's belief about the Force is an untrue belief. It does not conform to the reality of how the Star Wars universe operates. This chapter analyzes whether Han's belief is justified. The products of science have a role in Star Wars, but there is no indication that the process of science does. The Jedi have (...) a general grasp on scientific reasoning. From the perspective of fallibilism, Han Solo can claim he knows that no “mystical energy field” controls his destiny, while Obi‐Wan knows that such a field does exist. There is a disagreement here and, in the Star Wars universe, Obi‐Wan is right and Han is wrong. Neither of them is being inherently unreasonable, however. (shrink)

This chapter explains how a single scene in the Star Wars saga serves to reflect a popular and problematic contemporary view about people. The scene in question occurs in Return of the Jedi when Jabba the Hutt holds Princess Leia captive in his court on Tatooine. Using the philosophy of Susan Bordo, Jean‐Paul Sartre, and Michel Foucault, the chapter examines how Leia's captivity scene reflects modern society's hatred of fat and its preoccupation with the control of bodies, particularly the (...) female body. In contrast with Jabba and his uncontrolled appetite, Leia operates as a model of control. She becomes flesh's master rather than its slave. She finds her freedom by fighting fat. Fear of the flesh and a desire to control bodies are expressive of a deeper anxiety regarding embodiment that has been culturally conferred upon women more than men due to the cultural association of women with the body. (shrink)

The mechanical occupants of the Star Wars galaxy exhibit many human‐like characteristics. In Star Wars, the interactions that occur between droids share many of the features that are common in human relationships. Droids occasionally provide us with a jarring glimpse of their true mechanical natures. This chapter examines why droid intelligence is so important for the denizens of the Star Wars galaxy. Truth is, the treatment of droids is very different from that of humans and other sentient creatures. Not only (...) are droids treated as property, but also they are the victims of extreme prejudice. Clearly, the Jedi, along with most of the occupants of the Star Wars galaxy, believe that there is some important moral difference between the mechanical and the biological. Within the Star Wars galaxy, it is common for limbs and body parts to be replaced by incredibly advanced mechanical substitutes. (shrink)

“May the Force be with you” is a standard blessing and parting phrase exchanged by members of the Jedi Order and others in the Star Wars universe. The Star Wars saga is an epic tale of good versus evil, light versus dark, freedom versus tyranny, Jedi versus Sith, with the mysterious "will of the Force" rallying the armies of light in their war against the armies of darkness. The privation theory of evil offers a way to reconcile the (...) goodness of the all‐encompassing Force with the reality of evil. The Force, binding both galaxies and living beings together, is the source of the measure, order, and form that make things good. One reason why the privation theory of evil does not fit well with the metaphysics of Star Wars is the simple fact that the Force, far from being absent whenever evil is afoot, is abundantly present. (shrink)

The currents of philosophy have always been influenced by the culture in which thinkers live and work. In ancient China, the profound turmoil that eventually tore apart the Zhou dynasty led to social and intellectual unrest, out of which was born a new class of writers and thinkers who created the foundations for Chinese philosophy. There are historical and philosophical parallels with this Chinese time of uprooting in the “Dark Times” of the Star Wars universe. Few Jedi survive through (...) the Dark Times, but they are the closest thing to philosophers we can find during the Star Wars saga's most intense period of oppression and wickedness. This chapter considers Dark Horse's Dark Times series for examples of three Jedi Masters who survived Palpatine's purge. Dass Jennir (a human), Kai Hudorra (a Bothan), and K'kruhk (a Whiphid) are studied here through the Chinese philosophies of Confucianism and Daoism. (shrink)

This chapter discusses the role played by guardians and tyrants in Star Wars. The Jedi align themselves with the light side of the Force, while the Sith align themselves with the dark side. Although the Jedi are guardians of the galaxy, they refrain from ruling directly, acting as willing servants of the Old Republic. In Attack of the Clones, Anakin Skywalker and Senator Amidala demonstrate the trajectory of Plato's thinking when they engage in a semi‐serious debate about the (...) politics of the Republic. Plato's views in the Republic mirror the different types of rule in the Star Wars galaxy surprisingly well: democracy is vulnerable, tyrants only care about their own interests, and guardians of peace and justice are the state's best chance for flourishing. While democracy fails, allowing the Emperor to become a malevolent tyrant, the Jedi Council is cut off in its service to the Republic. (shrink)

This chapter examines the theodicy offered by the Christian philosopher and theologian, St. Augustine of Hippo. This examination of Augustine's theodicy explains the nature of the dark side of the Force to which Anakin succumbed. The chapter first explains Augustine's view of evil and how it relates to good. Like Luke, Augustine argues that moral evil, that is, evil done intentionally by a person is solely the fault of that person. For Augustine, the fault is found in the misuse of (...) a person's God‐given free will. The chapter examines this theodicy through the lens of two heroic Jedi who fall from grace: Anakin Skywalker and his grandson, Jacen. It shows how Augustine's view of the nature and relationship between good and evil opens up the possibility of Anakin's eventual redemption. (shrink)

The Ancient Jedi Knights were the first to Hyperdrive across the galaxy. Their bodies had high counts of microscopic germs called midicolonians that communicated with great Force over native living things, wiping out nearly entire planetary populations as the Jedi encroached.

