- Essence and modality.Kit Fine - 1994 - Philosophical Perspectives 8 (Logic and Language):1-16.details
|
|
Sameness and Substance Renewed.E. J. Lowe - 2003 - Mind 112 (448):816-820.details
|
|
Sameness and Substance Renewed.David Wiggins - 2005 - Philosophy and Phenomenological Research 71 (2):456-461.details
|
|
Why a set contains its members essentially.James Van Cleve - 1985 - Noûs 19 (4):585-602.details
|
|
The modality principle and work-relativity of modality.Danilo Šuster - 2005 - Acta Analytica 20 (4):41-52.details
|
|
Interpretation and Construction: Art, Speech, and the Law. [REVIEW]Theodore Gracyk - 2006 - Philosophical Review 115 (4):524-526.details
|
|
Interpretation and Construction: Art, Speech, and the Law.David Davies - 2004 - Journal of Aesthetics and Art Criticism 62 (3):293-296.details
|
|
David Davies, Art as Performance.Robert Stecker & John Dilworth - 2005 - Journal of Aesthetics and Art Criticism 63 (1):75-80.details
|
|
David Davies, art as performance.Reviews by Robert Stecker & John Dilworth - 2005 - Journal of Aesthetics and Art Criticism 63 (1):75–80.details
|
|
On the Plurality of Worlds by David Lewis. [REVIEW]Nathan Salmon - 1988 - Philosophical Review 97 (2):237.details
|
|
Prevention, independence, and origin.Guy Rohrbaugh & Louis deRosset - 2006 - Mind 115 (458):375-386.details
|
|
I could have done that.Guy Rohrbaugh - 2005 - British Journal of Aesthetics 45 (3):209-228.details
|
|
A new route to the necessity of origin.Guy Rohrbaugh & Louis deRosset - 2004 - Mind 113 (452):705-725.details
|
|
Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.details
|
|
Rohrbaugh and deRosset on the Necessity of Origin.Sonia Roca-Royes & Ross Cameron - 2006 - Mind 115 (458):361-366.details
|
|
Does the new route reach its destination?Teresa Robertson & Graeme Forbes - 2006 - Mind 115 (458):367-374.details
|
|
Fine individuation.Carl Matheson & Ben Caplan - 2007 - British Journal of Aesthetics 47 (2):113-137.details
|
|
On The Plurality of Worlds.Graeme Forbes - 1988 - Philosophical Quarterly 38 (151):222-240.details
|
|
On the Plurality of Worlds.William G. Lycan - 1988 - Journal of Philosophy 85 (1):42-47.details
|
|
Counterparts of persons and their bodies.David Lewis - 1971 - Journal of Philosophy 68 (7):203-211.details
|
|
Counterpart theory and quantified modal logic.David Lewis - 1968 - Journal of Philosophy 65 (5):113-126.details
|
|
What a musical work is.Jerrold Levinson - 1980 - Journal of Philosophy 77 (1):5-28.details
|
|
The Pleasures of Aesthetics: Philosophical Essays.Stephen Davies - 1996 - Journal of Aesthetics and Art Criticism 57 (3):371-374.details
|
|
Titles.Jerrold Levison - 1985 - Journal of Aesthetics and Art Criticism 44 (1):29-39.details
|
|
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.Alan H. Goldman - 1992 - Journal of Aesthetics and Art Criticism 50 (4):327-329.details
|
|
Autographic and allographic art revisited.Jerrold Levinson - 1980 - Philosophical Studies 38 (4):367 - 383.details
|
|
The Fine Art of Repetition: Essays in the Philosophy of Music.Kathleen Marie Higgins - 1994 - Journal of Aesthetics and Art Criticism 52 (4):472-473.details
|
|
The Fine Art of Repetition. [REVIEW]John Andrew Fisher - 1996 - Philosophy and Phenomenological Research 56 (4):962-965.details
|
|
The Worlds of Art and the World.Peter Kivy - 1983 - Grazer Philosophische Studien 19:109-129.details
|
|
Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
|
|
Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
|
|
Supervenience and Mind. [REVIEW]William Seager - 1996 - Philosophy and Phenomenological Research 56 (3):730-733.details
|
|
Philosophical Papers.Graeme Forbes & David Lewis - 1985 - Philosophical Review 94 (1):108.details
|
|
The Pleasures of Aesthetics. [REVIEW]Eric Dayton - 1999 - Dialogue 38 (1):214-214.details
|
|
The Fine Structure of the Focus of Appreciation.David Davies - 2004 - In Art as Performance. Oxford, UK: Blackwell. pp. 50–79.details
|
|
Reperforming and reforming art as performance: Responses. [REVIEW]David Davies - 2005 - Acta Analytica 20 (4):64-90.details
|
|
Knowing One’s Own Mind.Donald Davidson - 1987 - Proceedings and Addresses of the American Philosophical Association 60 (3):441-458.details
|
|
Art as Performance. [REVIEW]A. Kania - 2005 - Mind 114 (453):137-141.details
|
|
Art as Performance.Robert Stecker - 2005 - Journal of Aesthetics and Art Criticism 63 (1):77-80.details
|
|
An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
|
|
An Ontology of Art.Andy Hamilton - 1990 - Philosophical Quarterly 40 (161):538-541.details
|
|
An Ontology of Art.Nicholas Wolterstorff - 1991 - Journal of Aesthetics and Art Criticism 49 (1):79-81.details
|
|
An Ontology of Art, by Gregory Currie. [REVIEW]Jerrold Levinson - 1992 - Philosophy and Phenomenological Research 52 (1):215-222.details
|
|
Interpretation and Construction: Art, Speech, and the Law.Robert Stecker - 2003 - Malden, MA: Wiley-Blackwell.details
|
|
Naming and Necessity.Saul Kripke - 1980 - Critica 17 (49):69-71.details
|
|
Works of music: an essay in ontology.Julian Dodd - 2007 - New York: Oxford University Press.details
|
|
Sameness and Substance Renewed.David Wiggins - 2001 - New York: Cambridge University Press. Edited by David Wiggins.details
|
|
Interpretation and Construction: Art, Speech, and the Law.Robert Stecker - 2003 - Malden, MA: Wiley-Blackwell.details
|
|
Naming and Necessity: Lectures Given to the Princeton University Philosophy Colloquium.Saul A. Kripke - 1980 - Cambridge, MA: Harvard University Press. Edited by Darragh Byrne & Max Kölbel.details
|
|
Art as Performance.Dave Davies - 2003 - Wiley-Blackwell.details
|
|