Abstract

The object of Angle’s rich, fascinating and wide-ranging book is the admirable one of building a bridge between Confucian ethics and modern ethical thought. He does this through the use of two major tools. The first is the overall framework: Confucian ethics is understood as a type of virtue ethics. The second is the deployment of “bridge concepts” “which allow us to put two traditions into dialogue” for “they are open enough to permit of greater specification” (Stalnaker 2006: 17) in relation to each of the traditions brought into dialogue (52). These two tools are linked, for Angle thinks of virtue ethics itself as a bridge concept, “which is meant to be a general framework for discussion rather than a particular, fully specified understanding” (52). This is an interesting approach to the problem of the definition of virtue ethics, but I shall not focus on this issue. Nor shall I challenge the virtue ethical framework of Angle—I am not qualified enough for that—though I believe that some reject such a framework in favor of role ethics. I myself believe that virtue ethics in its fuller development should embrace role ethics through the notion of what I have called “differentiated” virtue. But this issue is not the focus of Angle’s book. Rather I shall concentrate on aspects of two concepts which Angle appears to deploy as bridge concepts: balance in relation to the Confucian idea of harmony, and attention in relation to the Confucian idea of reverence. We begin with balance and harmony