The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy ponders (...) the depths of these subjects and asks what it truly means to be mindful of the "living force.". (shrink)

Are good and evil a “point of view”? Do Jedi and Sith alike merely crave greater power? What does a “space opera” have to teach us about how to live virtuously? George Lucas created Star Wars as a modern-day morality tale, modeled on classical epics, such as Homer’s Iliad and Odyssey, tragic dramas written by the likes of Sophocles, Seneca, and Shakespeare, and the scriptures that inspire religions in the East and West. This chapter canvasses the metaphysical and moral (...) themes across the three trilogies that make up the “Skywalker saga” to construct a genealogy of how “the Force” evolved throughout these films. At the heart of this conceptual development is the question of how the light and dark sides of the Force are related to each other and what that relationship can help us understand about the nature of good and evil in our own experience. (shrink)

Han Solo‐orphan, laconically cool Corellian smuggler, Rebel general, and martyr for the Resistance, is one of the most‐loved characters in the Star Wars universe. His emotional and moral development throughout the original trilogy into a trusted friend, Leia's lover, and a warrior for Rebel values is inspiring. In the sequel trilogy, he's returned to smuggling and reluctantly re‐assumes the mantle of father to Ben Solo, an alienated and ultimately patricidal son, but even death fails to stop him from offering fatherly (...) advice to bring Kylo Ren back to the light side. In a universe of tyrants, freedom‐fighters, Force‐sensitives, Jedi, and Sith, everybody seems to be peddling a philosophy. But Han Solo is a scoundrel, a skeptic, and a Corellian who seems to want to evade a philosophical life. Skepticism, anti‐authoritarianism, and a desire to demystify–to strip away pretensions to reveal the true, but often ugly face of reality. (shrink)

Few Star Wars characters are more beloved than Luke Skywalker, Jedi Knight, son of Darth Vader, and mentor to Rey. Fictional characters like Luke are wholly defined by how people understand, interpret, and evaluate their depictions within the fictions in which they appear. This chapter explores various ways to provide identity conditions for fictional characters. It examines a more sophisticated, but again ultimately incorrect, account of fictional character identity: the Say‐So Account, in which authors determine whether two characters, from (...) two fictional works, are identical. The Perspectival Account avoids the problems seen in the earlier accounts and provides the authors with an adequate account of identity conditions for fictional characters. Further, the Perspectival Account allows the authors to explain how the truth‐value of fictional character identity claims can change over time. (shrink)

This chapter explores the relations of different kinds of power, philosophically understood – sovereign power, disciplinary power, and biopower – and argues that the politics of the Star Wars galaxy is animated by an ontology, or metaphysical picture, centered on power. It further argues that The Mandalorian criticizes this power ontology with the introduction of the Child, Grogu, who generates a different kind of Force: a relational ontology of love. Grogu and the love he generates point to a different way (...) of being in the world than power. Ultimately, The Mandalorian offers a different ontology of power – an ontology of love – as a radical alternative to the bindings of political power. Palpatine is correct that power dynamics shape the confrontational relationship between the Jedi and Sith, which is fed by the Jedi's disavowal of strong attachments. (shrink)

The moral dilemma Mando faces as he struggles to return the Child to the Jedi Order is illuminated by Soren Kierkegaard, one of the central figures of existentialism, a philosophy centered on the belief that individuals define themselves through their actions. Kierkegaard's Christian existentialism was critical of the social dynamics and religious models that were supposed to represent authentic religiosity but were actually hypocritical and naive. Religious leaders spoke of virtue but rarely modeled it. Kierkegaard, by contrast, upheld the (...) central tenets of the faith but was humble about what he could claim as objectively true or real. The persona of Din Djarin evolves in complexity: from enigma, to soldier, to father. He believes in the Mandalorian creed and its rules, but he experiences a personal attachment to Grogu. The final stage of life according to Kierkegaard is the religious, in which one makes a leap of faith. (shrink)

