Abstract

H. S. Harris’s Hegel’s Ladder opens up the epic universe of Hegel’s Phenomenology of Spirit by constructing a text that is epic in its dimensions and self-conscious design. It aims at truth. In the first instance, this means adequacy with respect to the Phenomenology ’s epic account of humanity’s movement toward self-certain truth. In the second instance, it means correspondence to the epic design of the Phenomenology. For Harris, it is self-evident that the Phenomenology belongs to the genre of epic, since it repeats in a philosophical idiom the form and content of classical Western epics. That Harris accepts, even celebrates the secondariness of his text, vis-à-vis Hegel’s best-known text, does nothing to diminish its intellectual and narrative power. Indeed, with respect to the latter, I want to claim that Hegel’s Ladder rises to the level of a powerful, original epic precisely in its ascesis. Like all powerful texts, Hegel’s Ladder intimidates. Before interpretation so exhaustive, before discernment so perspicacious, any Hegel commentator will fear that whatever he or she has to say will be parochial, redundant, opaque, and intellectually impoverished.