The present paper deals with Indian social values and concepts as revealed by a critical study of Hindi poetry of the second half of the 16th century and especially the works of Tulsidasa, Surdasa and Dadu Dayal. Although a detailed comparative study of other forms of literature, particularly in the Persian language, has not been attempted here, this has been taken into consideration in the process of analysing the works of these three poets.All these writers were religious saints and (...) their theme is essentially devotion (bhakti) and godliness. It is accepted that many of the traditional concepts and some of the idealised situations may not necessarily reflect the position as it obtained in the second half of the 16th century. Nevertheless, a cautious and careful examination of poetry, more particularly of the choice of words, does enable us to determine the prevailing attitudes and social concepts. Some of these are briefly referred to in this paper. (shrink)

This book includes a study of writers on mysticism, mystics and mysticism for world religions and the nature and stages of the mystical journey. This contents show some of the mystic studied - I. Mystics of The Ancient Past -/- Pre-history Of Mysticism Vedic Hymnists Early Egyptians The Early Jews Upanishadic Seers Kapila The Bhagavad Gita The Taoist Sages The Buddha -/- II. Mystics of The Greco-Roman Era -/- The Pre-Socratic Greeks Socrates And His Successors Zeno of Citium Philo Judaeus (...) Jesus of Nazareth Early Christians The Gnostics The Hermetics Plotinus III. Mystics of The Early Middle Ages -/- Pseudo-Dionysius Narada Patanjali The Tantra Shankara Dattatreya Milarepa The Ch’an And Zen Buddhists The Sufis Al-Hallaj -/- IV. Mystics of The Late Middle Ages -/- Jewish Mysticism Ibn Arabi Iraqi Rumi Jnaneshvar Medieval Christians Meister Eckhart Thomas á Kempis -/- V. Mystics of The Modern Era -/- Nicholas of Cusa Juan de la Cruz (St. John of the Cross) Kabir Nanak Dadu Seventeenth And Eighteenth Century Mystics Sri Ramakrishna Ramana Maharshi Swami Rama Tirtha Twentieth Century Mystics Conclusion . (shrink)

To understand the history of Advaita Vedānta and its rise to prominence, we need to devote more attention to what might be termed “Greater Advaita Vedānta,” or Advaita Vedānta as expressed outside the standard canon of Sanskrit philosophical works. Elsewhere I have examined the works of Niścaldās (ca. 1791–1863), whose Hindi-language Vicār-sāgar (“The Ocean of Inquiry”) was once referred to by Swami Vivekananda as the most influential book of its day. In this paper, I look back to one of Niścaldās’s (...) major influences: Sundardās (1596–1689), a well-known Hindi poet and a direct disciple of Dādū Dayāl (d. 1604). Sundardās is typically classified as a bhakti poet rather than an Advaita Vedāntin; certainly he is not included in existing surveys or histories of Vedānta. In his youth, however, he studied Sanskrit and Vedānta in Banaras, and his poems present us with a mind that found no contradiction in claiming Dādū as his master and at the same time embracing the teachings of Advaita Vedānta. I argue that not only should Sundardās be included in histories of Advaita Vedānta, he should be credited for his originality: not only did he “Vedānticize” the Dādū Panth, he “Dādūized” Vedānta. I conclude by comparing Sundardās to two Sanskrit intellectuals from roughly the same period: Mahādeva Sarasvatī Vedāntin and Annambhaṭṭa, both of whom, like Sundardās, had commitments to Advaita Vedānta as well as to other intellectual traditions. (shrink)

To understand the history of Advaita Vedānta and its rise to prominence, we need to devote more attention to what might be termed “Greater Advaita Vedānta,” or Advaita Vedānta as expressed outside the standard canon of Sanskrit philosophical works. Elsewhere I have examined the works of Niścaldās, whose Hindi-language Vicār-sāgar was once referred to by Swami Vivekananda as the most influential book of its day. In this paper, I look back to one of Niścaldās’s major influences: Sundardās, a well-known Hindi (...) poet and a direct disciple of Dādū Dayāl. Sundardās is typically classified as a bhakti poet rather than an Advaita Vedāntin; certainly he is not included in existing surveys or histories of Vedānta. In his youth, however, he studied Sanskrit and Vedānta in Banaras, and his poems present us with a mind that found no contradiction in claiming Dādū as his master and at the same time embracing the teachings of Advaita Vedānta. I argue that not only should Sundardās be included in histories of Advaita Vedānta, he should be credited for his originality: not only did he “Vedānticize” the Dādū Panth, he “Dādūized” Vedānta. I conclude by comparing Sundardās to two Sanskrit intellectuals from roughly the same period: Mahādeva Sarasvatī Vedāntin and Annambhaṭṭa, both of whom, like Sundardās, had commitments to Advaita Vedānta as well as to other intellectual traditions. (shrink)

To understand the history of Advaita Vedānta and its rise to prominence, we need to devote more attention to what might be termed “Greater Advaita Vedānta,” or Advaita Vedānta as expressed outside the standard canon of Sanskrit philosophical works. Elsewhere I have examined the works of Niścaldās, whose Hindi-language Vicār-sāgar was once referred to by Swami Vivekananda as the most influential book of its day. In this paper, I look back to one of Niścaldās’s major influences: Sundardās, a well-known Hindi (...) poet and a direct disciple of Dādū Dayāl. Sundardās is typically classified as a bhakti poet rather than an Advaita Vedāntin; certainly he is not included in existing surveys or histories of Vedānta. In his youth, however, he studied Sanskrit and Vedānta in Banaras, and his poems present us with a mind that found no contradiction in claiming Dādū as his master and at the same time embracing the teachings of Advaita Vedānta. I argue that not only should Sundardās be included in histories of Advaita Vedānta, he should be credited for his originality: not only did he “Vedānticize” the Dādū Panth, he “Dādūized” Vedānta. I conclude by comparing Sundardās to two Sanskrit intellectuals from roughly the same period: Mahādeva Sarasvatī Vedāntin and Annambhaṭṭa, both of whom, like Sundardās, had commitments to Advaita Vedānta as well as to other intellectual traditions. (shrink)