The image of the future of religions is interesting to us not only and not so much that to a certain extent presupposes or corrects the future, but also that it characterizes the religious present in which it functions, in close connection with the existing society. Situational versus general change of emphasis in the forms of existence and / or functionality of religion is the result of interaction with society, its various spheres and man. The formation of the newest religious (...) needs, due to which the functionality of religion manifests itself, is a factor in the emergence of various quasi-religious and paranute teachings, coumaromania - as components of mass social mythology. Instead of "traditionally new" religious education, there are even more recent, such as the Church of Copimizma, Pastafarian, Jedi, various manifestations of quasi-religions, etc. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Imagined Apotheoses: Drake, Harriot, and Ralegh in the AmericasWilliam M. HamlinPerhaps the two best known stories of Europeans being taken for gods by non-European peoples are those of Hernan Cortés in Mexico and Captain James Cook in Hawaii. Separated by two hundred sixty years, five thousand miles, and vast differences in cultural and linguistic context, these two incidents nonetheless share many traits in the conventional telling. Cortés and Cook (...) were both strong leaders, for instance, both capable of inspiring devotion among their subordinates. Both men became amateur ethnographers during their lengthy sojourns away from Europe, both sought to promote an image of respectful rather than rapacious foreign incursion, and both are said to have been taken for returning gods by the native peoples among whom they landed: Cortés for the Toltec culture-hero and demigod Quetzalcoatl, Cook for the Hawaiian deity Lono. Click for larger view View full resolutionFigure 1.“The Far Side” cartoon by Gary Larson. Courtesy of Chronicle Features, San Francisco.Recent scholarly studies and debates—among them the rather strident dispute between Gananath Obeyesekere and Marshall Sahlins over the alleged deification of Cook by eighteenth-century Hawaiians—have opened up these returning-god theories to skeptical critique and detailed justification; but such discussions have had little, if any, impact on popular imagination. 1 [End Page 405] Indeed, the idea that redoubtable European explorers can be (and often are) perceived as supernatural beings by non-European “primitives” has been uncritically perpetuated to this day by filmmakers, fantasists, writers of popular history, and purveyors of cultural literacy. E. D. Hirsch, Jr., for instance, informs our children that Caribbean islanders encountered by Columbus “asked if he had come from heaven”—the implication being, of course, that they took him for a god. 2 And in the recent film, 1492: Conquest of Paradise, we hear the indefatigable Admiral (played by Gerard Depardieu) claim that “on every island the natives welcome us with great generosity and trust.... Because of our appearance, we have been mistaken for gods, and are treated accordingly.” 3 Fortunately, we also have a “Far Side” parody of the cultural conceit on which such ideas in part rely, but the cartoon serves as well to demonstrate just how thoroughly the conceit has permeated our collective awareness (see figure 1). 4 Click for larger view View full resolutionFigure 2.“It’s against my programming to impersonate a deity.” From The Return of the Jedi, dir. Richard Marquand, Lucasfilm, Ltd., 1983. All Rights Reserved. Courtesy of Lucasfilm, Ltd.Let me offer just one other example. Near the end of the popular 1983 film The Return of the Jedi, the forest-dwelling Ewoks begin to chant and salaam upon first glimpsing the golden robot C-3PO, who in turn tells his captured comrades, “I do believe they think I am some sort of god.” When Han Solo sarcastically asks the robot to use his “divine influence” to help extricate them from their predicament, C-3PO replies that such an action would be improper: “It’s against my programming to impersonate a deity.” Here we see, embedded within a film romance, both the classic trope of the apotheosized foreigner and the related motif of the foreigner’s reluctance to [End Page 406] play the god-role (see figure 2). It is worth noting, however, that while C-3PO may be unwilling to exploit the Ewoks’ misperception, Luke Skywalker is not; he uses the “Force” to convince the Ewoks of the robot’s magical prowess and, more to the point, to perpetuate their misapprehension. 5What I wish to suggest in this essay is that certain habitual Western assumptions or conceits regarding cross-cultural encounters—assumptions which have been usefully termed “myth models” inasmuch as they condition human perception and find frequent discursive expression—coexist easily but in fact disjunctively with certain other ideological structures in many early modern travel narratives and colonial accounts. Obeyesekere, in his provocative book on the supposed deification of Captain Cook in Hawaii, has linked such myth models to the conceptual structures of the longue durée as characterized by Fernand Braudel, and it is possible that they may also be... (shrink)

It’s no wonder descriptions of riding often resemble the words of Asian mystics and Jedi knights: The ride causes your senses to open completely. You experience only the present, the now. Readers who prefer revving a Harley to meditating in a Zen garden know that biking is just as contemplative as chanting in the lotus position. Here, philosopher-bikers explore this seeming dichotomy, expounding on intriguing questions such as: Why are the motorcycles the real stars of Easy Rider? What would (...) Marx and Foucault say about Harley riders’ tight leather garb? What’s it like to live a dual life as a philosophy professor who wrenches his own 1965 Electra Glide? Would Jesus hang out in a biker bar or a coffeehouse? And more importantly, would He ride a Harley or a Honda? These witty, provocative essays give readers and riders a new appreciation of what it means to become one with the road. (shrink)

Relationships between children and parents pervade the Star Wars saga, especially if people include surrogate parents. Anakin's relationship with his mother, Shmi, in the prequels impacts his trajectory toward the dark side. In The Mandalorian, Mando's role as a surrogate father to Grogu transforms them into a “Clan of Two”. But the most significant parent‐child relationship in the saga may be the one between Luke Skywalker and Darth Vader. Confucius's teachings highlight the importance of benevolence, social order, and ritual propriety (...) among other virtues and values. This chapter shows that understanding Luke's surrender to Vader in terms of Confucian filial piety makes sense of how Luke is able to overcome the allure of the dark side and become a Jedi. Confucius's Analects has a moral framework called “exemplarism”. This is the idea that moral knowledge and practice do not start with principles, rules, duties, consequences, or character traits. (shrink)

In Lucas's universe, the Jedi have a special capacity to connect with the Force. There is nothing more powerful in human psychology than the power of attraction in the love of one person for another. The power of passionate love between persons – sexual‐love or love of the body – is experience of the Force. The Jedi also teach their trainees to have a detached, compassionate love for others that is sometimes called “Platonic love.” Anakin's transformation into Darth (...) Vader seems to contradict a prophecy about him: that he's the Chosen One who would bring balance back to the Force. Star Wars doesn't leave the original love, Anakin's passionate love for Padmé, behind. The Force love of Rey and Ren concludes the drama of love that finally achieves the balance of the Force in the sequel trilogy. (shrink)

In one of the most stunning Star Wars story lines, the Republic's clone troopers turn on and kill their Jedi generals upon receiving – personally from Darth Sidious – the message, “Execute Order 66.” Animated series such as The Clone Wars, The Bad Batch, and Rebels, novels such as Order 66, and comics such as Star Wars: Republic more deeply explore and explain Order 66. The clones' inhibitor chip degrades or destroys their capacity for independent thought, testifying to the (...) fragility of moral autonomy. The Republic apparently faces many challenges as they turn to the Kaminoans to clone an army that can successfully fight the Separatist droid army. The clones' moral autonomy was indeed quite fragile upon hearing the order. It takes autonomy to make a competent soldier, especially an elite clone trooper. (shrink)

Boba Fett's cultural significance stands in striking contrast with his minimal screen time, and even more so with his infrequent and tersely spoken lines. With Boba Fett, a small head tilt, as well as how he cradles his gun become important signs. Boba Fett's status as an intermediary might make him seem amoral relativist. As is often the case with characters in Star Wars, Boba Fett has father issues. Bounty hunting in Boba's work occupies a gray zone between the white (...) of his clone trooper brethren and the black of Vader. Boba may be a “good son” who takes up his father's business, but the business itself is a troublesome affair. Repeated screenings of The Empire Strikes Back and Return of the Jedi may have convinced many viewers that Boba Fett's iconic status as an “antihero” was grounded in the appearance of amoralism being at the heart of mercenary work. (shrink)

Loyalty is like the Force: it has a light side and a dark side, and it surrounds and binds us all. Each of us, whether Jedi or Sith, Rebel or Imperial, is ensnared in a complex web of loyalties. On the light side, our loyalties bind us, turning mere groups of people into something more. On the dark side, those same loyalties can trap us and restrict us. This chapter argues that the value of loyalty itself is exaggerated, and (...) that its true value is derived from other valuable personality traits. The chapter talks about loyalty and betrayal found in the characters of Star Wars. Loyal people seem to be better people all around than nonloyal people. Loyalty itself may not be all that good, but it represents a combination of other factors that generally are good. Commitment, dedication, and selflessness are all valuable traits for a person to have. (shrink)

The people's‐led Separatist movement was justified as an effort to bring about self‐determination, freedom, and justice for marginalized planets that did not feel represented by the Republic. The same spirit of resistance of the Separatist movement can also be found in the citizens of the Republic itself. The Clone Wars depicts the dangers and costs of endless militarism and highlights problems with the Jedi. Cornel West discusses the ways democratic traditions and values are under threat in the US, highlighting (...) three dogmas that seriously threaten democratic sensibilities: free‐market fundamentalism, aggressive militarism, and escalating authoritarianism. In the Clone Wars episode “Sabotage,” the end of the war is near, and the Republic's increasing militarization foreshadows its transition to the Empire. With Admiral Tarkin in command, the Republic becomes more ruthless in carrying out the war effort. (shrink)

To understand Rey's search for relationships and community one can make use of Aristotle's theory of friendship, which has three forms: friendships of utility, of pleasure, and of virtue. Friendships for the sake of virtue differ from the other two forms of friendship. These imperfect friendships are fundamentally self‐regarding and often short‐lived. Intimate friendships include values of virtue, pleasure, or usefulness. In the Star Wars universe, characters make choices about both these intimate and wider communities, and in doing so choose (...) a set of values. If the choice of an intimate relationship is also a choice of a wider community and the community's values, the weight of such a choice becomes apparent. Rey's choice to claim the Skywalker name is significant as she's making a choice between two communities with irreconcilable values: the Jedi and the Sith. (shrink)

From widespread unemployment and mounting international hostilities, every day we are swept into more political chaos--so one brave man looks to the Star Wars universe for answers to our most urgent problems. "You can't stop the change -- anymore than you can stop the sun from setting." Anakin Skywalker was never able to live with this wisdom shared by his mother on the day he left home to train as a Jedi Knight. That failure led him to becoming the (...) fearsome villain we all know as Darth Vader. We're living in a time of unprecedented and rapid change. An age of chaos. Democracies are in decline worldwide. Dictators are ascendant. Civic organizations are crumbling. People feel lonelier and more rudderless than in any other time in recent history. We've tried to slow down, and in some cases we, like Anakin, have tried stop the change, but failed at every turn. The fears that come with living in an age of disruption have produced public anger, and that anger has swelled movements of hate. Author Stephen Kent believes part of the solution is hiding in plain sight. A story that binds together multiple generations with a common language, a moral framework, and a sense of wonder. It's Star Wars. What if we looked to Star Wars for more than just entertainment? How the Force Can Fix the World takes this challenge on by analyzing the core principles of the Star Wars franchise: HOPE, CHOICE, HUMILITY, EMPATHY, REDEMPTION, BALANCE and rejecting FEAR. Together, these are the Star Wars roadmap for living better lives, and maybe even fostering a better politics. The path that we're on -- where fear leads to anger, and anger to hatred -- will only end in suffering. But Star Wars shows us the way back from the brink. Shared stories of virtue that are beloved across cultures and political divides are hard to come by, but Star Wars is one such story. Turn on the news; things are pretty broken right now -- but the Force can fix the world. (shrink)

This third brand-new 'Star Wars & Philosophy' title once again takes a fresh look at the franchise with all-new chapters. The focus of this volume is the more recent entries into the franchise, including hit TV shows such as THe Mandalorian. Modern applied philosophy is also used to analyse the Star Wars universe: In addition to thorny metaphysical questions about the nature of time and free will, this volume highlights the staggering cultural impact of George Lucas's universe. The newest Star (...) Wars narratives tackle ethnicity on alien worlds and how love and sex with a droid like L3-37 would work ("It works"). The connections between the Separatist Freedom Movement and the struggle for social justice in the USA in the 21st century are brought to light. And philosophical second looks at Rian Johnson's The Last Jedi prove there is much more to this controversial entry in the Skywalker saga. (shrink)

Does it take faith to be a Jedi? Are droids capable of thought? Should Jar Jar Binks be held responsible for the rise of the Empire? Presenting entirely new essays, no aspect of the myth and magic of George Lucas’s creation is left philosophically unexamined in The Ultimate Star Wars and Philosophy. The editors of the original Star Wars and Philosophy strike back in this Ultimate volume that encompasses the complete Star Wars universe Presents the most far-reaching examination of (...) the philosophy behind Star Wars – includes coverage of the entire film catalogue to date as well as the Expanded Universe of novels, comics, television series, games and toys Provides serious explorations into the deeper meaning of George Lucas’s philosophically rich creation Topics explored include the moral code of bounty-hunter favourite Boba Fett, Stoicism and the Jedi Order, the nature of the Dark Side, Anakin and Achilles in a nihilism face-off, feminism and being chained to a giant slug, cloning, de-extinction, fatherhood, Wookiees, loyalty, betrayal, guardians, republics, tyrants, terrorism, civic duty, friendship, family, and more! Publishing in time for the global release of Star Wars Episode VII: The Force Awakens on December 18, 2015 – hotly anticipated to become the first film to top $3 billion in worldwide box office sales. (shrink)